ABACAXI @ EAR TO THE GROUND FESTIVAL

SIMON HENOCQ (GUITARE SOLO) @ PAF

JOCAFOC + SAKINA ABDOU (Solo) @ LE TEMPS DES CORPS

Bribes 4 - The Sky Is Crying @Le Crescent

Bribes 4 - The Sky Is Crying @L'escale 

Bribes 4 - The Sky Is Crying @Media Music La Vapeur

BRIBES 4 RELEASE PARTY @ OLYMPIQUE CAFE

JULIEN DESPREZ 'AGORA' @ IMPORT-EXPORT

KEEP THE BASTARDS HONEST & LE SUB

ARC (JULIEN DESPREZ) @ NIGHT OF SUPRISES

JULIEN DESPREZ 'AGORA' @ DOKZAAL.

HÅLA DUETT @ TAQUIN

MOPCUT @ AVANT ART FESTIVAL

MOPCUT @ UNSOUND FESTIVAL

KEEP THE BASTARDS HONEST @ SHAKIRAIL FESTIVAL

JULIEN DESPREZ 'AGORA' @ CAVE 12

JULIEN DESPREZ 'AGORA' @ 6 PAR 4

WE USE COOKIES @ GENERATEUR

CREATION KERMESSE(S) @ LE GENERATEUR

<p>Machines interacting in a freaky organic manner, paired with filtered and distorted drums<br>This is DO_DO by Simon Henocq & Ciccio Pasta</p>
<p> </p>
<p><span style="font-size: 14pt;"><strong>Simon Henocq - Electronics</strong></span><br><span style="font-size: 14pt;"><strong>Francesco Pastacaldi - Drums, distorted piezo mics</strong></span></p>
<p> </p>
<p><iframe src="https://www.youtube.com/embed/ySgCHu3M6bc?si=ggWp99_3jCh578I2" width="650" height="364" allowfullscreen="allowfullscreen"></iframe></p>
<p> </p>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1917972779&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="650" height="300" frameborder="no" scrolling="no" allow="autoplay"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a style="color: #cccccc; text-decoration: none;" title="simonhenocq" href="https://soundcloud.com/user-964801401" target="_blank" rel="noopener">simonhenocq</a> &middot; <a style="color: #cccccc; text-decoration: none;" title="DO_DO" href="https://soundcloud.com/user-964801401/sets/do_do" target="_blank" rel="noopener">DO_DO</a></div>

Machines interacting in a freaky organic manner, paired with filtered and distorted drums
This is DO_DO by Simon Henocq  & Ciccio Pasta

DO_DO

<p>Machines interacting in a freaky organic manner, paired with filtered and distorted drums<br>This is DO_DO by Simon Henocq & Ciccio Pasta</p>
<p> </p>
<p><span style="font-size: 14pt;"><strong>Simon Henocq - Electronics</strong></span><br><span style="font-size: 14pt;"><strong>Francesco Pastacaldi - Drums, distorted piezo mics</strong></span></p>
<p> </p>
<p><iframe src="https://www.youtube.com/embed/ySgCHu3M6bc?si=ggWp99_3jCh578I2" width="650" height="364" allowfullscreen="allowfullscreen"></iframe></p>
<p> </p>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1917972779&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="650" height="300" frameborder="no" scrolling="no" allow="autoplay"></iframe></p>
<p> </p>

Machines interacting in a freaky organic manner, paired with filtered and distorted drums This is DO_DO by Simon Henocq  & Ciccio Pasta


<p>Graduated from the Beaux Arts in Paris, Valentin Bonnet is a composer, singer, performer, and creator of various devices. His work revolves around music as a cultural object: how the context of its distribution and the technical means employed influence the evolution of its composition and production. In recent years, he has created his solo project Valentin Goostman, an electronic music work blending ambient, folk, scat singing, and experimental pop. He performs live using various methods and custom devices.</p>
<p>His practice includes compositions, concerts, actions, and shows, continuously situated within a specific context.</p>
<p>Since then, he has participated in numerous collaborative projects; with his electronic rock band Frederic Different, in musical performances with Sophie Torrell, in a musical forge setup (Mauvais Esprits) with blacksmith Aur&eacute;lien Lafon, and many other endeavors.</p>
<p>&nbsp;</p>
<h3>"La travers&eacute;e du d&eacute;sert de Jojo Le Pecquord"</h3>
<p>"La travers&eacute;e du d&eacute;sert de Jojo Le Pecquord" is a multidisciplinary project blending concert, performance, and theater. This performance portrays a character in his intimacy, attempting to quickly build a musical project and stumbling upon a series of tutorials on building a musical career from A to Z. He follows bits of one tutorial, then another, leading him to perform different actions: from vocal warm-ups, writing chords, DIY instrument making, lyrics, video production, various styles, building a persona, to live performance, culminating in a final product resulting from all the learning. Through the performance, the character's intimacy is revealed in his artistic and personal quest. He experiments as if no external gaze exists, losing himself in his intentions and identity to find himself. Often picturesque, these tutorials highlight the idea of learning music, its contours, and its dissemination via the internet today.</p>
<p>&nbsp;</p>
<p>"How to Quickly Build a Musical Project Using the Internet? The intimate performance by Valentin Bonnet, aka Valentin Goostman, at the crossroads of music and computing, offers a hilarious and burlesque example, step by step. The objects are eclectic: a computer, a whiteboard, a bicycle, a clothes drying rack. All will be used. He gets instructions: 'How to build a musical project quickly,' he types into Google. On YouTube, tutorials and instructions pop up, Valentin Bonnet follows them, finds lyrics for a song about potatoes. Tense, he follows the instructions, seeks chords to accompany his verses. Before moving on to serious matters: 'develop your artist identity.' Deadpan, Valentin Bonnet searches, integrates, and applies these tips in this real-time musical choreography. A performance in which the artist (who also creates and produces music and musical devices) extrapolates what someone might do alone, strictly following these instructions, meticulously manipulating the artificial spectacle he creates before us: fake navigation, fake dramaturgy. Implicitly, having already produced an entire album in scat singing, he raises troubling questions about the democratization of music, solitude, and illusion. When does one become an artist? What legitimizes the act?"</p>
<p>&nbsp;</p>
<p><em>Text by Marjorie Bertin about the first version of the performance.</em></p>
<p>&nbsp;</p>
<h4><a href="https://valentingoostman.hotglue.me/" target="_blank" rel="noopener">www.valentingoostman.hotglue.me</a></h4>
<p><a href="https://linktr.ee/valentingoostman" target="_blank" rel="noopener">https://linktr.ee/valentingoostman</a></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-valentingoostman-photoprojet.jpeg" alt="misc-valentingoostman-photoprojet.jpeg" width="650" height="433" /></p>

VALENTIN GOOSTMAN

<p style="color: #222222;">Dipl&ocirc;m&eacute; des Beaux-Arts de Paris, Valentin Bonnet est compositeur, chanteur, performeur et cr&eacute;ateur de dispositifs multiples. Son travail tourne autour du champ de la musique en tant qu&rsquo;objet culturel : comment le contexte de sa diffusion et les moyens techniques mis en place influent sur l&rsquo;&eacute;volution de son &eacute;criture et de sa production.</p>
<p style="color: #222222;">Depuis quelques ann&eacute;es, il cr&eacute;e son projet Valentin Goostman, une &oelig;uvre solo de musique &eacute;lectronique, m&ecirc;lant ambient, folk, yaourt et pop exp&eacute;rimentale. Il se produit sur sc&egrave;ne en utilisant diff&eacute;rentes m&eacute;thodes et dispositifs sur mesure pour jouer. Sa pratique prend la forme de compositions musicales, concerts, actions, spectacles, s&rsquo;inscrivant continuellement dans un contexte sp&eacute;cifique.</p>
<p style="color: #222222;">Parall&egrave;lement, il prend part &agrave; de nombreux projets en collaboration : avec son groupe de rock &eacute;lectronique Fr&eacute;d&eacute;ric Different, des spectacles musicaux avec Sophie Torrell, un dispositif de forge musicale (Mauvais Esprits) avec le forgeron Aur&eacute;lien Lafon, et bien d&rsquo;autres choses encore.</p>
<p>&nbsp;</p>
<h3>&laquo; La travers&eacute;e du d&eacute;sert de Jojo Le Pecquord &raquo;</h3>
<p>&nbsp;</p>
<div>&laquo; La travers&eacute;e du d&eacute;sert de Jojo Le Pecquord &raquo; est un projet transdisciplinaire entre le concert, la performance et le th&eacute;&acirc;tre. Cette performance met en sc&egrave;ne un personnage dans son intimit&eacute;. Il cherche &agrave; construire un projet musical de mani&egrave;re rapide et tombe sur une s&eacute;rie de tutoriels ayant pour sujet l&rsquo;apprentissage d&rsquo;une carri&egrave;re musicale de A &agrave; Z. Il suit alors un bout de tutoriel, puis un autre, et encore un autre, ce qui l&rsquo;am&egrave;ne &agrave; produire des actions diff&eacute;rentes : en passant au d&eacute;but par l&rsquo;&eacute;chauffement vocal, comment &eacute;crire des accords, la lutherie DIY, les paroles, la r&eacute;alisation d&rsquo;un clip, les diff&eacute;rents styles, la construction d&rsquo;un personnage, le live... jusqu&rsquo;&agrave; donner un contenu final r&eacute;sultant de tout l&rsquo;apprentissage. &Agrave; travers la performance, est r&eacute;v&eacute;l&eacute;e l&rsquo;intimit&eacute; du personnage dans sa qu&ecirc;te artistique et individuelle. Il se permet d&rsquo;exp&eacute;rimenter comme si aucun regard ext&eacute;rieur n&rsquo;existait. Il se perd dans ses intentions, dans son identit&eacute;, pour essayer de se trouver. Tr&egrave;s souvent pittoresques, ces tutoriels donnent &agrave; voir l&rsquo;id&eacute;e de l&rsquo;apprentissage de la musique, de ses contours et de sa diffusion via internet aujourd&rsquo;hui. Le personnage essaie de se placer, d&rsquo;exp&eacute;rimenter, de cr&eacute;er, de comprendre &agrave; travers toute une surcharge de contenu quelquefois sans corr&eacute;lation. Il repr&eacute;sente un corps qui va subir la p&eacute;dagogie d&rsquo;une construction artistique, identitaire et culturelle dans le monde contemporain. Comment va-t-il se construire et se placer en tant qu&rsquo;artiste &agrave; travers ce voyage de contenu internet ? Quel impact la diffusion de la musique a-t-elle sur son &eacute;volution, sa production, sa fa&ccedil;on de la jouer ?</div>
<div>Les tutoriels permettent de faire naviguer ce personnage dans des directions diff&eacute;rentes et de ne jamais obtenir le m&ecirc;me r&eacute;sultat. C&rsquo;est une sorte d&rsquo;improvisation o&ugrave; les tutoriels seraient des partitions.&nbsp;</div>
<p>&nbsp;</p>
<p>&laquo; Comment construire un projet musical rapidement gr&acirc;ce &agrave; internet ? La performance intimiste de Valentin Bonnet, dit Valentin Goostman, au croisement de la musique et de l&rsquo;informatique, nous en offre un exemple d&eacute;sopilant et burlesque, &eacute;tape par &eacute;tape. Les objets sont h&eacute;t&eacute;roclites : un ordinateur, un tableau blanc, un v&eacute;lo, un &eacute;tendoir &agrave; linge. Tous serviront. Il s&rsquo;agit d&rsquo;obtenir des consignes. &laquo; Comment construire un projet musical rapidement &raquo;, &eacute;crit-il sur Google. Sur YouTube, les tutos et les consignes tombent, Valentin Bonnet s&rsquo;ex&eacute;cute, trouve des paroles pour une chanson dans laquelle il est question de pomme de terre. Le corps tendu, il suit les consignes, cherche les accords qui vont accompagner ses vers. Avant de passer aux choses s&eacute;rieuses : &laquo; d&eacute;velopper ton identit&eacute; d&rsquo;artiste &raquo;. Pince sans rire, Valentin Bonnet cherche, int&egrave;gre et applique ces conseils, dans cette chor&eacute;graphie musicale en temps r&eacute;el. Une performance dans laquelle l&rsquo;artiste (qui par ailleurs r&eacute;alise et produit de la musique et des dispositifs musicaux) extrapole ce que pourrait faire, toute seule, une personne qui suivrait scrupuleusement ces conseils, manipulant avec m&eacute;ticulosit&eacute; le spectacle artificiel qu&rsquo;il cr&eacute;e devant nous : fausse navigation, fausse dramaturgie. En creux, celui qui a d&eacute;j&agrave; r&eacute;alis&eacute; un disque entier en yaourt, soul&egrave;ve un certain nombre de questions troublantes quant &agrave; la d&eacute;mocratisation de la musique mais aussi &agrave; la solitude et &agrave; l&rsquo;illusion. &Agrave; quel moment est-on artiste ? Qu&rsquo;est-ce-qui l&eacute;gitimise le geste ? &raquo;</p>
<p>&nbsp;</p>
<p><em>Texte de Marjorie Bertin &agrave; propos de la premi&egrave;re version de la performance.</em></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h4><a href="https://valentingoostman.hotglue.me/" target="_blank" rel="noopener">www.valentingoostman.hotglue.me</a></h4>
<p><a href="https://linktr.ee/valentingoostman" target="_blank" rel="noopener">https://linktr.ee/valentingoostman</a></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-valentingoostman-photoprojet.jpeg" alt="misc-valentingoostman-photoprojet.jpeg" width="650" height="433" /></p>
<p>&nbsp;</p>

Son travail tourne autour du champ de la musique en tant qu&rsquo;objet culturel : comment le contexte de sa diffusion et les moyens techniques mis en place influent sur l&rsquo;évolution de son écriture...

CREATION « LA TRAVERSÉE DU DÉSERT DE JOJO LE PECQUORD » @ THÉATRE DE VANVES

VALENTIN GOOSTMAN RESIDENCE @ CONSERVATOIRE DE JUVISY - DU 19 AU 25 FEVRIER

<p>Zing Ping Pan Pan Fuuu Tacatacat Boing Aaaaah Katoum Ptukutu Glang Tuuut Gling Beuuuuuh Beuuuh Beuuh Klakakoukou Brrrrr Doumdoum Patapoum Tchac Tchac !</p>
<p>&nbsp;</p>
<h3 style="color: #222222;">Antoine Viard: Sax, Fx</h3>
<h3 style="color: #222222;">Bruno Ducret: Guit</h3>
<h3 style="color: #222222;">Niels Mestre: Basse</h3>
<h3 style="color: #222222;">Aymeric Avice: Batterie&nbsp;</h3>
<p>&nbsp;</p>
<p><iframe src="https://bandcamp.com/EmbeddedPlayer/album=2370390668/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" width="650" height="325" seamless="" data-mce-fragment="1"><a href="https://antoineviard.bandcamp.com/album/mourir-la-fnac">Mourir à la FNAC de MALF</a></iframe></p>

MOURIR A LA FNAC

<div>
<p>Zing Ping Pan Pan Fuuu Tacatacat Boing Aaaaah Katoum Ptukutu Glang Tuuut Gling Beuuuuuh Beuuuh Beuuh Klakakoukou Brrrrr Doumdoum Patapoum Tchac Tchac !</p>
<p>&nbsp;</p>
<h3 style="color: #222222;">Antoine Viard: Sax, Fx</h3>
<h3 style="color: #222222;">Bruno Ducret: Guit</h3>
<h3 style="color: #222222;">Niels Mestre: Basse</h3>
<h3 style="color: #222222;">Aymeric Avice: Batterie&nbsp;</h3>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><iframe style="border: 0; width: 400px; height: 307px;" src="https://bandcamp.com/EmbeddedPlayer/album=2370390668/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" width="650" height="325" seamless=""><a href="https://antoineviard.bandcamp.com/album/mourir-la-fnac">Mourir à la FNAC de MALF</a></iframe></p>
</div>
<div>&nbsp;</div>

MALF ( Mourir à la Fnac) @festival Banlieues Bleues 

<p>Dreamer is an ongoing, evolving performance project, a fluid and breathing organism of film, music,<br>dance and poetry, an ode to our inner connection to the source, to nature, to the elements.</p>
<p><br>DREAMER is a poetic quest, an alchemical journey, traveling through different dimensions. Like a dream,<br>an experience to let wash over you - sensing, feeling, hearing, seeing...</p>
<p><br>While the performers invite onto a journey here and now, through within, we are equally taken onto a<br>journey outwards &ndash; both journeys intertwined, part of one another.</p>
<p> </p>
<h3>ANDREA HACKL : CONCEPT, VISUALS, FILM, DANSE</h3>
<h3>ANTOINE VIARD : SAXOPHONE</h3>
<p> </p>
<p><iframe src="https://player.vimeo.com/video/866777576?h=f0163d80a9" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p> </p>
<p><iframe src="https://player.vimeo.com/video/774310722?h=f83d1e9eb9" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>

DREAMER

<p>Dreamer est un projet de performance continu et évolutif, un organisme fluide et respirant composé de films, de musique,<br>danse et poésie,une ode à notre connexion intérieure à la nature, aux origines, aux éléments.</p>
<p> </p>
<p>L&rsquo;artiste et danseuse néerlandaise Andrea Hackl s&rsquo;allie au saxophoniste Antoine Viard pour proposer une performance polyphonique qui mêle danse, poésie, musique et vidéo. Les images projetées se croisent avec l'improvisation dansée et les rythmes déconstruits pour inviter à un voyage onirique. Dreamer nous plonge dans une série de sensations : le tumulte du vent, le calme des cimes perchées au-dessus des nuages, les aspérités des roches. Le spectacle est une excursion qui se vit comme l'expérience d&rsquo;un paysage, l&rsquo;élégance présente sous nos yeux nous plonge dans nos impressions intérieures.</p>
<p><br>DREAMER est une quête poétique, un voyage alchimique, voyageant à travers différentes dimensions. Comme un rêve, une expérience à laisser vous envahir - sentir, ressentir, entendre, voir... Tandis que les interprètes nous invitent à un voyage ici et maintenant, à travers l'intérieur, nous sommes également emmenés dans un voyage vers l&rsquo;extérieur &ndash; les deux voyages sont étroitement liés, font partie l&rsquo;un de l&rsquo;autre.</p>
<p> </p>
<h3>ANDREA HACKL : CONCEPT, VISUELS, FILM, DANSE</h3>
<h3>ANTOINE VIARD : SAXOPHONE</h3>
<p> </p>
<p><iframe src="https://player.vimeo.com/video/866777576?h=f0163d80a9" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p> </p>
<p><iframe src="https://player.vimeo.com/video/774310722?h=f83d1e9eb9" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p> </p>

Dreamer est un projet de performance continu et évolutif, un organisme fluide...

DREAMER (Antoine Viard et Andrea Hackl) @ Plein Theater

DREAMER (Antoine Viard et Andréa Hackl) @ L'atelier du plateau

<p>With sound as a central pillar, unique personalities from the visual and digital arts and scenography, performers and musicians collaborate and offer a dreamlike universe conducive to celebration. </p>
<p> </p>
<p>Through this heterogeneous gathering of know-how, each stand is designed as an instrument in its own right which can be both experienced by the public, but also taken in hand by the artists of the collective.</p>
<p> </p>
<p>Musicians occasionally take over the installations for surprising musical happenings. In the background, an entire orchestration is set in motion, each stand becoming the rhythmic or melodic element from which a unique work emerges. The performance is total, each participant evolves in this surprising device made available to them. He/she can take an active part in it or stay at a distance to simply assist/perceive.</p>
<p> </p>
<p><a href="https://drive.google.com/drive/u/0/folders/1uNdKOzlb8UECIjJQwsjQAi-74nI_dqqs" target="_blank" rel="noopener"><strong><span style="font-size: 18pt;">DOSSIER DE PRESENTATION</span></strong></a></p>
<p> </p>
<p><iframe src="https://player.vimeo.com/video/1028956882?h=e44acf4e56&title=0&amp;byline=0" width="650" height="366" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen="allowfullscreen"></iframe></p>
<p> </p>
<p class="p1"><span class="s1"><strong>Direction artistique :</strong></span></p>
<p class="p1"><span class="s1">Simon Henocq</span></p>
<p class="p1"><span class="s1">Antoine Viard</span></p>
<p class="p1"><span class="s1">Julien Desprez</span></p>
<p class="p1"><span class="s1">Yann Joussein</span></p>
<p class="p2"> </p>
<p class="p1"><span class="s1"><strong>Performeur.euse.s / Musicien.ne.s / Conception de stands</strong></span></p>
<p class="p1"><span class="s1">Simon Henocq</span></p>
<p class="p1"><span class="s1">Antoine Viard</span></p>
<p class="p1"><span class="s1">Julien Desprez</span></p>
<p class="p1"><span class="s1">Yann Joussein</span></p>
<p class="p1"><span class="s1">Fabien Gaston Rimbaud</span></p>
<p class="p1"><span class="s1">Caroline Savi Marsalo</span></p>
<p class="p1"><span class="s1">Jean Pierre Larroche</span></p>
<p class="p1"><span class="s1">Olivia Scemama</span></p>
<p class="p1"><span class="s1">Romain Allard</span></p>
<p class="p1"><span class="s1">Octave Courtin</span></p>
<p class="p1"><span class="s1">Emma Kerssenbrock</span></p>
<p class="p1"><span class="s1">Nicolas Canot</span></p>
<p class="p1"> </p>
<p class="p1"><span class="s1"><strong>Assistance technique à la conception des dispositifs sonores</strong></span></p>
<p class="p1"><span class="s1">Nicolas Canot</span></p>
<p class="p2"> </p>
<p class="p1"><span class="s1"><strong>Création lumière</strong></span></p>
<p class="p1"><span class="s1">Milena Grange</span></p>
<p class="p2"> </p>
<p class="p1"><span class="s1"><strong>Régie / Sonorisation/Technique du son</strong></span></p>
<p class="p1"><span class="s1">Thibault Brouzès & Anne Laurin</span></p>
<p class="p2"> </p>
<p class="p1"><span class="s1"><strong>Production</strong></span></p>
<p class="p1"><span class="s1">Collectif Coax</span></p>
<p class="p2"> </p>
<p class="p1"><span class="s1"><strong>Partenaires </strong></span></p>
<p class="p1"><span class="s1">Drac Ile-de-France, Région Ile-de-France, Spedidam, Maison de la Musique Contemporaine, </span><span class="s1">Les ateliers du spectacle - JP Larroche, Théâtre de Vanves, La Dynamo de Pantin, Le Générateur</span></p>
<p class="p1"> </p>
<p><strong>CONTACT / SOPHIE MASSA</strong></p>
<p>Chargée de diffusion</p>
<p>sophie[at] collectifcoax.com</p>
<p>+33 (0)6 28 76 44 69</p>
<p> </p>
<p><a href="https://drive.google.com/drive/u/0/folders/1uNdKOzlb8UECIjJQwsjQAi-74nI_dqqs" target="_blank" rel="noopener"><strong><span style="font-size: 18pt;">DOSSIER DE PRESENTATION</span></strong></a></p>

KERMESSE(S)

<p>Avec le son comme pilier central, des personnalités singulières des arts plastiques, numériques et de la scénographie, performeur.euses et musicien.nes collaborent et proposent un univers onirique propice à la fête. </p>
<p> </p>
<p>À travers ce rassemblement hétéroclite de savoir-faire, chaque stand est pensé comme un instrument à part entière qui peut être à la fois expérimenté par les publics, mais également pris en main par les artistes du collectif.</p>
<p> </p>
<p>Les musicien.ne.s s&rsquo;emparent ponctuellement des installations pour de surprenants happenings musicaux. En toile de fond c&rsquo;est toute une orchestration qui se met en mouvement, chaque stand devient l&rsquo;élément rythmique ou mélodique desquels émerge une &oelig;uvre unique. La performance est totale, chaque participant.e évolue dans ce surprenant dispositif mis à sa disposition. Il.elle peut y prendre part activement ou rester à distance pour simplement assister/percevoir.</p>
<p> </p>
<p><a href="https://drive.google.com/drive/u/0/folders/1uNdKOzlb8UECIjJQwsjQAi-74nI_dqqs" target="_blank" rel="noopener"><strong><span style="font-size: 18pt;">DOSSIER DE PRESENTATION</span></strong></a></p>
<p> </p>
<p><iframe src="https://player.vimeo.com/video/1028956882?h=e44acf4e56&title=0&amp;byline=0" width="650" height="366" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen="allowfullscreen"></iframe></p>
<p> </p>
<p class="p1"><span class="s1"><strong>Direction artistique :</strong></span></p>
<p class="p1"><span class="s1">Simon Henocq</span></p>
<p class="p1"><span class="s1">Antoine Viard</span></p>
<p class="p1"><span class="s1">Julien Desprez</span></p>
<p class="p1"><span class="s1">Yann Joussein</span></p>
<p class="p2"> </p>
<p class="p1"><span class="s1"><strong>Performeur.euse.s / Musicien.ne.s / Conception de stands</strong></span></p>
<p class="p1"><span class="s1">Simon Henocq</span></p>
<p class="p1"><span class="s1">Antoine Viard</span></p>
<p class="p1"><span class="s1">Julien Desprez</span></p>
<p class="p1"><span class="s1">Yann Joussein</span></p>
<p class="p1"><span class="s1">Fabien Gaston Rimbaud</span></p>
<p class="p1"><span class="s1">Caroline Savi Marsalo</span></p>
<p class="p1"><span class="s1">Jean Pierre Larroche</span></p>
<p class="p1"><span class="s1">Olivia Scemama</span></p>
<p class="p1"><span class="s1">Romain Allard</span></p>
<p class="p1"><span class="s1">Octave Courtin</span></p>
<p class="p1"><span class="s1">Emma Kerssenbrock</span></p>
<p class="p1"><span class="s1">Nicolas Canot</span></p>
<p class="p1"> </p>
<p class="p1"><span class="s1"><strong>Assistance technique à la conception des dispositifs sonores</strong></span></p>
<p class="p1"><span class="s1">Nicolas Canot</span></p>
<p class="p2"> </p>
<p class="p1"><span class="s1"><strong>Création lumière</strong></span></p>
<p class="p1"><span class="s1">Milena Grange</span></p>
<p class="p2"> </p>
<p class="p1"><span class="s1"><strong>Régie / Sonorisation/Technique du son</strong></span></p>
<p class="p1"><span class="s1">Thibault Brouzès & Anne Laurin</span></p>
<p class="p2"> </p>
<p class="p1"><span class="s1"><strong>Production</strong></span></p>
<p class="p1"><span class="s1">Collectif Coax</span></p>
<p class="p2"> </p>
<p class="p1"><span class="s1"><strong>Partenaires </strong></span></p>
<p class="p1"><span class="s1">Drac Ile-de-France, Région Ile-de-France, Spedidam, Maison de la Musique Contemporaine, </span><span class="s1">Les ateliers du spectacle - JP Larroche, Théâtre de Vanves, La Dynamo de Pantin, Le Générateur</span></p>
<p class="p1"> </p>
<p><strong>CONTACT / SOPHIE MASSA</strong></p>
<p>Chargée de diffusion</p>
<p>sophie[at] collectifcoax.com</p>
<p>+33 (0)6 28 76 44 69</p>
<p> </p>
<p><a href="https://drive.google.com/drive/u/0/folders/1uNdKOzlb8UECIjJQwsjQAi-74nI_dqqs" target="_blank" rel="noopener"><strong><span style="font-size: 18pt;">DOSSIER DE PRESENTATION</span></strong></a></p>
<p> </p>

<p>Their approach is as pure and unadulterated as a meeting of two strong musical personalities can be: their focus lies in communication, in approaching and touching, seizing and contrasting, in agreeing and crying out as one. For the audience, this dialogue becomes a cleansing ritual for the ears, the body and the soul.</p>
<p>&nbsp;</p>
<h3>Julien Desprez: Electric guitare, electronics, podorhythmia.<br />Farida Amadou: Electric bass, electronics.</h3>
<p>&nbsp;</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/fAhN8ZnaBh8?si=8uC2RNATZLSIjNqc" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>

FARIDA AMADOU & JULIEN DESPREZ

<p>Une collaboration d&eacute;tonante entre la bassiste belge Farida Amadou et le guitariste fran&ccedil;ais Julien Desprez, qui &eacute;volue aux fronti&egrave;res de la performance et du dispositif sonore. Sur sc&egrave;ne, leur dynamique construit un puissant mur du son, avec force p&eacute;dales d&rsquo;effets et pulsations tremblantes. Une forme libre et stimulante qui serpente entre le rock industriel et le drone. Aux yeux du public, leur sculpture sonore devient un rituel purificateur, nettoyant les oreilles, le corps et l&rsquo;&acirc;me.</p>
<p>&nbsp;</p>
<h3>Julien Desprez: Guitare Electrique, &eacute;lectronique, podorythmie. <br />Farida Amadou: Basse Electrique, &eacute;lectronique.</h3>
<p>&nbsp;</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/fAhN8ZnaBh8?si=8uC2RNATZLSIjNqc" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>

Une collaboration détonante entre la bassiste belge Farida Amadou et le guitariste français Julien Desprez...

JULIEN DESPREZ avec FARIDA AMADOU & OLIVIER BENOÎT + SIMON HENOCQ avec JEAN-SÉBASTIEN MARIAGE

JULIEN DESPREZ & FARIDA AMADOU @ BANLIEUES BLEUES

JULIEN DESPREZ &  FARIDA AMADOU @ OSLO JAZZ FESTIVAL

Julien Desprez & Farida Amadou @ Dialograum Kreuzung an St. Helena

Julien Desprez & Farida Amadou @ Bunker Ulmenwall

Julien Desprez & Farida Amadou @ Theatermuseum der Landeshauptstadt

Julien Desprez & Farida Amadou @ Black Box

Julien Desprez & Farida Amadou @ Parzelle im Depot

Julien Desprez & Farida Amadou @ Ulrich Duerrenfeld

Julien Desprez & Farida Amadou @ Lokal Harmonie

Julien Desprez & Farida Amadou @Werkstatt

<p>Le Grand Couturier is an experimental music group mainly inspired by Hawaiian and Polynesian music, to create forms confronting idioms of this music (20th century Hawaiian songs, Polynesian prayers, Tiki pop) with synthetic and electric materials. Creating contrasts, the music of the Grand Couturier evokes the gap between the carefreeness attributed to this music in the American dream and the violence of the contemporary world.</p>
<p>&nbsp;</p>
<h3>JEAN-FRAN&Ccedil;OIS RIFFAUD : steel guitar, composition</h3>
<h3>RACHEL LANGLAIS : Keys, synths</h3>
<h3>CLEMENT VERCELETTO : Drums, synths</h3>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-whatsappimage2024-04-12at164731.jpeg" alt="misc-whatsappimage2024-04-12at164731.jpeg" width="650" height="1056" /></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-legrandcouturierphotopromo.jpeg" alt="misc-legrandcouturierphotopromo.jpeg" width="650" height="433" /></p>
<p>&nbsp;</p>
<h3><strong>Production :</strong> Collectif Coax / <strong>Label :</strong> <a href="https://www.unjenesaisquoi.org/" target="_blank" rel="noopener">UJNSQ</a></h3>

LE GRAND COUTURIER

<p>Le Grand Couturier est un groupe de musique exp&eacute;rimentale s&rsquo;inspirant principalement des musiques Hawaiiennes et polyn&eacute;siennes, pour cr&eacute;er des formes confrontant des idiomes de ces musiques (chansons hawaiienne du 20e si&egrave;cle, pri&egrave;res polyn&eacute;siennes, Tiki pop) &agrave; des mati&egrave;res synth&eacute;tiques et &eacute;lectriques. Cr&eacute;ant des contrastes, la musique du Grand Couturier &eacute;voque le foss&eacute; entre l&rsquo;insouciance pr&ecirc;t&eacute;e &agrave; ces musiques dans le r&ecirc;ve am&eacute;ricain et la violence du monde contemporain.</p>
<p>&nbsp;</p>
<h3>JEAN-FRAN&Ccedil;OIS RIFFAUD : steel guitar, composition</h3>
<h3>RACHEL LANGLAIS : Keys, synths</h3>
<h3>CLEMENT VERCELETTO : Drums, synths</h3>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-whatsappimage2024-04-12at164731.jpeg" alt="misc-whatsappimage2024-04-12at164731.jpeg" width="650" height="1056" /></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-legrandcouturierphotopromo.jpeg" alt="misc-legrandcouturierphotopromo.jpeg" width="650" height="433" /></p>
<p>&nbsp;</p>
<h3><strong>Production :</strong> Collectif Coax / <strong>Label :</strong> <a href="https://www.unjenesaisquoi.org/" target="_blank" rel="noopener">UJNSQ</a></h3>

Le Grand Couturier est un groupe de musique expérimentale s&rsquo;inspirant principalement des musiques Hawaiiennes et polynésiennes...

LE GRAND COUTURIER 'PREMIERE' @ TRIBU FESTIVAL / LE MAQUIS

LE GRAND COUTURIER @ LA CHAPELLE DE ST-LIBERT

LE GRAND COUTURIER @ LE BAZARNAUM

LE GRAND COUTURIER @ ESPACE ANDRE GRIEU

LE GRAND COUTURIER @ DIVAGATIONS

LE GRAND COUTURIER @ LABOMEDIA

LE GRAND COUTURIER @ MENS ALORS

<div id="comp-kps4lqbu" class="_1Q9if" style="color: #1c1c1c;" data-testid="richTextElement">
<p class="font_9">Performing solo with only his guitar and effects pedals as instruments themselves, his performance is a true performance that engages all the senses. The body is at the heart of his practice, and one theme still fuels his work today: what to do with bodies and their generated movements through music?</p>
<p class="font_9">&nbsp;</p>
</div>
<p style="color: #1c1c1c;">Originally conceived as a recorded sound piece,&nbsp;<em><strong>&lsquo;Agora&rsquo;</strong></em>&nbsp;was created during the November 2020 confinement.</p>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;"><em><strong>&lsquo;Agora&rsquo;</strong></em>&nbsp;is also a piece for electronics, impedance games, electric guitar and podoryhtmy, created during the autumn 2020 confinement and presented during the Italian Festival Cataclisma.</p>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;"><iframe title="YouTube video player" src="https://www.youtube.com/embed/-lhepfR1x3w?si=sADdcEqOHFLRfzuQ" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;">If&nbsp;<em>Agora</em>&nbsp;refers to the meeting place of the city, of the town, where the people come together,&nbsp;<em>Agora</em>&nbsp;also means &ldquo;now&rdquo; in Portuguese. Agora is twofold and plays from several points of view. A soft, explosive and joyful trance brings together podorythmics, high voltage electricity, guitar and body until their rupture and reconciliation. With playfulness and frenzy, a multiple world is negotiated through your listening.</p>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;"><em><strong>&lsquo;Agora&rsquo;</strong></em>&nbsp;plunges us into the jungle of impedance. A jungle where the air is dry and moist and where the trees, a little too bright green, burn from within. Crackling under our steps, the road reveals a few shadows in the middle of the mud, dancing in a tap dance. The blackout is our vehicle, the electric tension our fuel.</p>
<p style="color: #1c1c1c;">&nbsp;</p>
<div id="comp-k5fhog49" class="_1Q9if" style="color: #1c1c1c;" data-testid="richTextElement">
<p><strong>LINE-UP</strong><br /><span class="color_15"><strong>Julien</strong>&nbsp;<strong>Desprez</strong>&nbsp;:&nbsp;</span><span class="color_15">Composition, guitar, podorythmy, impedance, electronics</span></p>
</div>

AGORA

<h3 style="color: #1c1c1c;"><strong><em>&lsquo;Agora&rsquo;</em></strong>&nbsp;(2021) pour guitare &eacute;lectrique et dispositif &eacute;lectronique</h3>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;">En solo avec pour seuls instruments sa guitare et des p&eacute;dales d&rsquo;effets, consid&eacute;r&eacute;es comme instruments &agrave; part enti&egrave;re, sa performance est un v&eacute;ritable spectacle qui engage tous les sens. Le corps est au c&oelig;ur de sa pratique et une probl&eacute;matique alimente encore son travail aujourd&rsquo;hui : que faire des corps et de leurs mouvements g&eacute;n&eacute;r&eacute;s &agrave; travers la musique?</p>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;">Con&ccedil;u tout d&rsquo;abord en tant que pi&egrave;ce sonore enregistr&eacute;e,&nbsp;<strong><em>&lsquo;Agora&rsquo;</em></strong>&nbsp;a &eacute;t&eacute; cr&eacute;e lors du confinement de novembre 2020.</p>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;"><strong><em>&lsquo;Agora&rsquo;</em></strong>&nbsp;est aussi une pi&egrave;ce pour &eacute;lectronique, jeux d&rsquo;imp&eacute;dance, guitare &eacute;lectrique et podoryhtmie, r&eacute;alis&eacute;e pendant le confinement d&rsquo;Automne 2020 et diffus&eacute;e dans le cadre du Festival italien Cataclisma.</p>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;"><iframe title="YouTube video player" src="https://www.youtube.com/embed/-lhepfR1x3w?si=sADdcEqOHFLRfzuQ" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;">Si Agora fait r&eacute;f&eacute;rence &agrave; l&rsquo;endroit de r&eacute;union de la cit&eacute;, de la ville, ou le peuple entier se retrouve, Agora signifie &eacute;galement &laquo; maintenant &raquo;en portugais. Agora est double et joue de plusieurs points de vues. Une transe douce, explosive et joyeuse y fait dialoguer podorythmie, haute tension &eacute;lectrique, guitare et corps jusqu&rsquo;&agrave; la rupture et la r&eacute;conciliation. Avec all&eacute;gresse et fr&eacute;n&eacute;sie, un monde multiple se n&eacute;gocie &agrave; travers votre &eacute;coute.</p>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;"><strong><em>&lsquo;Agora&rsquo;</em></strong>&nbsp;nous plonge dans la jungle de l&rsquo;imp&eacute;dance. Une jungle o&ugrave; l&rsquo;air est sec et moite et o&ugrave; les arbres, d&rsquo;un vert un peu trop &eacute;clatant, br&ucirc;lent de l&rsquo;int&eacute;rieur. Cr&eacute;pitant sous nos pas, la route nous d&eacute;voile quelques ombres au milieu de la boue, dansant &agrave; claquette. La panne y est notre v&eacute;hicule, la tension &eacute;lectrique notre s&egrave;ve.</p>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;"><strong>FORMATION</strong><br /><strong>Julien Desprez</strong>&nbsp;:&nbsp;Guitare, lumi&egrave;res et performance</p>

&lsquo;Agora&rsquo; (2021) pour guitare électrique et dispositif électronique

JULIEN DESPREZ 'AGORA' @ VANG SERIES

JULIEN DESPREZ 'AGORA' @ WEST

JULIEN DESPREZ 'AGORA' @ IMPAKT

JULIEN DESPREZ 'AGORA' @ PANNONICA

<div class="et_pb_module et_pb_text et_pb_text_2 et_pb_text_align_left et_pb_bg_layout_light" style="color: #1c1c1c;">
<div class="et_pb_text_inner">
<p><strong>ARC by JULIEN DESPREZ</strong><br /><em>Solo for electrical arc, electronics, with dismembered guitar and tap dance.</em><br /><em>Duration: 50&prime;</em></p>
<p>With ARC, Julien Desprez creates a dramaturgy, a sound and choreographic performance in which the various mediums of expression succeed one another to tell and reveal the relationship between human emotions, love and electrical intensity. At center stage, a carpet created by performer and choreographer Ana Rita Teodoro serves as the starting point for a complex network of electric arcs designed in collaboration with artist and sound technician Nicolas Canot. This high-voltage orchestra is amplified by electro-magnetic processes inspired by electric guitar amplification techniques.</p>
<p>ARC explores the link between human emotions and electrical intensity. Neuroscience tells us that electricity drives our emotional functioning: neurons discharge small amounts of electricity in the brain when we feel emotions. In the midst of a starry network of electric arcs on the floor, Julien Desprez allows himself to be traversed by multiple degrees of intensity that will generate emotional states and their forms of expression: a love song, a hypnotic rhythmic trance, a game of moving electric arcs, guitar playing and its sonic eruptions. He dances, plays, sings, in a frantic rhythm or in suspended time that exposes him and reveals the fragility of the human psyche</p>
</div>
</div>
<div class="et_pb_module et_pb_text et_pb_text_3 et_pb_text_align_left et_pb_bg_layout_light" style="color: #1c1c1c;">
<div class="et_pb_text_inner">
<p>&nbsp;</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/zKOqoLvPXVQ?si=C9ETs66NXWVXhekx" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>
<p>&nbsp;</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/Q1cKraya950?si=NLiwSD9rMkNaV4pq" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>&nbsp;</p>
<h3><a style="color: #1c1c1c;" href="https://alamuse.com/wp-content/uploads/ARC_Julien-Desprez_DC-EN.pdf" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://alamuse.com/wp-content/uploads/ARC_Julien-Desprez_DC-FR.pdf&amp;source=gmail&amp;ust=1669846637770000&amp;usg=AOvVaw0UVxK8PVieAYfVqi-ePXwK">&rarr; Press Kit&nbsp;</a></h3>
<p>&nbsp;</p>
</div>
</div>
<p style="color: #1c1c1c;"><strong>LINE-UP</strong></p>
<p style="color: #1c1c1c;"><strong>Julien Desprez:&nbsp;</strong>performance, artistic direction &amp; composition<br /><strong>Nicolas Canot:</strong>&nbsp;design of electrical arcs modules &amp; stage manager<br /><strong>G&eacute;raldine Foucault:</strong>&nbsp;outer ear<br /><strong>Ana Rita Teodoro:</strong>&nbsp;outside view, costume design</p>
<h5 style="color: #1c1c1c;"><strong>Delegated production:&nbsp;</strong>La Muse en Circuit &ndash; CNCM<br /><strong>Coproduction:</strong>&nbsp;Anis Gras &ndash; le Lieu de l&rsquo;Autre (Arcueil) / Le Phare &agrave; Lucioles / Le M![lieu] / Le Sirque, P&ocirc;le National des Arts du Cirque / Collectif COAX / Murailles Music / Tempo reale /&nbsp;Ici l&rsquo;Onde /&nbsp;C&eacute;sar&eacute; &ndash; CNCM</h5>
<h5 style="color: #1c1c1c;">With the support of Art Zoyd Studios &ndash; CNCM.</h5>
<h5 style="color: #1c1c1c;"><strong>Booking:</strong>&nbsp;Murailles Music</h5>

<p><strong>ARC de JULIEN DESPREZ</strong><br /><em>Solo pour arc &eacute;lectrique, &eacute;lectronique, avec guitare d&eacute;membr&eacute;e et podorythmie</em><br /><em>Dur&eacute;e : 50&prime;</em></p>
<p>Avec ARC, Julien Desprez cr&eacute;&eacute; une dramaturgie, une performance sonore et chor&eacute;graphique o&ugrave; les mediums d&rsquo;expression se succ&egrave;dent pour raconter et r&eacute;v&eacute;ler le rapport entre &eacute;motions humaines, amour et intensit&eacute; &eacute;lectrique. Au centre de la sc&egrave;ne, un tapis confectionn&eacute; par la performeuse et chor&eacute;graphe Ana Rita Teodoro sert de point de d&eacute;part &agrave; un r&eacute;seau complexe d&rsquo;arcs &eacute;lectriques con&ccedil;u en collaboration avec l&rsquo;artiste et technicien du son, Nicolas Canot. Cet orchestre sous haute tension est amplifi&eacute; par des proc&eacute;d&eacute;s &eacute;lectro-magn&eacute;tiques inspir&eacute;s des techniques d&rsquo;amplification de la guitare &eacute;lectrique.</p>
<p>&nbsp;</p>
<p>ARC explore ce lien entre &eacute;motions humaines et intensit&eacute; &eacute;lectrique. Les neurosciences nous apprennent que l&rsquo;&eacute;lectricit&eacute; est le moteur de notre fonctionnement &eacute;motionnel : les neurones d&eacute;chargent de petites quantit&eacute;s d&rsquo;&eacute;lectricit&eacute; dans le cerveau quand nous ressentons des &eacute;motions. Au milieu d&rsquo;un r&eacute;seau &eacute;toil&eacute; d&rsquo;arcs &eacute;lectriques pos&eacute;s &agrave; m&ecirc;me le sol et figurant cette activit&eacute; neuronale, Julien Desprez se laisse traverser par de multiples degr&eacute;s d&rsquo;intensit&eacute; qui vont g&eacute;n&eacute;rer des &eacute;tats &eacute;motionnels et leur forme d&rsquo;expression : une chanson d&rsquo;amour, une transe rythmique hypnotique, un jeu de d&eacute;placement des arcs &eacute;lectriques, un jeu de guitare et ses &eacute;ruptions sonores. Il danse, joue, chante, dans un rythme effr&eacute;n&eacute; ou dans un temps suspendu qui le mettent &agrave; nu et r&eacute;v&egrave;lent la fragilit&eacute; de la psych&eacute; humaine.</p>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;"><iframe title="YouTube video player" src="https://www.youtube.com/embed/zKOqoLvPXVQ?si=C9ETs66NXWVXhekx" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;">&nbsp;<iframe title="YouTube video player" src="https://www.youtube.com/embed/Q1cKraya950?si=NLiwSD9rMkNaV4pq" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>
<p style="color: #1c1c1c;">&nbsp;</p>
<h3 style="color: #1c1c1c;"><a style="color: #1c1c1c;" href="https://alamuse.com/wp-content/uploads/ARC_Julien-Desprez_DC-FR.pdf" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://alamuse.com/wp-content/uploads/ARC_Julien-Desprez_DC-FR.pdf&amp;source=gmail&amp;ust=1669846637770000&amp;usg=AOvVaw0UVxK8PVieAYfVqi-ePXwK">&rarr; Dossier de communication&nbsp;</a></h3>
<p style="color: #1c1c1c;">&nbsp;</p>
<p style="color: #1c1c1c;"><strong>FORMATION</strong></p>
<p style="color: #1c1c1c;"><strong>Julien Desprez&nbsp;:</strong>&nbsp;performance, composition et direction<br /><strong>Nicolas Canot&nbsp;:</strong>&nbsp;conception des arcs &eacute;lectriques et r&eacute;gie<br /><strong>G&eacute;raldine Foucault&nbsp;:</strong>&nbsp;oreille ext&eacute;rieure<br /><strong>Ana Rita Teodoro&nbsp;:</strong>&nbsp;regard ext&eacute;rieur, conception du costume</p>
<h5 style="color: #1c1c1c;"><strong>Production d&eacute;l&eacute;gu&eacute;e :&nbsp;</strong>La Muse en Circuit &ndash; CNCM<br /><strong>Coproduction</strong>&nbsp;<strong>:</strong>&nbsp;Anis Gras &ndash; le Lieu de l&rsquo;Autre (Arcueil) / Le Phare &agrave; Lucioles / Le M![lieu] / Le Sirque, P&ocirc;le National des Arts du Cirque / Collectif COAX / Murailles Music / Tempo reale /&nbsp;&nbsp;Ici l&rsquo;Onde /&nbsp;<strong>C&eacute;sar&eacute; &ndash; CNCM</strong><br />Avec le soutien d&rsquo;Art Zoyd Studios &ndash; CNCM</h5>
<h5 style="color: #1c1c1c;"><strong>Diffusion</strong>&nbsp;<strong>:</strong>&nbsp;Murailles Music</h5>

&lsquo;Arc&rsquo; est une performance révélant les liens intimes entre l&rsquo;électricité et l&rsquo;intensité des sentiments...

JULIEN DESPREZ 'ARC' @ GMEM

ARC 'PREMIERE' @ FESTIVAL MUSICA

ARC @festivalsouffle

ARC @ Festival Banlieues Bleues 

ARC (JULIEN DESPREZ) @ FESTIVAL IN SITU

ARC @ ANGELICA

ARC @ TEMPO REALE

<p>As a percussionist, composer and performer, I integrated in a intuitive way researches into the influence of sounds over our psychological, physical and emotional states. Throughout the daily practice of meditation (body scan or Vipassana technique), I started to observe the changes of my own perspective towards the « outside world », as well as my relationship to environment and to the other beings (human or non-human). With the piece BODIES CAN, my aim is to create a link between sound art, meditation and environmental issues.</p>
<p> </p>
<p>This project consists in re-creating - by the mean of a digital sound installation and an immersive solo performance- real ecosystems in which all individuals (sound modules and each person in the audience) interact, inter-feed and learn to co-exist in a determined place, so as to co-create countless links and interferences, fusions and dis-fusion, harmony and disharmony. We will attempt to observe what could be a fair and reasonable presence in a given ecosystem, and thereby to reexamine the possibility of a balance between human beings and their environment.</p>
<p> </p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/QFX8lWF3jzA" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p> </p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/5jha4f6eM5M" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p> </p>
<h3><a href="https://drive.google.com/drive/folders/1dPy3Fs_ewNUTFUSWUCBcX2zWreW8FgP9?usp=drive_link" target="_blank" rel="noopener">PRESSKIT</a></h3>
<p> </p>
<h3>CONTACTS</h3>
<p class="p1">kaivalyalala@yahoo.fr</p>
<p class="p1">+33 674 76 42 32</p>
<p class="p1"><a href="http://www.julienchamla.com" target="_blank" rel="noopener">www.julienchamla.com</a></p>
<p class="p1"><a href="http://www.soundcloud.com/julienchamla" target="_blank" rel="noopener">www.soundcloud.com/julienchamla</a></p>
<p> </p>

BODIES CAN

<p>A travers la pratique quotidienne de la méditation (technique du body scan ou Vipassana), j&rsquo;ai pu apprécier les changements de regards sur le monde extérieur, sur mon rapport à l&rsquo;environnement et mon rapport à l&rsquo;autre (humain ou non-humain). Avec la création de la pièce BODIES CAN, j&rsquo;ai pour ambition d&rsquo;allier les recherches sonores et les pratiques méditatives aux problématiques écologiques et environnementales.</p>
<p> </p>
<p>Ce projet consiste à recréer à l&rsquo;aide d&rsquo;une installation sonore et numérique et d&rsquo;une performance solo immersive, de véritables écosystèmes dans lesquels tous les individus (les modules sonores et chaque personne du public) interagissent, s&rsquo;inter-alimentent, apprennent à co-habiter un espace et à co-créer d&rsquo;innombrables liens et interférences, fusions et dé-fusions, accords et désaccords. Nous tenterons d&rsquo;observer ce qui pourrait être une présence juste et raisonnable/raisonnée au sein d&rsquo;un écosystème donné, et par extension de se questionner sur la possibilité qu&rsquo;un équilibre entre l&rsquo;humain et son environnement.</p>
<p> </p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/QFX8lWF3jzA" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p> </p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/5jha4f6eM5M" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p> </p>
<h3><a href="https://drive.google.com/drive/folders/1dPy3Fs_ewNUTFUSWUCBcX2zWreW8FgP9?usp=drive_link" target="_blank" rel="noopener">PRESSKIT</a></h3>
<p> </p>
<h3>CONTACTS</h3>
<p class="p1">kaivalyalala@yahoo.fr</p>
<p class="p1">+33 674 76 42 32</p>
<p class="p1"><a href="http://www.julienchamla.com" target="_blank" rel="noopener">www.julienchamla.com</a></p>
<p class="p1"><a href="http://www.soundcloud.com/julienchamla" target="_blank" rel="noopener">www.soundcloud.com/julienchamla</a></p>

BODIES CAN @ BAIGNADE SAUVAGE

<p>Between art and science, TAI YANG &amp; AL. is an immersive audiovisual experience, where videos, sounds and words resonate together to question the vibrational aspect of nature, and the relationship between humans and the cosmos.</p>
<p><br />The images, mathematically generated live, create the crown of a stage star around which the satellite spectators gravitate and whose voice, bass and gong constitute the sound core.</p>
<p><br />Like a continuous and haunting walk in an altered world, TAI YANG &amp; AL. thus offers a poetic articulation between electromagnetic waves and mechanical waves, giving free rein to a poetic and sensitive awareness of the universe, where humans, simple stardust, are part of a whole.</p>
<h3>OLIVIA SCEMAMA : BASSE &amp; GONG<br />ROMAIN AL. : ART G&Eacute;N&Eacute;RATIF LIVE<br />ALEXIS BERNAUT : VOIX ET TEXTES</h3>
<p>&nbsp;</p>
<p><iframe src="https://player.vimeo.com/video/896371518?h=2910f0cf51" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>
<p>&nbsp;</p>
<p><iframe src="https://player.vimeo.com/video/836823588?h=a787363980" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>
<p><a href="https://vimeo.com/836823588">TAI YANG &amp; AL. - Essai #4</a> from <a href="https://vimeo.com/libertad">Romain AL.</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<p>&nbsp;</p>
<p>Other videos :&nbsp;<a href="https://vimeo.com/showcase/10279160" target="_blank" rel="noopener">https://vimeo.com/showcase/10279160</a></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-tyal-liveshots-mosaique-02.jpg" alt="misc-tyal-liveshots-mosaique-02.jpg" width="650" height="514" /></p>
<p>&nbsp;</p>
<h3><a href="https://drive.google.com/drive/folders/1-hwfyNLMwStHw9b6nM7k5NRix4m3cvZr?usp=share_link" target="_blank" rel="noopener">PRESSKIT</a></h3>
<p>&nbsp;</p>
<h3>Contacts :</h3>
<p>&nbsp;</p>
<p>oliv.scemama [@] gmx.com</p>
<p>+33(0)7 82 05 65 56</p>
<p><a href="https://www.oliviascemama.com" target="_blank" rel="noopener">https://www.oliviascemama.com</a></p>
<p>&nbsp;</p>
<p>romainal [@] gmail.com</p>
<p>+33(0)6 58 65 29 20</p>
<p><a href="http://vimeo.com/libertad" target="_blank" rel="noopener">http://vimeo.com/libertad</a></p>
<p>&nbsp;</p>

Tai Yang & Al.

<p>Entre art et science, TAI YANG &amp; AL. est une exp&eacute;rience audiovisuelle immersive, o&ugrave; vid&eacute;os, sons et mots r&eacute;sonnent ensemble pour questionner l&rsquo;aspect vibratoire de la nature, et le rapport entre l&rsquo;humain et le cosmos.</p>
<p><br />Les images, math&eacute;matiquement g&eacute;n&eacute;r&eacute;es en live, r&eacute;alisent la couronne d'un astre sc&eacute;nique autour duquel les spectateurs satellites gravitent et dont la voix, la basse et le gong constituent le noyau sonore.</p>
<p><br />Telle une promenade continue et lancinante dans un monde alt&eacute;r&eacute;, TAI YANG &amp; AL. propose ainsi une articulation po&eacute;tique entre ondes &eacute;lectromagn&eacute;tiques et ondes m&eacute;caniques, laissant libre cours &agrave; une prise de conscience po&eacute;tique et sensible de l&rsquo;univers, o&ugrave; l&rsquo;humain, simples poussi&egrave;res d&rsquo;&eacute;toiles, fait partie d&rsquo;un tout.</p>
<p>&nbsp;</p>
<h3>OLIVIA SCEMAMA : BASSE &amp; GONG<br />ROMAIN AL. : ART G&Eacute;N&Eacute;RATIF LIVE<br />ALEXIS BERNAUT : VOIX ET TEXTES</h3>
<h3>&nbsp;</h3>
<p><iframe src="https://player.vimeo.com/video/896371518?h=2910f0cf51" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>
<p><a href="https://vimeo.com/896371518">TAI YANG &amp; AL. - Teaser #1</a> from <a href="https://vimeo.com/libertad">Romain AL.</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<p>&nbsp;</p>
<p><iframe src="https://player.vimeo.com/video/836823588?h=a787363980" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>
<p>&nbsp;</p>
<p>Autres videos :&nbsp;<a href="https://vimeo.com/showcase/10279160" target="_blank" rel="noopener">https://vimeo.com/showcase/10279160</a></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-tyal-liveshots-mosaique-02.jpg" alt="misc-tyal-liveshots-mosaique-02.jpg" width="650" height="514" /></p>
<p>&nbsp;</p>
<h3><a href="https://drive.google.com/drive/folders/1-hwfyNLMwStHw9b6nM7k5NRix4m3cvZr?usp=share_link" target="_blank" rel="noopener">PRESSKIT</a></h3>
<p>&nbsp;</p>
<h3>Contacts :</h3>
<p>oliv.scemama [@] gmx.com</p>
<p>+33(0)7 82 05 65 56</p>
<p><a href="https://www.oliviascemama.com" target="_blank" rel="noopener">https://www.oliviascemama.com</a></p>
<p>&nbsp;</p>
<p>romainal [@] gmail.com</p>
<p>+33(0)6 58 65 29 20</p>
<p><a href="http://vimeo.com/libertad" target="_blank" rel="noopener">http://vimeo.com/libertad</a></p>
<p>&nbsp;</p>

Tai Yang & Al. : Par l'interaction de l'image avec les vibrations d'un gong...

TAI YANG & AL. @ NUIT ASTROPOETIQUE

TAI YANG & AL. @ THÉÂTRE-ECOLE 

Sortie de résidence aux Ateliers Sauvages

<p>Tasks:<br />All the tasks to be performed<br /> <br />What sometimes comes cold,<br />the first thing</p>
<p>To do every day (each repetition),<br />do the exercises, group cleaning<br /> <br />Routines,<br />what by force of habit becomes mechanical<br /> <br />The rudimentary machine (the group) apparently reductible to its program,<br />the difficulty (the concert) divided into rudimentary tasks<br /> <br />Opening of hi-hat (of filter)<br />Neck bend (pitch)<br />Sustain (and resonance)<br /> <br />Gestures seduced by computers,<br />reduced to their program or almost<br /> <br />Tasks:<br />Exceed the program<br /> <br />Excess fat (from pressure)<br />of oil (of tendons), of wood (of fingers),<br /> <br />Physiology of excessive sound,<br />organic mechanical balance</p>
<p>&nbsp;</p>
<h3>SIMON HENOCQ : Guitar</h3>
<h3>PRUNE BECHEAU : Violin</h3>
<h3>AUGUSTIN BETTE : Drums</h3>
<p>&nbsp;</p>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1571394886&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true" width="650" height="450" frameborder="no" scrolling="no" data-mce-fragment="1"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a style="color: #cccccc; text-decoration: none;" title="simonhenocq" href="https://soundcloud.com/user-964801401" target="_blank" rel="noopener">simonhenocq</a> &middot; <a style="color: #cccccc; text-decoration: none;" title="Tasks live @ Instants Chavir&eacute;s (excerpts)" href="https://soundcloud.com/user-964801401/sets/tasks-live-instants-chavires-excerpts" target="_blank" rel="noopener">Tasks live @ Instants Chavir&eacute;s (excerpts)</a></div>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-tasks-1.jpeg" alt="misc-tasks-1.jpeg" width="650" height="1063" /></p>

TASKS

<p>Tasks :<br />L&rsquo;ensemble des t&acirc;ches &agrave; effectuer <br /> <br />Ce qui parfois vient &agrave; froid,<br />la premi&egrave;re chose</p>
<p>A faire chaque jour (&agrave; chaque r&eacute;p&eacute;tition), <br />faire les exercices, son m&eacute;nage de groupe <br /> <br />Routines, <br />ce qui &agrave; force d&rsquo;habitude devient machinal <br /> <br />La machine rudimentaire (le groupe) apparemment r&eacute;ductible &agrave; son programme, <br />la difficult&eacute; (le concert) divis&eacute;e en t&acirc;ches rudimentaires <br /> <br />Ouverture de charleston (de filtre) <br />Gliss&eacute; de manche (du pitch) <br />Sustain des boyaux (et r&eacute;sonance) <br /> <br />Gestes s&eacute;duits par l&rsquo;informatique, <br />r&eacute;duits &agrave; leur programme ou presque <br /> <br />Tasks : <br />Exc&eacute;der le programme <br /> <br />Exc&egrave;s de gras (de pression) <br />d&rsquo;huile (de tendons), de bois (de doigts), <br /> <br />Physiologie du son excessif, <br />balance m&eacute;canique organique</p>
<p>&nbsp;</p>
<h3>SIMON HENOCQ : Guitare</h3>
<h3>PRUNE BECHEAU : Violon</h3>
<h3>AUGUSTIN BETTE : Batterie</h3>
<p>&nbsp;</p>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1571394886&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true" width="650" height="450" frameborder="no" scrolling="no" data-mce-fragment="1"></iframe></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-tasks-1.jpeg" alt="misc-tasks-1.jpeg" width="650" height="1063" /></p>

Une ouverture de charley gérée comme une ouverture de filtre électronique, une traversée du manche de guitare comme une montée de pitch...

TASKS @ ATELIER TAMPON-NOMADE (PARIS)

TASKS @ INSTANTS CHAVIRÉS (12H23-23H12)

ZONE DE SILENCE PRÉSENTE 12H23-23H12 - MARATHON RADIO/CONCERTS & MARCHÉ DE NOËL DES MUSIQUES INCLASSÉES

TASKS @ AERI

TASKS @ LA QUINCAILLERIE

TASKS @ EGLISE DE FAUX

TASKS @ LE RELAI DES FUTURS

TASKS @ DIMANCHES DE L'IMPRO

<p>MOPCUT is a medium-length noise-style that covers the head and ears with a vertical bang and a horizontal wave. It's a popular style for all ages, genders and generations.The soundscape should be rimmed evenly all around the circumference so that the noise at the front reaches the inner eye while the waves on the sides cover (or almost fully cover) the ears.</p>
<p><br />The beats at the back maintain the same length as the samples at the front and sides. Once the overall sound is achieved, trimming is used to achieve minimalism or maximalism, depending. Improvisation, noise and electronic beats work well as backgrounds for the MOPCUT. Electronic appliances and devices may be used to give the MOPCUT a bit more volume, but effects may lead to standing up instead of hanging low.</p>
<p>&nbsp;</p>
<h3>AUDREY CHEN: Voice, electronics</h3>
<h3>JULIEN DESPREZ: Electric guitar</h3>
<h3>LUKAS K&Ouml;NIG: Drums, synthesizer, vocals</h3>
<p>&nbsp;</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/PfdV7bImhew" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>

MOPCUT

<p>Mopcut cogne verticalement le cr&acirc;ne et horizontalement les tympans. Le trio nous enveloppe pour prendre possession de nos oreilles, de notre r&eacute;tine puis de notre corps entier. Par battements, par ondes, &agrave; corps et &agrave; cri, Mopcut passe de minimalisme &agrave; maximalisme en un claquement de doigt pour d&eacute;livrer une musique schizophr&eacute;nique.</p>
<p>&nbsp;</p>
<h3>AUDREY CHEN : Voix, &eacute;lectronique</h3>
<h3>JULIEN DESPREZ : Guitare &eacute;lectrique</h3>
<h3>LUKAS K&Ouml;NIG : Batterie, synth&eacute;tiseur, voix</h3>
<p>&nbsp;</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/PfdV7bImhew" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>

MOPCUT @ NUMU

MOPCUT @ TRANSIT

MOPCUT @ MORPHINE RAUM

MOPCUT (+ FARIDA AMADOU) @ RUHRTRIENNALE

MOPCUT @ YORK UNIVERSITY

MOPCUT @ INDUSTRIAL COAST

MOPCUT @ WHARF CHAMBERS

MOPCUT @ KLANG

MOPCUT @ IKLECTIKARTLAB

MOPCUT @ HET BOS

<p>A music crossed by a vibratory urgency, rough, sensitive. The sound material is skilfully mixed and dilated, it gives substance to an intense scenario. Like the flow of a torrent that doesn't let go...</p>
<p><em>"Remarkably recorded and mixed, stretched like a steel cable on the verge of breaking, Herz is a race as mad as it is impressive, a storm under a joyful and intense skull"</em></p>
<p><em>"The music never lets go of its intensity (...) From these records that make you want to push your own limits and see where your eardrums take you: Beyond reasonable"</em>&nbsp;- Laurent Nerzic, Revue &amp; Corrig&eacute;e</p>
<p>&nbsp;</p>
<h3>Simon Henocq : Electronics<br />Philippe Foch : Electronics, Percussions</h3>
<p>&nbsp;</p>
<h3>ALBUM AVAILABLE ON&nbsp;<a href="https://collectifcoax.bandcamp.com/album/herz" target="_blank" rel="noopener">COAX RECORDS :</a></h3>
<p><iframe src="https://bandcamp.com/EmbeddedPlayer/album=1459064243/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" width="300" height="150" seamless="" data-mce-fragment="1"><a href="https://collectifcoax.bandcamp.com/album/herz">HERZ by Simon Henocq, Philippe foch</a></iframe></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h3>HERZ / A L'IMPROVISTE (FRANCE MUSIQUE)</h3>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/bZrw5HVt6NU" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>
<p>&nbsp;</p>
<h3><a href="https://drive.google.com/drive/folders/1SeVvmvGIWy3ayNUUd8O5RiJ6Z2_awnME?usp=share_link" target="_blank" rel="noopener">PROMO PACK</a></h3>

HERZ

<p>Une musique travers&eacute;e par une urgence vibratoire, rugueuse, sensible. Le mat&eacute;riau sonore est savamment malax&eacute; et dilat&eacute;, il donne corps &agrave; un sc&eacute;nario intense. Comme le flux d'un torrent qui ne vous l&acirc;che pas&hellip;<br /> <br /><em>"Remarquablement enregistr&eacute; et mix&eacute;, tendu comme un c&acirc;ble d&rsquo;acier au bord de la rupture, Herz est une course aussi folle qu&rsquo;impressionnante, une temp&ecirc;te sous un cr&acirc;ne r&eacute;jouissante et intense"</em></p>
<p><em>"La musique ne l&acirc;che rien de son intensit&eacute; (...) De ces disques qui donnent envie de repousser vos propres limites et de voir jusqu&rsquo;&agrave; ou vos tympans vous m&egrave;nent: Au-del&agrave; du raisonnable" -&nbsp;</em>Laurent Nerzic, Revue &amp; Corrig&eacute;e</p>
<p>&nbsp;</p>
<h3>Simon Henocq : Electronique<br />Philippe Foch : Electronique, Percussions</h3>
<p>&nbsp;</p>
<h3>ALBUM DISPONIBLE SUR&nbsp;<a href="https://collectifcoax.bandcamp.com/album/herz" target="_blank" rel="noopener">COAX RECORDS :</a></h3>
<p><iframe style="border: 0; width: 650px; height: 340px;" src="https://bandcamp.com/EmbeddedPlayer/album=1459064243/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" width="300" height="150" seamless=""><a href="https://collectifcoax.bandcamp.com/album/herz">HERZ by Simon Henocq, Philippe foch</a></iframe></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h3>HERZ/ A L'IMPROVISTE (FRANCE MUSIQUE)</h3>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/bZrw5HVt6NU" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>&nbsp;</p>
<h3><a href="https://drive.google.com/drive/folders/1SeVvmvGIWy3ayNUUd8O5RiJ6Z2_awnME?usp=share_link" target="_blank" rel="noopener">PACK PROMO</a></h3>

Simon Henocq & Philippe Foch : Une musique traversée par une urgence vibratoire, rugueuse, sensible...

<p>Emma Kerssenbrock is an independent sound artist. A DNSEP graduate with congratulations from the jury in 2018 in the sound arts section at the Haute &Eacute;cole des Arts du Rhin (Strasbourg), they continued their course in electroacoustic composition at the city's conservatory for a year.</p>
<p>Their practice is mixed and aims to be hybrid; it oscillates between sound composition, sculpture, installation and performance. Like the mycelium, it is by constantly mutating between these mediums that they find the friction they are looking for. They use their creative process to question their audience about their legitimacy as an artist. Their sound creation is just as eclectic as his practice: electroacoustic composition based on concrete sounds and synthesis used both in concert and in performance, vocal work around shouting and saturation, and more recently a techno-punk solo project / degenerate alt-pop.</p>
<p>It is through stage practice and the creation of their various characters and projects that they find the recognition and fulfillment they seek. Co-founder of the "Ligojn" collective (Strasbourg/Istanbul) and founder of the "Incessante" association (Paris), they have also been a programmer since 2018 of evening concerts and performances aimed at highlighting young experimental artists. In particular, they won the "La Nouvelle Onde" prize in the "Artist entrepreneur" category with the creation in 2022 of his association based in Ile-de-France. They are the winner of the COAX collective's 2022-2023 call for projects with their performance project "Dialogue impraticable".</p>
<p>&nbsp;</p>
<h3>Dialogue impraticable :</h3>
<p>&nbsp;</p>
<p>"The artist is a rare and wild specimen with obscure preoccupations. He generally lives in dark and humid cellars where he spends his time crying lying in a fetal position on the ground. Furnished with ten appendages serving as his fingers, his favorite hobby is to create. Finding himself frequently in incomprehension in the face of the entities he generates, he converses with his creations in an attempt to understand the meaning of their existence. During this mechanical-organic exchange with contradictory appearances, his body becomes hybrid in an ultimate approach of dialogue with his works."</p>
<p>Emma delights in portraying the artist in a crude and satirical way, playing on the stereotypes of a lazy, absurd-looking creator. They thus deconstruct the myth of the esthete considered as half-dunce, half-talented and questions the value of their artistic creation. This performance is a hybridization between quirky science fiction films, the "Cellules" installations by Louise Bourgeois, and the performances of Paul McCarthy. On a background sound oscillating between amniotic atmospheres and anxiety-provoking pulsations, they create a skit where their character is agitated during their working process. They also question their relationship to "others" (in this case their audience) by exploring the notions of proxemics, or even discomfort. Will you have the courage to come and meet the creator?</p>
<p>&nbsp;</p>
<h3>How to avoid social interaction as an artist :</h3>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/HC-6nW363Zg?si=_Eb8ZvyOSvVwz2Yo" width="650" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>&nbsp;</p>
<h3><a href="https://ekerssenbrock.wixsite.com/krsbk" target="_blank" rel="noopener">WEBSITE</a></h3>
<h3><a href="https://soundcloud.com/krsbk" target="_blank" rel="noopener">SOUNDCLOUD</a></h3>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-mg4919-avecaccentuation-bruit.jpg" alt="misc-mg4919-avecaccentuation-bruit.jpg" width="650" height="433" /></p>

EMMA KERSSENBROCK

<p>Emma Kerssenbrock est un.e artiste sonore indépendant.e. Diplômé.e DNSEP avec les f&eacute;licitations du jury en 2018 en section arts sonores &agrave; la Haute &Eacute;cole des Arts du Rhin (Strasbourg), iel continue un an son cursus en composition électroacoustique au conservatoire de la ville.</p>
<p>Sa pratique est mixte et se veut hybride ; iel oscille entre composition sonore, sculpture, installation et performance. A l'image du myc&eacute;lium c'est en mutant incessamment entre ces m&eacute;diums qu'iel trouve les frictions qu'iel cherche. Iel utilise son processus de cr&eacute;ation pour questionner son public quant &agrave; sa l&eacute;gitimit&eacute; en tant qu'artiste. Sa cr&eacute;ation sonore est tout aussi &eacute;clectique que sa pratique : composition &eacute;lectroacoustique &agrave; base de sons concrets et de synth&egrave;se utilis&eacute;e autant en concert qu'en performance, travail vocal autour du cri et de la saturation, et plus r&eacute;cemment un projet solo techno-punk / alt-pop d&eacute;g&eacute;n&eacute;r&eacute;e.</p>
<p>C'est &agrave; travers la pratique sc&eacute;nique et la cr&eacute;ation de ses divers personnages et projets qu'iel trouve la reconnaissance et l'&eacute;panouissement qu'iel cherche. Co-fondateur.rice du collectif "Ligojn" (Strasbourg/Istanbul) et fondateur.rice de l'association "Incessante" (Paris), iel est &eacute;galement programmateur.rice depuis 2018 de soirées de concerts et de performances visant &agrave; mettre en avant de jeunes artistes expérimentaux. Iel &agrave; notamment remport&eacute; le prix "La Nouvelle Onde" dans la cat&eacute;gorie "Artiste entrepreneur.e" avec la cr&eacute;ation en 2022 de son association bas&eacute;e en Ile-de-France. Iel est laur&eacute;at.e de l'appel &agrave; projet 2022-2023 du collectif COAX avec son projet de performance "Dialogue impraticable".</p>
<h3>Dialogue impraticable :</h3>
<p>"L'artiste est un sp&eacute;cimen rare et sauvage aux pr&eacute;occupations obscures. Il vit g&eacute;n&eacute;ralement dans des caves sombres et humides ou il passe son temps &agrave; pleurer allong&eacute; en position f&oelig;tale sur le sol. Affubl&eacute; de dix appendices lui servant de doigts, son hobby favori est de cr&eacute;er. Se retrouvant fr&eacute;quemment en incompr&eacute;hension face aux entit&eacute;s qu'il g&eacute;n&egrave;re, il converse avec ses cr&eacute;ations pour tenter de comprendre le sens de l&rsquo;existence de celles-ci. Lors de cet &eacute;change m&eacute;canico-organique aux allures contradictoires, son corps devient hybride dans une ultime d&eacute;marche de dialogue avec ses &oelig;uvres."</p>
<p>Emma se plait &agrave; incarner l'artiste de mani&egrave;re grossi&egrave;re et satyrique, en jouant sur les st&eacute;r&eacute;otypes d'un cr&eacute;ateur feignant &agrave; la recherche absurde. Iel d&eacute;construit ainsi le mythe de l'esth&egrave;te consid&eacute;r&eacute; comme mi-cancre, mi-talentueux et questionne la valeur de sa cr&eacute;ation artistique. Cette performance est une hybridation entre des films de science-fiction d&eacute;cal&eacute;s, les installations "Cellules" de Louise Bourgeois, et les performances de Paul McCarthy. Sur un fond sonore oscillant entre des ambiances amniotiques et des pulsations anxiog&egrave;nes, iel cr&eacute;e une sayn&egrave;te ou son personnage s'agite lors de son processus de travail. Iel questionne &eacute;galement son rapport aux "autres" (en l&rsquo;occurrence son public) en explorant les notions de prox&eacute;mie, voir de malaise. Aurez-vous le courage de venir &agrave; la rencontre du cr&eacute;ateur ?</p>
<h3><br />How to avoid social interaction as an artist :</h3>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/HC-6nW363Zg?si=_Eb8ZvyOSvVwz2Yo" width="650" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>&nbsp;</p>
<h3><a href="https://ekerssenbrock.wixsite.com/krsbk" target="_blank" rel="noopener">SITE INTERNET</a></h3>
<h3><a href="https://soundcloud.com/krsbk" target="_blank" rel="noopener">SOUNDCLOUD</a></h3>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-mg4919-avecaccentuation-bruit.jpg" alt="misc-mg4919-avecaccentuation-bruit.jpg" width="650" height="433" /></p>

Emma Kerssenbrock est un.e artiste sonore indépendant.e. Diplômé.e DNSEP avec les félicitations du jury en 2018 en section arts sonores à la Haute École des Arts du Rhin (Strasbourg)...

EMMA KERSSENBROCK "CANTATE POUR LARSEN" @ INSTANTS CHAVIRÉS (12H23-23H12)

EMMA KERSSENBROCK @ Pile ou [ frasq ] - LE GENERATEUR

EMMA KERSSENBROCK @ Ligojn x Noisy Beehive | Brønshøj Vandtårn

COMTESSE DU GHETTO (EMMA KERSSENBROCK) @ ASILE 404

COMTESSE DU GHETTO (EMMA KERSSENBROCK) @ FESTIVAL INCESSANTE #1

EMMA KERSSENBROCK @ INSTANTS CHAVIRÉS (QUASI)

COMTESSE DU GHETTO (EMMA KERSSENBROCK) @ DIAMANT BRILLANT

COMTESSE DU GHETTO (EMMA KERSSENBROCK) @ PERESTROÏKA

COMTESSE DU GHETTO (EMMA KERSSENBROCK) @ MOLODOÏ

EMMA KERSSENBROCK "La musique occidentale s'oxyde un peu" @ festival INACT

EMMA KERSSENBROCK @ la Pointe Lafayette (Paris)

PREMIERE DE DIALOGUE IMPRATICABLE (EMMA KERSSENBROCK) @ FESTIVAL SWITCH

EMMA KERSSENBROCK @ LE LOCAL

<p>Spontaneity, impulses of movement in search of a common folklore combining density, strength and meditative poetry. A tumultuous, free and generous sharing.</p>
<p>&nbsp;</p>
<p><em>"Immersion is a beautiful free jazz record, evoking the past and looking towards the horizon. A game of shadows that does not Chinese with authenticity and that answers a question, if one can ask it: why play free jazz in 2023? Because there is no reason not to play it. Because free jazz is intensely alive music."</em>&nbsp; - Laurent Nerzic, REVUE &amp; CORRIGEE - march 2023</p>
<p>&nbsp;</p>
<h3>PHILIPPE GLEIZES : Batterie</h3>
<h3>ANTOINE VIARD : Saxophone</h3>
<p>&nbsp;</p>
<h3><span style="color: #000000;">ALBUM AVAILABLE ON&nbsp;<a href="https://collectifcoax.bandcamp.com/album/immersion" target="_blank" rel="noopener">COAX RECORDS</a>.</span></h3>
<p>&nbsp;</p>
<p><iframe style="border: 0; width: 400px; height: 439px;" src="https://bandcamp.com/EmbeddedPlayer/album=1824567922/size=large/bgcol=ffffff/linkcol=f171a2/artwork=small/transparent=true/" width="650" height="325" seamless=""><a href="https://collectifcoax.bandcamp.com/album/immersion">IMMERSION by Antoine Viard &amp; Philippe Gleizes</a></iframe>&nbsp;<span class="Y2IQFc" lang="en"><br /></span></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-viardgleizes-promenade-fx.jpeg" alt="misc-viardgleizes-promenade-fx.jpeg" width="650" height="409" />&nbsp;</p>
<p>&nbsp;</p>
<h3><a href="https://drive.google.com/drive/folders/1mUc-ftcW8Hq_071916o0gGHW-2uuR5TE?usp=share_link" target="_blank" rel="noopener">PROMO PACK</a></h3>
<p><span class="Y2IQFc" lang="en">&nbsp;</span></p>

ANTOINE VIARD & PHILIPPE GLEIZES

<p class="p1">Spontan&eacute;it&eacute; de jeu, impulsions de mouvements &agrave; la recherche d&rsquo;un folklore commun alliant densit&eacute;, force et po&eacute;sie m&eacute;ditative. Un partage tumultueux, libre et g&eacute;n&eacute;reux transporte l&rsquo;auditeur dans un espace temps insaisissable, impr&eacute;visible et captivant.</p>
<p class="p1">Si l&rsquo;h&eacute;ritage des &laquo; anciens &raquo; reste pr&eacute;sent, c&rsquo;est pourtant autre chose que nous propose ce duo. La palette des possibles s&rsquo;&eacute;largit, mute, s&rsquo;enrichit au gr&eacute; des partis-pris, sollicitations crois&eacute;es, recherches d&rsquo;&eacute;nergies communes ou contraires.</p>
<p class="p1">&nbsp;</p>
<p class="p1"><em>"Immersion est un beau disque de free-jazz, &eacute;voquant le pass&eacute; et tourn&eacute; vers l'horizon. Un jeu d'ombres qui ne chinoise pas avec l'authenticit&eacute; et qui r&eacute;pond &agrave; une question, si tant est que l'on puisse se la poser : pourquoi jouer du free-jazz en 2023 ? Parce qu'il n'y a aucune raison de ne plus en jouer. Parce que le free-jazz est une musique intens&eacute;ment vivante."</em> - Laurent Nerzic, REVUE &amp; CORRIGEE - mars 2023</p>
<p class="p1">&nbsp;</p>
<h3 class="p1">PHILIPPE GLEIZES : Batterie</h3>
<h3 class="p1">ANTOINE VIARD : Saxophone</h3>
<p>&nbsp;</p>
<h3>ALBUM DISPONIBLE DEPUIS LE 27 JANVIER 2023 SUR&nbsp;<a href="https://collectifcoax.bandcamp.com/album/immersion" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>
<p>&nbsp;</p>
<p><iframe style="border: 0; width: 400px; height: 439px;" src="https://bandcamp.com/EmbeddedPlayer/album=1824567922/size=large/bgcol=ffffff/linkcol=f171a2/artwork=small/transparent=true/" width="650" height="325" seamless=""><a href="https://collectifcoax.bandcamp.com/album/immersion">IMMERSION by Antoine Viard &amp; Philippe Gleizes</a></iframe></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-viardgleizes-promenade-fx.jpeg" alt="misc-viardgleizes-promenade-fx.jpeg" width="650" height="409" /></p>
<p>&nbsp;</p>
<h3><a href="https://drive.google.com/drive/folders/1mUc-ftcW8Hq_071916o0gGHW-2uuR5TE?usp=share_link" target="_blank" rel="noopener">PACK PROMO</a></h3>

ANTOINE VIARD & PHILIPPE GLEIZES + JULIEN DESPREZ SOLO @ AERI

ANTOINE VIARD & PHILIPPE GLEIZES & ATELIER TAMPON-NOMADE / LES TEMPS DU CORPS

ANTOINE VIARD & PHILIPPE GLEIZES @ PARC DES GUILANDS

<p>Two saxophonists driven by a common passion for improvisation, travel the paths of free music in search of new encounters, new experiences. A training with variable geometry, the pleasure of the unknown.</p>
<p>&nbsp;</p>
<h3><strong>Camila Nebbia : saxophone</strong></h3>
<h3><strong>Antoine Viard : saxophone</strong></h3>
<p>&nbsp;</p>
<p><strong><img src="https://www.collectifcoax.com/uploads/misc/misc-camilaantoine.jpeg" alt="misc-camilaantoine.jpeg" width="650" height="433" /></strong></p>
<p>&nbsp;</p>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1498691356&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true" width="650" height="300" frameborder="no" scrolling="no" data-mce-fragment="1"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a style="color: #cccccc; text-decoration: none;" title="Collectif Coax" href="https://soundcloud.com/user-450868491" target="_blank" rel="noopener">Collectif Coax</a> &middot; <a style="color: #cccccc; text-decoration: none;" title="-CA- Camila Nebbia &amp; Antoine Viard" href="https://soundcloud.com/user-450868491/sets/ca-camila-nebbia-antoine-viard" target="_blank" rel="noopener">-CA- Camila Nebbia &amp; Antoine Viard</a></div>
<p>&nbsp;</p>
<p><strong><iframe src="https://bandcamp.com/EmbeddedPlayer/album=2598332083/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" width="650" height="325" seamless="" data-mce-fragment="1"><a href="https://antoineviard.bandcamp.com/album/perhaps">PERHAPS de Camila Nebbia, Antoine Viard - Saxs / Benjamin Duboc - Bass</a></iframe></strong></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-img2456.jpeg" alt="misc-img2456.jpeg" width="325" height="842" /></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>

-CA-

<p>Deux saxophonistes anim&eacute;s par une passion commune pour l&rsquo;improvisation, sillonnent les chemins de la musique libre &agrave; la recherche de nouvelles rencontres, de nouvelles exp&eacute;riences. Une formation &agrave; g&eacute;om&eacute;trie variable, le plaisir de l&rsquo;inconnu.</p>
<p>&nbsp;</p>
<h3><strong>Camila Nebbia : saxophone</strong></h3>
<h3><strong>Antoine Viard : saxophone</strong></h3>
<p>&nbsp;</p>
<p><strong><img src="https://www.collectifcoax.com/uploads/misc/misc-camilaantoine.jpeg" alt="misc-camilaantoine.jpeg" width="650" height="433" /></strong></p>
<p>&nbsp;</p>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1498691356&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true" width="650" height="300" frameborder="no" scrolling="no" data-mce-fragment="1"></iframe></p>
<p>&nbsp;</p>
<p><iframe style="border: 0; width: 400px; height: 340px;" src="https://bandcamp.com/EmbeddedPlayer/album=2598332083/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" width="650" height="325" seamless=""><a href="https://antoineviard.bandcamp.com/album/perhaps">PERHAPS de Camila Nebbia, Antoine Viard - Saxs / Benjamin Duboc - Bass</a></iframe></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-img2456.jpeg" alt="misc-img2456.jpeg" width="325" height="842" /></p>
<p>&nbsp;</p>
<p>&nbsp;<strong>&nbsp;</strong></p>

-CA- (Camila Nebbia & Antoine Viard) @ 26 CHAISES

-CA- (Camila Nebbia & Antoine Viard) trio w/ Benjamin Duboc @ Soirée COAX aux Instants Chavirés

-CA- (Camila Nebbia & Antoine Viard) + Benjamin Duboc @ Le laïtou

-CA- (Camila Nebbia & Antoine Viard) + Benjamin Duboc + Daunik Lazro @ Studio Lachaux

-CA- @ PERISCOPE

-CA- @ TRIBU FESTIVAL / CIRQUE LILI avec Lise Pauton

-CA- @ TRIBU FESTIVAL / LE MAQUIS avec Lise Pauton

-CA- aux Temps du Corps avec Benjamin Duboc & Samuel Ber

-CA- EXTENDED @ LE GENERATEUR

<p>The ParkR project offers a reinterpretation of "Yardbird" Charlie Parkers music, who died on March 12, 1955 at the age of 34. The point here isn't to revive Bebop but more of capturing its essence, the colors, the idioms, reclaiming them and making them a new object with a "Neo-expressionist" prism, echoing Jean Michel Basquiats focus on "Bird" in the 80s.</p>
<p>&nbsp;</p>
<p><strong>Antoine Viard - Saxophone</strong></p>
<p><strong>Aymeric Avice - Trumpet</strong></p>
<p><strong>Antonin Rayon - Organ</strong></p>
<p><strong>Samuel Ber - Drums</strong></p>
<p>&nbsp;</p>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1494865180&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true" width="650" height="360" frameborder="no" scrolling="no" data-mce-fragment="1"></iframe></p>

PARKR

<p>Le projet ParkR propose une relecture de la musique de &laquo; Yardbird &raquo; Charlie Parker, d&eacute;c&eacute;d&eacute; le 12 mars 1955 &agrave; l&rsquo;&acirc;ge de 34 ans. Il ne s&rsquo;agit pas ici de faire revivre le Bebop mais plut&ocirc;t d&rsquo;en capter l&rsquo;essence, les couleurs, les idiomes, se les r&eacute;approprier et fabriquer un nouvel objet avec un regard &laquo; neo-expressioniste &raquo; en &eacute;cho &agrave; celui que Jean Michel Basquiat &agrave; port&eacute; sur &laquo; Bird &raquo; dans les ann&eacute;es 80.</p>
<p>&nbsp;</p>
<p><strong>Antoine Viard - Saxophone</strong></p>
<p><strong>Aymeric Avice - Trompette</strong></p>
<p><strong>Antonin Rayon - Orgue</strong></p>
<p><strong>Samuel Ber - Batterie</strong></p>
<p>&nbsp;</p>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1494865180&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true" width="650" height="360" frameborder="no" scrolling="no" data-mce-fragment="1"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a style="color: #cccccc; text-decoration: none;" title="Collectif Coax" href="https://soundcloud.com/user-450868491" target="_blank" rel="noopener">Collectif Coax</a> &middot; <a style="color: #cccccc; text-decoration: none;" title="PARKR (Antoine Viard - Aymeric Avice - Antonin Rayon - Samuel Ber)" href="https://soundcloud.com/user-450868491/sets/parkr-antoine-viard-aymeric-avice-antonin-rayon-samuel-ber" target="_blank" rel="noopener">PARKR (Antoine Viard - Aymeric Avice - Antonin Rayon - Samuel Ber)</a></div>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a style="color: #cccccc; text-decoration: none;" title="Collectif Coax" href="https://soundcloud.com/user-450868491" target="_blank" rel="noopener">Collectif Coax</a> &middot; <a style="color: #cccccc; text-decoration: none;" title="PARKR (Antoine Viard - Aymeric Avice - Antonin Rayon - Samuel Ber)" href="https://soundcloud.com/user-450868491/sets/parkr-antoine-viard-aymeric-avice-antonin-rayon-samuel-ber" target="_blank" rel="noopener">PARKR (Antoine Viard - Aymeric Avice - Antonin Rayon - Samuel Ber)</a></div>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a style="color: #cccccc; text-decoration: none;" title="Collectif Coax" href="https://soundcloud.com/user-450868491" target="_blank" rel="noopener">Collectif Coax</a> &middot; <a style="color: #cccccc; text-decoration: none;" title="PARKR (Antoine Viard - Aymeric Avice - Antonin Rayon - Samuel Ber)" href="https://soundcloud.com/user-450868491/sets/parkr-antoine-viard-aymeric-avice-antonin-rayon-samuel-ber" target="_blank" rel="noopener">PARKR (Antoine Viard - Aymeric Avice - Antonin Rayon - Samuel Ber)</a></div>
<p>&nbsp;</p>

<p>Psychobilly noise garage band composed of Fabien Gaston Rimbaud (Poulainjars, Pat&eacute; pour Chiens) and Simon Henocq (Herz, We Use Cookies). When rock'n'roll throws itself into total improvisation it's like playing with fire. Songs on the razor's edge, unpredictable and jubilant. Mixtures of atmospheres, rustic techno and oblique blougrass merge into a kind of instinctive and excessive rock, all draped in a vociferous poetry on the spot.</p>
<p>&nbsp;</p>
<p><strong>Simon Henocq</strong>&nbsp;&ndash; guitar, synth<br /><strong>Fabien Gaston Rimbaud</strong>&nbsp;&ndash; drums, synth, voice</p>
<p>&nbsp;</p>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1595723644&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true" width="650" height="300" frameborder="no" scrolling="no" data-mce-fragment="1"></iframe></p>
<p>&nbsp;</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/byVeomK7Mcg" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-photo-promo-luciferumba.jpg" alt="misc-photo-promo-luciferumba.jpg" width="330" height="480" />&nbsp;<img src="https://www.collectifcoax.com/uploads/misc/misc-photo-live-luciferumba2.jpeg" alt="misc-photo-live-luciferumba2.jpeg" width="320" height="480" /></p>

JOCAFOC

<div style="color: #222222;">
<p>Groupe de garage noise psychobilly compos&eacute; de Fabien Gaston Rimbaud (Poulainjars, Pat&eacute; pour chiens) et de Simon Henocq (Herz, We Use Cookies). Lorsque le rock&rsquo;n&rsquo;roll se jette dans l&rsquo;impro totale c&rsquo;est comme jouer avec le feu. Des chansons sur le fil du rasoir, impr&eacute;visibles et jubilatoires. M&eacute;langes d&rsquo;atmosph&egrave;res, techno rustique et blougrass oblique se fondent dans une esp&egrave;ce de rock instinctif et excessif, le tout drap&eacute; d'une po&eacute;sie vocif&eacute;r&eacute;e sur le vif.</p>
</div>
<header style="color: #222222;"></header>
<div style="color: #222222;">
<p><strong>Simon Henocq</strong>&nbsp;&ndash; guitare, synth&eacute;<br /><strong>Fabien Gaston Rimbaud</strong>&nbsp;&ndash; batterie, synth&eacute;, voix</p>
<p>&nbsp;</p>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1595723644&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true" width="650" height="300" frameborder="no" scrolling="no" data-mce-fragment="1"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a style="color: #cccccc; text-decoration: none;" title="Simon Henocq" href="https://soundcloud.com/imonenocq" target="_blank" rel="noopener">Simon Henocq</a> &middot; <a style="color: #cccccc; text-decoration: none;" title="Jocafoc live @ La Casa Musicale (Perpignan) le 09 janvier 2023" href="https://soundcloud.com/imonenocq/sets/jocafoc-live-la-casa-musicale-perpignan-le-09-janvier-2023" target="_blank" rel="noopener">Jocafoc live @ La Casa Musicale (Perpignan) le 09 janvier 2023</a></div>
<p>&nbsp;</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/5IOXJnD_aRo?si=qdffWIYe7_MicXOT" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>
<p>&nbsp;</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/byVeomK7Mcg" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>&nbsp;&nbsp;</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/F4M79gSJ5kY?si=xzAyLgaOfv0TZ6Du" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
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<p><img src="https://www.collectifcoax.com/uploads/misc/misc-photo-promo-luciferumba.jpg" alt="misc-photo-promo-luciferumba.jpg" width="330" height="480" />&nbsp;<img src="https://www.collectifcoax.com/uploads/misc/misc-photo-live-luciferumba2.jpeg" alt="misc-photo-live-luciferumba2.jpeg" width="320" height="480" /></p>
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Techno rustique, blougrass oblique et rumba catalane se fondent dans une espèce de rock instinctif et imprévisible, le tout drapé d'une poésie vociférée sur le vif.

JOCAFOC @ LE PIC DE LA GARDE

JOCAFOC @ LE RAYMOND BAR

JOCAFOC @ L'ATELIER TAMPON-NOMADE

JOCAFOC @ LA PIE FOLLE

JOCAFOC @ LA REMISE

JOCAFOC @ L'ANTROPO

JOCAFOC @ LA CASA MUSICALE

JOCAFOC @ INSTANTS CHAVIRÉS

JOCAFOC @ PROMENADE MUSICALE COAX

JOCAFOC @ CASA MUSICALE

JOCAFOC @ 36 RUE DE LA COUTELLERIE

JOCAFOC @ KLUB KOB

JOCAFOC @ CIRQUE ELECTRIQUE (EN VEUX TU EN V'LA)

JOCAFOC @ LA MECANIQUE ONDULATOIRE

JOCAFOC @ LA GRANGE (75019) / L'ATELIER TAMPON-NOMADE

<p>Inspired by noise and acoustic and electronic rhythms, Yann Joussein's solo is an invitation to trance and a singular dance, a tunnel of sound that takes us on a journey from the world of Keiji Haino to the dreamlike world of Ken Ikeda, from kraut rock influences to the the rebellious energy of 60s free jazz. On this album, drums, an analog synthesizer and a sampler.</p>
<p>&nbsp;</p>
<p>In the continuity of Tribalism3 and H&aring;la Duett, inspired by rhythms from the world, "ktbh" the slogan of the Australian democrats in the 80s is a way of saying that all politicians are corrupt, and that we are going to take care of that.</p>
<p>&nbsp;</p>
<p>We are already in the 21st century and everything is still to be done. As the main song of the upcoming album says, based on an ostinato of repetitive analog synthesizesr and an endless loop of drums, &ldquo;You can do it&rdquo;.<br />&ldquo;Free the music&rdquo; composed using a synthetic Indian tampoura and a rhythmless drum pattern is a perfect slogan to say that if I can do it, so can you. An ironic way of drawing a parallel with the methods we use today to produce sound.</p>
<p>&nbsp;</p>
<p><iframe src="https://bandcamp.com/EmbeddedPlayer/album=2384590548/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" width="650" height="150" seamless=""><a href="https://collectifcoax.bandcamp.com/album/keep-the-bastards-honest">KEEP THE BASTARDS HONEST de Yann Joussein</a></iframe></p>
<p>&nbsp;</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/X-_CN0Tb3MA" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen" data-mce-fragment="1"></iframe></p>
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<h3>YANN JOUSSEIN - DRUMS, ELECTRONICS</h3>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-yannjousseincopyrightcoax.jpg" alt="misc-yannjousseincopyrightcoax.jpg" width="650" height="433" /></p>

KEEP THE BASTARDS HONEST

<p>Nourri de noise et de rythmiques acoustiques et &eacute;lectroniques, ce solo nous am&egrave;ne &agrave; une transe et une danse singuli&egrave;re, un tunnel de son qui nous fait voyager de l&rsquo;univers de Keiji Haino &agrave; celui plus onirique de Ken Ikeda en passant par des influences kraut rock ainsi que l&rsquo;&eacute;nergie rebelle du free jazz des ann&eacute;es 60. Sur cet album, se croisent une batterie, un synth&eacute;tiseur analogique et un sampler.</p>
<p>&nbsp;</p>
<p>Dans la continuit&eacute; des groupes Tribalism3 et H&aring;la Duett, inspir&eacute;s de rythmiques d&rsquo;ici et l&agrave;, &laquo; ktbh &raquo; le slogan des d&eacute;mocrates australiens dans les ann&eacute;es 80 est une fa&ccedil;on de dire que tous les politiciens sont corrompus, et que l&rsquo;on va s&rsquo;occuper de &ccedil;a.</p>
<p>&nbsp;</p>
<p>Nous sommes d&eacute;j&agrave; au 21e si&egrave;cle et tout reste &agrave; faire. Et puisque tout reste &agrave; faire comme le dit le titre phare du disque &agrave; venir, bas&eacute; sur un ostinato de synth&eacute;tiseur analogique r&eacute;p&eacute;titif et une tourne de batterie sans fin &laquo; You can do it &raquo;. &laquo; Free the music &raquo; compos&eacute; &agrave; l&rsquo;aide d&rsquo;une tampoura indienne synth&eacute;tique et d&rsquo;un pattern de batterie sans rythme est un slogan parfait pour dire que si je peux le faire, vous aussi. Une mani&egrave;re ironique de faire le parall&egrave;le avec les m&eacute;thodes que l&rsquo;on utilise aujourd&rsquo;hui pour produire le son.</p>
<p>&nbsp;</p>
<h3>YANN JOUSSEIN - DRUMS, ELECTRONICS</h3>
<p>&nbsp;</p>
<p><iframe style="border: 0; width: 400px; height: 241px;" src="https://bandcamp.com/EmbeddedPlayer/album=2384590548/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" width="650" height="150" seamless=""><a href="https://collectifcoax.bandcamp.com/album/keep-the-bastards-honest">KEEP THE BASTARDS HONEST de Yann Joussein</a></iframe></p>
<p>&nbsp;</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/X-_CN0Tb3MA" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>&nbsp;</p>
<p><img src="https://www.collectifcoax.com/uploads/misc/misc-yannjousseincopyrightcoax.jpg" alt="misc-yannjousseincopyrightcoax.jpg" width="650" height="433" /></p>

KEEP THE BASTARDS HONEST @ KÜHLSPOT SOCIAL CLUB

KEEP THE BASTARDS HONEST @ LES NAUTES

KEEP THE BASTARDS HONEST @ FESTIVAL DIAMANT VERT

KEEP THE BASTARDS HONEST @ NEUE SCHATEL

KEEP THE BASTARDS HONEST @ OTOOTO

KEEP THE BASTARDS HONEST @ TAKATSUKI JAZZ STREET

KEEP THE BASTARDS HONEST @ LA CAVE POESIE RENE GOUZENNE / Nuit de la transe

KEEP THE BASTARDS HONEST @ FESTIVAL MENS ALORS !

KEEP THE BASTARD HONEST @ QUINCAILLERIE

KEEP THE BASTARDS HONEST @ FESTIVAL RAYON VERT

ZONE DE SILENCE PRESENTE 12H24-24H12 (MARATHON RADIO/LIVE & MARCHE DE NOEL DES MUSIQUES INCLASSEES)

Keep the bastards honest @Ojala este mi bici

Keep the bastards honest @Asagaya Ten

Keep the bastards honest @Le Taquin

COAX est un collectif de musiciens, crée en 2008 et labellisé...

Archives

TEASER KERMESSE(S)

WE USE COOKIES - LIVE BOILER MERDE

WE USE COOKIES & AL. - Excerpts

GUMMI - Live @ Jazz à la Villette

TRIBALISM3 - Teaser

TRIBALISM3 - April on Mars

LA PEUGE EN MAI - 'A l'improviste' sur France Musique

HåLA DUETT - LIVE SESSION

ABACAXI @ GROUND MUSIC FESTIVAL

HIPPIE DIKTAT - Plexus

JULIEN DESPREZ @ ISABEL SÖRLING - Co-Working

HIPPIE DIKTAT - Teaser 1 (Gran Sasso)

TEASER KERMESSE(S)

WE USE COOKIES - LIVE BOILER MERDE

WE USE COOKIES & AL. - Excerpts

GUMMI - Live @ Jazz à la Villette

TRIBALISM3 - Teaser

TRIBALISM3 - April on Mars

LA PEUGE EN MAI - 'A l'improviste' sur France Musique

HåLA DUETT - LIVE SESSION

ABACAXI @ GROUND MUSIC FESTIVAL

HIPPIE DIKTAT - Plexus

JULIEN DESPREZ @ ISABEL SÖRLING - Co-Working

HIPPIE DIKTAT - Teaser 1 (Gran Sasso)

TEASER KERMESSE(S)

WE USE COOKIES - LIVE BOILER MERDE

WE USE COOKIES & AL. - Excerpts

GUMMI - Live @ Jazz à la Villette

TRIBALISM3 - Teaser

TRIBALISM3 - April on Mars

LA PEUGE EN MAI - 'A l'improviste' sur France Musique

HåLA DUETT - LIVE SESSION

ABACAXI @ GROUND MUSIC FESTIVAL

HIPPIE DIKTAT - Plexus

JULIEN DESPREZ @ ISABEL SÖRLING - Co-Working

HIPPIE DIKTAT - Teaser 1 (Gran Sasso)