COAX is a collective of musicians, created in 2008 and in a label...

With violence and poetry, Tendresse speaks to us of tomorrow&mdash;of the possibility of friendship, encounter, care, love, and revolution within atomized societies crushed by oppressive systems, algorithmic omnipotence, the abuse of bodies, and enforced silence. Must we consent to plunge toward hell? How do we straighten our bodies? How do we make words dance on our lips before they burn the depths of our souls? Tripes keeps light as its guide, and through Tendresse asks us this final, simple, essential question: &ldquo;How are you?&rdquo;
 
Julien Chamla: drums, vocals, composition Quares: electric bass, vocals Julien Pontvianne: clarinet, vocals, harmonium
 
ALBUM AVAILABLE SINCE JANUARY 9, 2026

TRIPES 'TENDRESSE'

Avec violence et poésie, Tendresse nous parle de demain, de la possibilité de l&rsquo;amitié, de la rencontre, du care, de l&rsquo;amour et de la révolution dans des sociétés atomisées, broyées par les systèmes oppressifs, la toute-puissance algorithmique, la maltraitance des corps et la mise sous silence. Doit-on consentir à plonger vers l&rsquo;enfer? Comment redresser nos corps? Comment faire danser la parole sur nos lèvres avant qu&rsquo;elle ne nous brûle le fond de l&rsquo;âme? Tripes garde la lumière comme guide, et à travers Tendresse nous pose cette dernière question, simple et essentielle: « Comment vas-tu? »
 
Julien Chamla : batterie, voix, composition Quares : basse électrique, voix Julien Pontvianne : clarinette, voix, harmonium
 
ALBUM DISPONIBLE DEPUIS LE 9 JANVIER 2026

TRIPES 'Tendresse'

The album, titled « Même le singe tombe de l&rsquo;arbre », refers to a Japanese proverb meaning that nobody is perfect. Unlike purely electronic music, the group offers a fusion of acoustic and synthesized sounds &mdash; a challenge both live and in the studio. This blend, far from natural, gives the music a living quality and, consequently, an element of imperfection.
Across the seven tracks of this project, Tribalism 3 remains true to the direction of its previous albums while exploring its own vision of the tribal. Inspired by Yann Joussein&rsquo;s numerous Franco-Japanese tours and collaborations, the theme of Japanese proverbs naturally emerged to illustrate the album.
« Les gâteaux tombent de l&rsquo;étagère » means that luck can smile even on those who don&rsquo;t expect it, while « Si tu es pressé, fais un détour » suggests that it is wiser to take a long and safe route than an unknown shortcut.
 
Yann Joussein | Drums
Olivia Scemama | Bass Luca Ventimiglia | Synths
 
ALBUM AVAILABLE NOVEMBER 7TH, 2025 ON <a href="https://collectifcoax.bandcamp.com/" target="_blank" rel="noopener">COAX RECORDS</a>.

TRIBALISM3 'Même le singe tombe de l'Arbre'

L'album, intitulé « Même le singe tombe de l'arbre », fait référence à un proverbe japonais signifiant que personne n&rsquo;est parfait. Contrairement à la musique purement électronique, le groupe propose une fusion d&rsquo;acoustique et de sons de synthèse, un défi tant en live qu&rsquo;en studio. Ce mélange, loin d&rsquo;être naturel, rend la musique vivante et, de fait, imparfaite. À travers les sept morceaux de ce projet, Tribalism 3 reste fidèle à la direction des albums précédents, tout en explorant sa propre vision du tribal. Inspiré des nombreuses tournées et collaborations franco-japonaises de Yann Joussein, la thématique des proverbes japonais s&rsquo;est imposée pour illustrer l&rsquo;album. « Les gâteaux tombent de l&rsquo;étagère » signifie que la chance sourit même à ceux qui ne l&rsquo;attendent pas, ou « Si tu es pressé, fais un détour » veut dire qu&rsquo;il est plus prudent de prendre un chemin long et sûr qu&rsquo;un raccourci inconnu.
 
Yann Joussein | Drums
Olivia Scemama | Bass Luca Ventimiglia | Synths
 
ALBUM DISPONIBLE LE 7 NOVEMBRE 2025 SUR <a href="https://collectifcoax.bandcamp.com/" target="_blank" rel="noopener">COAX RECORDS</a>.

With striking physicality, the raw, organic, and industrial tones intertwine with the demands of acousmatic art. The soundscapes are built, deconstructed, and then fade before our eyes. The music becomes a physical and instinctive language, immersing the listener in an intense sensory experience at the border of sound and matter.
 
Simon Henocq | Electronics
Label | Carton Records Production | Coax Records
 
SORTIE LE 11 AVRIL 2025 / <a style="color: rgb(0, 0, 0);" href="https://cartonrecords.bandcamp.com/album/we-use-cookies" target="_blank" rel="noopener">LISTEN/BUY</a>

SIMON HENOCQ 'WE USE COOKIES'

Avec une physicalité saisissante, les sonorités brutes, organiques et industrielles s&rsquo;entrelacent avec l&rsquo;exigence de l&rsquo;art acousmatique. Les trames sonores se construisent, se déconstruisent puis s&rsquo;effacent sous nos yeux. La musique devient un langage physique et instinctif, immergeant l&rsquo;auditeur dans une expérience sensorielle intense à la frontière du son et de la matière.
 
Simon Henocq | Electronics
Label | Carton Records Production | Coax Records
 
SORTIE LE 11 AVRIL 2025 / <a style="color: rgb(0, 0, 0);" href="https://cartonrecords.bandcamp.com/album/we-use-cookies" target="_blank" rel="noopener">ECOUTER/ACHETER</a>

The Bribes 4 quartet returns with a project that delves into the origins of the blues, with Ma Rainey and Bessie Smith, but also recordings by Billie Holiday, to create contemporary improvisations, compositions and arrangements.
 
Geoffroy Gesser, saxophone ténor Romain Clerc-Renaud, claviers Linda Olàh, voix Yann Joussein, batterie
 
ALBUM RELEASE NOVEMBER 8TH, 2024 / <a href="https://collectifcoax.bandcamp.com/album/bribes-4" target="_blank" rel="noopener">LISTEN-BUY</a>
 
<iframe style="border: 0; width: 400px; height: 472px;" src="https://bandcamp.com/EmbeddedPlayer/album=1136800076/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" width="" height="" seamless=""></iframe>

BRIBES 4 'THE SKY IS CRYING'

Le quatuor Bribes 4 revient avec un projet qui plonge aux origines du blues, avec Ma Rainey et Bessie Smith, mais aussi des enregistrements de Billie Holiday, pour créer des improvisations, compositions et arrangements contemporains. 
 
Geoffroy Gesser, saxophone ténor Romain Clerc-Renaud, claviers Linda Olàh, voix Yann Joussein, batterie
 
SORTIE LE 8 NOVEMBRE 2024 / <a href="https://collectifcoax.bandcamp.com/album/bribes-4" target="_blank" rel="noopener">ECOUTER-ACHETER</a>

At the crossroads of 60s rock and sound art, ABACAXI has a sweet heart and a skin covered in thorns. Formed by Julien Desprez, this new classic rock formula (guitar + bass + drums) carves out the contours of an intense, electric sound sculpture. The trio, made up of Francesco Pastacaldi on drums, Jean Fran&ccedil;ois Riffaud on bass and Julien Desprez on guitar, create a new, energetic music, somewhere between luminous noise and sharp textures - completed by a choreography of stroboscopic lights controlled directly from the stage by the musicians
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julien desprez | guitar, composition, light jean fran&ccedil;ois riffaud | low, light francesco pastacaldi | drums, synth, light
Label | Carton Records Production | Coax Records Artwork | Rob Mazurek
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<h3>RELEASED OCTOBER 18TH, 2024</h3>

ABACAXI 'QUETZAL'

A la crois&eacute;e du rock des ann&eacute;es 60 et de l'art sonore, ABACAXI a un coeur sucr&eacute; et une peau couverte d&rsquo;&eacute;pines. Form&eacute; par Julien Desprez, cette nouvelle formule classique au rock (guitare + basse + batterie) creuse les contours d'une sculpture sonore &eacute;lectrique et intense. Le trio compos&eacute; de Francesco Pastacaldi &agrave; la batterie, Jean Fran&ccedil;ois Riffaud &agrave; la basse et Julien Desprez &agrave; la guitare, cr&eacute;e une musique nouvelle, &eacute;nergique, entre noise lumineuse et textures tranchantes - compl&eacute;t&eacute;e par une chor&eacute;graphie de lumi&egrave;res stroboscopiques directement contr&ocirc;l&eacute; depuis la sc&egrave;ne par les musiciens.
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julien desprez | guitar, composition, light jean fran&ccedil;ois riffaud | low, light francesco pastacaldi | drums, synth, light
Label | Carton Records Production | Coax Records Artwork | Rob Mazurek
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<h3>SORTIE LE 18 OCTOBRE 2024</h3>

Coax records &amp; Un R&ecirc;ve Nu labels are happy and proud to present you the release of "Ab&eacute;c&eacute;daire" the first CD of JOBO duo with Yann Joussein (dr.) &amp; Heddy Boubaker (e. gt.)
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These are 26 short summaries of energy that the duo projects into our ears and into our bodies. Energies close to a France-England Crunch of the 6 Nations tournament, where spectators finish the match exhausted. Our mirror neurons suffered the onslaught of the guitarist's hiccups, the drummer's incessant waves of acceleration, his crescendos, his polyrhythms - the guitar in the heights, the openings of toms on the right side then in the left ear while the guitarist rushes in the center - ruck, rolls on the barrels from left to right - opening. The &ldquo;blue curtain&rdquo; here is a wall of sound. However, there are only two&hellip;
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Heddy Boubaker : Guitar
Yann Joussein : Drums
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<h3>AVAILABLE DECEMBER 15TH, 2023</h3>

JOBO 'Abécédaire'

Les labels Coax records &amp; Un R&ecirc;ve Nu sont fiers et heureux de vous pr&eacute;senter la sortie d'"Ab&eacute;c&eacute;daire" premier CD du duo JOBO avec Yann Joussein (batt.) &amp; Heddy Boubaker (gt. e.).
&nbsp;
Ce sont 26 courts condens&eacute;s d&rsquo;&eacute;nergie que le duo projette dans nos oreilles et dans nos corps. Des &eacute;nergies proches d&rsquo;un Crunch France-Angleterre du tournoi des 6 nations, o&ugrave; spectateur on termine le match &eacute;puis&eacute;. Nos neurones miroirs ont subi les assauts des hoquets du guitariste, les incessantes vagues d&rsquo;acc&eacute;l&eacute;r&eacute;s du batteur, ses crescendos, ses polyrythmies &ndash; la guitare dans les hauteurs, les ouvertures de toms c&ocirc;t&eacute; droit puis dans l&rsquo;oreille gauche pendant que le guitariste fonce au centre - ruck, roulements sur les futs de gauche &agrave; droite - ouverture. Le &laquo; rideau bleu &raquo; est ici un mur de son. Ils ne sont pourtant que deux&hellip;
&nbsp;
Heddy Boubaker : Guitare
Yann Joussein : Batterie
&nbsp;
<h3>DISPONIBLE LE 15 DECEMBRE 2023</h3>

Imagine a sound adventure, where the collective of musicians COAX merges with the vibrant spirit of the Groupe d'Entraide Mutuelle de Montreuil, a mental health peer-aid structure nicknamed "Les Gens du 110".
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The bustling heterogeneous team explores new sound territories, inspired by a series of workshops at GEM, among sculptures, frescoes, odds and ends, cries and laughter. Recording sessions follow. collectives at the Caracol studio in Montreuil, which gave birth to a series of new pieces, compiled, mixed and arranged by Simon Henocq and Antoine Viard.
&nbsp;
But the story does not end there ! The artistic sensitivity of this unlikely union finds an echo during a passionate concert at the Sonic Protest Festival, illuminating the hall of La Parole Errante. Both poignant and delirious, the pieces will seduce the label La Belle Brute which joins the adventure and co-produces the album with Coax Records, on vinyl and on all platforms. A beautiful disc simply titled 'GEM', to be released on December 1, 2023, will be presented and discussed with its protagonists during the radio gathering 12:24-24:12 at Instants Chavir&eacute;s on December 9, 2023.
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<h3>AVAILABLE DECEMBER 1ST, 2023</h3>

Imaginez-vous une aventure sonore, o&ugrave; le collectif de musiciens COAX fusionne avec l'esprit vibrant du Groupe d'Entraide Mutuelle de Montreuil, une structure de pair-aidance en sant&eacute; mentale surnomm&eacute;e "Les Gens du 110".
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Le bouillonnant attelage h&eacute;t&eacute;roclite explore des territoires sonores in&eacute;dits, inspir&eacute;s par une s&eacute;rie d'ateliers au GEM, au milieu des sculptures, des fresques, des brics et des brocs, des cris et des rires.. S'en suivent des s&eacute;ances d'enregistrement collectives au studio Caracol de Montreuil, qui donnent naissance &agrave; une s&eacute;rie de morceaux in&eacute;dits, compil&eacute;s, mix&eacute;s et arrang&eacute;s par Simon Henocq et Antoine Viard.
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Mais l'histoire ne s'arr&ecirc;te pas l&agrave; ! La sensibilit&eacute; artistique de cette union improbable trouve un &eacute;cho lors d'un concert passionn&eacute; au Festival Sonic Protest, illuminant la salle de La Parole Errante. A la fois poignants et d&eacute;lirants, les morceaux s&eacute;duiront le label La Belle Brute qui se joint &agrave; l'aventure et co-produit l'album avec Coax Records, sur vinyle et sur toutes les plateformes. Un beau disque intitul&eacute; sobrement 'GEM', &agrave; para&icirc;tre le 1er D&eacute;cembre 2023, sera pr&eacute;sent&eacute; et discut&eacute; avec ses protagonistes lors du rassemblement radiophonique 12h24-24h12 aux Instants Chavir&eacute;s le 9 D&eacute;cembre 2023.
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<h3>DISPONIBLE LE 1ER DECEMBRE 2023</h3>

With this second album"As&aacute;k", H&aring;la Duett refines her recipe mixing Tuareg scales and melodies, Gnawa rhythms and a touch of noise rock... The lyrics as well as the music reflect the mixture practiced by H&aring;la Duett. Sung in English, Hausa or in a melodic language created for the occasion, they deal with popular subjects such as resisting the oppressor, the abolition of borders or the relationship to religion. As&aacute;k, for example, designates both a piece of traditional music among the Tuareg and a village in Norway or Iran.
&nbsp;
<h3>YANN JOUSSEIN : DRUMS</h3>
<h3>SHEIK ANORAK : GUITAR</h3>
&nbsp;
<h3>RELEASED APRIL 14TH 2023 ON&nbsp;<a href="https://collectifcoax.bandcamp.com/album/h-la-duett-as-k" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>

H​Å​LA DUETT 'AS​Á​K'

Avec ce deuxi&egrave;me disque "As&aacute;k", H&aring;la Duett peaufine sa recette m&ecirc;lant gammes et m&eacute;lodies touar&egrave;gues, rythmes gnawas et une pointe de noise rock&hellip;Les paroles tout comme la musique sont le reflet du m&eacute;lange pratiqu&eacute; par H&aring;la Duett. Chant&eacute;es aussi bien en Anglais, en Haoussa ou dans un langage m&eacute;lodique cr&eacute;&eacute; pour l'occasion, elles traitent de sujets populaires comme r&eacute;sister face &agrave; l'oppresseur, l'abolition des fronti&egrave;res ou encore le rapport &agrave; la religion. As&aacute;k parexemple, d&eacute;signe aussi bien un morceau de musique traditionnel chez les Touareg qu'un village en Norv&egrave;ge ou en Iran.
&nbsp;
<h3>YANN JOUSSEIN : DRUMS</h3>
<h3>SHEIK ANORAK : GUITARE</h3>
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<h3>SORTIE LE 14 AVRIL 2023 SUR <a href="https://collectifcoax.bandcamp.com/album/h-la-duett-as-k" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>

Inspired by noise and acoustic and electronic rhythms, Yann Joussein's solo is an invitation to trance and a singular dance, a tunnel of sound that takes us on a journey from the world of Keiji Haino to the dreamlike world of Ken Ikeda, from kraut rock influences to the the rebellious energy of 60s free jazz. On this album, drums, an analog synthesizer and a sampler.
&nbsp;
In the continuity of Tribalism3 and H&aring;la Duett, inspired by rhythms from the world, "ktbh" the slogan of the Australian democrats in the 80s is a way of saying that all politicians are corrupt, and that we are going to take care of that.
&nbsp;
We are already in the 21st century and everything is still to be done. As the main song of the upcoming album says, based on an ostinato of repetitive analog synthesizesr and an endless loop of drums, &ldquo;You can do it&rdquo;. &ldquo;Free the music&rdquo; composed using a synthetic Indian tampoura and a rhythmless drum pattern is a perfect slogan to say that if I can do it, so can you. An ironic way of drawing a parallel with the methods we use today to produce sound.
&nbsp;
<h3>YANN JOUSSEIN - DRUMS, ELECTRONICS</h3>
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<h3>RELEASE : FEBRUARY 10TH 2023 ON&nbsp;<a href="https://collectifcoax.bandcamp.com/album/keep-the-bastards-honest" target="_blank" rel="noopener">COAX RECORDS.</a></h3>

KEEP THE BASTARDS HONEST (YANN JOUSSEIN)

Nourri de noise et de rythmiques acoustiques et &eacute;lectroniques, ce solo nous am&egrave;ne &agrave; une transe et une danse singuli&egrave;re, un tunnel de son qui nous fait voyager de l&rsquo;univers de Keiji Haino &agrave; celui plus onirique de Ken Ikeda en passant par des influences kraut rock ainsi que l&rsquo;&eacute;nergie rebelle du free jazz des ann&eacute;es 60. Sur cet album, se croisent une batterie, un synth&eacute;tiseur analogique et un sampler.
&nbsp;
Dans la continuit&eacute; des groupes Tribalism3 et H&aring;la Duett, inspir&eacute;s de rythmiques d&rsquo;ici et l&agrave;, &laquo; ktbh &raquo; le slogan des d&eacute;mocrates australiens dans les ann&eacute;es 80 est une fa&ccedil;on de dire que tous les politiciens sont corrompus, et que l&rsquo;on va s&rsquo;occuper de &ccedil;a.
&nbsp;
Nous sommes d&eacute;j&agrave; au 21e si&egrave;cle et tout reste &agrave; faire. Et puisque tout reste &agrave; faire comme le dit le titre phare du disque &agrave; venir, bas&eacute; sur un ostinato de synth&eacute;tiseur analogique r&eacute;p&eacute;titif et une tourne de batterie sans fin &laquo; You can do it &raquo;. &laquo; Free the music &raquo; compos&eacute; &agrave; l&rsquo;aide d&rsquo;une tampoura indienne synth&eacute;tique et d&rsquo;un pattern de batterie sans rythme est un slogan parfait pour dire que si je peux le faire, vous aussi. Une mani&egrave;re ironique de faire le parall&egrave;le avec les m&eacute;thodes que l&rsquo;on utilise aujourd&rsquo;hui pour produire le son.
&nbsp;
<h3>YANN JOUSSEIN - DRUMS, ELECTRONICS</h3>
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<h3>SORTIE LE 10 FEVRIER 2023 SUR <a href="https://collectifcoax.bandcamp.com/album/keep-the-bastards-honest" target="_blank" rel="noopener">COAX RECORDS.</a></h3>

A music crossed by a vibratory urgency, rough, sensitive. The sound material is skilfully mixed and dilated, it gives substance to an intense scenario. Like the flow of a torrent that doesn't let go...
"Remarkably recorded and mixed, stretched like a steel cable on the verge of breaking, Herz is a race as mad as it is impressive, a storm under a joyful and intense skull"
"The music never lets go of its intensity (..) From these records that make you want to push your own limits and see where your eardrums take you: Beyond reasonable" Laurent Nerzic, Revue &amp; Corrig&eacute;e
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<h3>Simon Henocq : Electronics Philippe Foch : Electronics, Percussion</h3>
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<h3>RELEASE / JANUARY 13TH 2023 ON&nbsp;<a href="https://collectifcoax.bandcamp.com/album/herz" target="_blank" rel="noopener">COAX RECORDS.</a></h3>

HERZ (SIMON HENOCQ & PHILIPPE FOCH)

Une musique travers&eacute;e par une urgence vibratoire, rugueuse, sensible. Le mat&eacute;riau sonore est savamment malax&eacute; et dilat&eacute;, il donne corps &agrave; un scenario intense. Comme le flux d'un torrent qui ne vous l&acirc;che pas&hellip;
"Remarquablement enregistr&eacute; et mix&eacute;, tendu comme un c&acirc;ble d&rsquo;acier au bord de la rupture, Herz est une course aussi folle qu&rsquo;impressionnante, une temp&ecirc;te sous un cr&acirc;ne r&eacute;jouissante et intense"
"La musique ne l&acirc;che rien de son intensit&eacute; (..) De ces disques qui donnent envie de repousser vos propres limites et de voir jusqu&rsquo;&agrave; ou vos tympans vous m&egrave;nent: Au-del&agrave; du raisonnable" Laurent Nerzic, Revue &amp; Corrig&eacute;e
&nbsp;
<h3>Simon Henocq : Electronique Philippe Foch : Electronique, Percussions</h3>
&nbsp;
<h3>SORTIE LE 13 JANVIER 2023 SUR <a href="https://collectifcoax.bandcamp.com/album/herz" target="_blank" rel="noopener">COAX RECORDS.</a></h3>

<h3>RELEASE ON SEPTEMBER 15TH, 2021</h3>
This album was recorded at the Performing Art Forum, a former convent that has become a performance and creation venue. Its multiple spaces are full of stories that resonate in the present, we can feel history through every wall. The sound imprints and acoustics, reproduced in detail, are constitutive of the music and have accompanied the musicians gestures and improvisations throughout the recordings. The progression of the pieces, each inspired by the place in which they were improvised, is the mark of this desire for elasticity affirmed in the title of the album: Gummi, meaning 'elastic' in German.
 
Michael Nick : Violin Simon Henocq : Guitar Nicolas Souchal : Trumpet Produced by Musique en Friche & Coax Records. Cover by Michael Nick.

GUMMI

Cet album a été enregistré à Performing Art Forum, ancien couvent devenu lieu de performance. Ses multiples espaces regorgent d'histoires qui résonnent dans le présent, se répercutent au travers des murs. Les empreintes sonores, restituées dans le détail, sont constitutives de la musique jouée, tant elles ont accompagné les gestes et improvisations, jusqu&rsquo;à parfois occuper le premier plan. Le cheminement des pièces, chacune inspirée du lieu dans lequel elle s'est improvisée, est la marque de ce désir d'élasticité affirmé dans le titre de l&rsquo;album : Gummi, l&rsquo;élastique en allemand.
 
Michael Nick : Violon Simon Henocq : Guitare Nicolas Souchal : Trompette Co-production : Musique en Friche & Coax Records. Cover by Michael Nick.
 
<h3 style="color: #000000;">SORTIE LE 15 SEPTEMBRE 2021 SUR <a style="color: #000000;" href="http://www.collectifcoax.com/label" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>

Agora is driving you through an impedance jungle. The air is dry and moist, threes are a little too green and they burn from inside. The path is blazing and muddy, the light is bright and dark, some ghosts are tap-dancing around. Breakdowns are your moving means, electric tension your sap. Agora is also a piece for electronics, impedance, electric guitar and podoryhtmie. It was made during the french autumn 2020 lockdown for the italian festival Cataclisma.
&nbsp;
RELEASED ON JANUARY 15TH, 2021

JULIEN DESPREZ - AGORA

Agora nous plonge dans la jungle de l&rsquo;imp&eacute;dance. Une jungle&nbsp;o&ugrave; l&rsquo;air est sec et moite et&nbsp;o&ugrave; les arbres, d'un vert un peu trop &eacute;clatant, brulent de l&rsquo;int&eacute;rieur. Cr&eacute;pitant sous nos pas, la route nous d&eacute;voile quelques ombres au milieu de la boue, dansant &agrave; claquette. La panne y est notre v&eacute;hicule, la tension &eacute;lectrique notre s&egrave;ve. Agora est aussi une pi&egrave;ce pour &eacute;lectronique, jeux d'imp&eacute;dance, guitare &eacute;lectrique et podoryhtmie, r&eacute;alis&eacute;e pendant le confinement d'Automne 2020 et diffus&eacute;e dans le cadre du Festival italien Cataclisma.
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<h3>SORTI LE 15 JANVIER 2021 SUR&nbsp;<a href="http://www.collectifcoax.com/label" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>

Somewhere between late 60&rsquo;s rock and sound art, ABACAXI has a a heart full of candy and a skin made of spikes.
&nbsp;
Formed by Julien Desprez, this brand new incarnation of the classic rock line up guitar/bass/drums presents an intense electric sound sculpture, carved by the rock idiom.
&nbsp;
The trio, with Max Andrzejewski on drums/synth and Jean Fran&ccedil;ois Riffaud on bass, creates an highly energetic new music full of noisy brightness and sharp edges - completed by a choreography of flashlights.
&nbsp;
Julien Desprez | direction, guitar, light Jean Fran&ccedil;ois Riffaud | bass, light Max Andrzejewski | drums, synth, light
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<h3>RELEASED ON MARCH 19TH 2021 ON&nbsp;<a href="https://www.cartoncartoncarton.com/" target="_blank" rel="noopener">CARTON RECORDS</a>&nbsp;&amp;&nbsp;<a href="http://www.collectifcoax.com/label" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>

ABACAXI - MAINSTREAM DESIRE (EP)

A la crois&eacute;e du rock des ann&eacute;es 60 et de l'art sonore, ABACAXI a un coeur sucr&eacute; et une peau couverte d'&eacute;pines.
&nbsp;
Form&eacute; par Julien Desprez, cette nouvelle formule classique au rock (Guitare + Basse + Batterie) creuse les contours d'une sculpture sonore &eacute;lectrique et intense.
&nbsp;
Le trio compos&eacute; de Max Andrzejewski &agrave; la batterie et au synth&eacute;, Jean Fran&ccedil;ois Riffaud &agrave; la basse et Julien Desprez &agrave; la guitare, cr&eacute;e une musique nouvelle, &eacute;nergique, entre noise lumineuse et textures tranchantes - compl&eacute;t&eacute;e par une chor&eacute;graphie de lumi&egrave;res stroboscopiques.
&nbsp;
Julien Desprez | Guitare, Composition, Lumi&egrave;re Jean Fran&ccedil;ois Riffaud | Basse, Lumi&egrave;re Max Andrzejewski | Batterie, Synth&eacute;, Lumi&egrave;re 
&nbsp;
<h3>SORTI LE 19 MARS 2021 SUR&nbsp;<a href="https://www.cartoncartoncarton.com/" target="_blank" rel="noopener">CARTON RECORDS</a>&nbsp;&amp;&nbsp;<a href="http://www.collectifcoax.com/label" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>

Trained as a visual artist and after graduating from the School of Fine Arts in Rouen (France) where he made installations and performances, Jean-Fran&ccedil;ois Riffaud gradually turned himself towards music. Having attended for ten years both alternative networks, as well as SMAC, Jazz clubs and national scenes within various groups (Syntax Error, Electric Vocuhila, Parquet, ABACAXI, The World), he elaborates in 2020 &ldquo;BETEL&rdquo;, a minimal piece for electric guitar that synthesizes its &ldquo;plastic&rdquo; way of considering the musical act.
&nbsp;
Influenced as much by Tony Conrad, John Fahey, Moondog and Morton Subotnik as by electric music from sub-Saharan Africa (Sunny Ade, Flamme Kapaya, Alick Macheso, Japanese Maladi), he uses repetition of patterns and their &ldquo;mutation&rdquo; to take the listener into an initiatory experience, a sound and mental sculpture.
&nbsp;
<h3>AVAILABLE SINCE JUNE 25TH, 2021 ON&nbsp;<a href="https://www.cartoncartoncarton.com/" target="_blank" rel="noopener">CARTON RECORDS</a>&nbsp;&amp;&nbsp;<a href="http://www.collectifcoax.com/label" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>

RIFO - BETEL

Quelque part dans la baie du Bengale, une musique amplifi&eacute;e assourdissante et inconnue retentit dans les montagnes. Nous nous y rendons, guid&eacute;s par le son. Nos oreilles saignent dans cette profusion de bruit, d&rsquo;images choquantes et de codes exotiques et intemporels, entre la sid&eacute;ration de d&eacute;couvrir un &eacute;tat et l&rsquo;impression d&rsquo;y avoir pass&eacute; une vie ant&eacute;rieure. Betel est n&eacute;e de ce choc esth&eacute;tique et culturel face &agrave; un rite traditionnel des bouddhistes Birmans, le Nat Pw&egrave;.
&nbsp;
Influenc&eacute; autant par Tony Conrad, John Fahey, Moondog et Morton Subotnik que par des musiques &eacute;lectriques d&rsquo;afrique subsaharienne (Sunny Ade, Flamme Kapaya, Alick Macheso, Japanese Maladi), il utilise la r&eacute;p&eacute;tition de motifs et leur &ldquo;mutation&rdquo; pour emmener l&rsquo;auditeur dans une exp&eacute;rience initiatique, une sculpture sonore et mentale.
&nbsp;
<h3>SORTI LE 25 JUIN 2021 SUR&nbsp;<a href="https://www.cartoncartoncarton.com/" target="_blank" rel="noopener">CARTON RECORDS</a>&nbsp;&amp;&nbsp;<a href="http://www.collectifcoax.com/label" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>

<h3>OCTOBER 29TH 2021</h3>
&nbsp;
Tumulus is an amplified saxophone solo. The ancestral saxophone sound is treated, distorted, transformed to become an electric instrument where timbers transport us to an unexplored universe, maybe a disturbing one. Tumulus uses raw sounds with slow evolutions which can remind us physical matter. An audio interpretation of visual art forms.
&nbsp;
Antoine Viard : Saxophone
&nbsp;
A Coax Records &amp; Carton Records coproduction

TUMULUS (Antoine Viard)

Tumulus est un solo de saxophone. Un solo de saxophone amplifi&eacute;. C&rsquo;est aussi une architecture souterraine, structur&eacute;e pour l&rsquo;imperceptible, la m&eacute;moire et le devenir. C&rsquo;est cette notion qui est d&eacute;velopp&eacute;e dans la musique de &laquo;&nbsp;tumulus&nbsp;&raquo;. Le son ancestral du saxophone est trait&eacute;, tritur&eacute; m&ecirc;me, pour se mouvoir en un instrument &eacute;lectrique dont les timbres transportent dans un univers inexplor&eacute;, inqui&eacute;tant peut-&ecirc;tre. Tumulus manie des sonorit&eacute;s brutes aux &eacute;volutions lentes qui pourrait s&rsquo;apparenter &agrave; de la mati&egrave;re physique. Une forme d&rsquo;art plastique sonore. Aussi un travail de sc&eacute;nographie, lumi&egrave;res, projections, constructions, permettrai de donner un caract&egrave;re plus &laquo;&nbsp;palpable&nbsp;&raquo; encore &agrave; cette proposition.
&nbsp;
Antoine Viard : Saxophone
&nbsp;
<h3>SORTI LE 29 OCTOBRE 2021 SUR&nbsp;<a href="https://www.cartoncartoncarton.com/" target="_blank" rel="noopener">CARTON RECORDS</a>&nbsp;&amp;&nbsp;<a href="http://www.collectifcoax.com/label" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>

Might Brank is a solo for drums, percussion, voice, vocoder and electronics, which promises the discovery of a rather unusual music world. There is something deep and spiritual about this kind of trance which has its roots in medieval secular music, progressive rock and traditional music from the Far East.
&nbsp;
Emmanuel scarpa | ASBA drums, gongs, jing cymbals, chinese cymbal, bells, metal tubes, wood block, voice, vocoder &amp; effects pedals
&nbsp;
Coproduction Coax Records &amp; Carton Records
&nbsp;
<h3>NOVEMBER 12TH 2021</h3>

Might Brank | Emmanuel Scarpa | The Masks

Might Brank est un solo pour batterie, percussions, voix, vocoder et &eacute;lectronique, qui promet la d&eacute;couverte d&rsquo;un univers assez insolite. Il y a quelque chose de profond et de spirituel dans cette sorte de transe qui prend sa source dans la musique profane m&eacute;di&eacute;vale, le rock progressif et les musiques traditionnelles d&rsquo;extr&ecirc;me-orient.
&nbsp;
Emmanuel scarpa | ASBA drums, gongs, jing cymbals, chinese cymbal, bells, metal tubes, wood block, voice, vocoder &amp; effects pedals
&nbsp;
<div class="tralbumData tralbum-credits">Coproduction Coax Records &amp; Carton Records</div>
<div class="tralbumData tralbum-credits">&nbsp;</div>
<div class="tralbumData tralbum-credits">
<h3 style="color: #000000;">SORTI LE 12 NOVEMBRE 2021 SUR&nbsp;<a style="color: #000000;" href="https://www.cartoncartoncarton.com/" target="_blank" rel="noopener">CARTON RECORDS</a>&nbsp;&amp;&nbsp;<a style="color: #000000;" href="http://www.collectifcoax.com/label" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>
</div>

<pre class="tw-data-text tw-text-large tw-ta" dir="ltr" style="color: #202124;" data-placeholder="Translation">With :
La Peuge in May:
Geoffroy Gesser (tenor saxophone, clarinet), Simon Henocq (electronics), Prune B&eacute;cheau (violin), Aymeric Avice (trumpet), Joel Grip (double bass), Francesco Pastacaldi (drums), C&eacute;cile Laffon (editing of the pre-recorded part)

La Peuge in May was born out of the desire to link the workers' struggles of spring 1968 with the contemporary research of improvisers and composers.
One Friday afternoon in September 2016, I decided to record a conversation with my maternal grandparents around certain episodes of their life in which I had a great interest: their childhood during the Second World War, their working conditions in as workers in Peugeot factories, their experience of strikes and union struggles.
From this spontaneous and apparently aimless interview - if not to keep a record - was born the desire to know more about the episode of May 68 in the region of Montb&eacute;liard: strikes, occupations of factories, demonstrations. I have set up a system for recording interviews with other former workers, activists or union officials, increasing the number of meetings and discussions around the spring of 68 and the Peugeot center in the country. of Montb&eacute;liard.
After a first selection of rushes, I called on the radio director C&eacute;cile Laffon to edit these voices so that I could improvise and compose music while relating the May 68 episode told by the workers.
With the musicians of La Peuge En Mai we then mixed our music with these voices.
Geoffroy Gesser

Production: Le Ton Vertical
Co-productions: Les 2 Sc&egrave;nes, Sc&egrave;ne Nationale de Besan&ccedil;on, Collectif Coax
Support: Department of Doubs, DRAC Bourgogne-Franche-Comt&eacute;, ADAMI, SPEDIDAM </pre>
<h3>ALBUM RELEASE JANUARY 29TH :&nbsp;</h3>
<a href="https://collectifcoax.bandcamp.com/album/la-peuge-en-mai" target="_blank" rel="noopener">https://collectifcoax.bandcamp.com/album/la-peuge-en-mai</a>

LA PEUGE EN MAI

Avec :&nbsp; La Peuge en Mai&nbsp;:&nbsp; Geoffroy Gesser&nbsp;(saxophone t&eacute;nor, clarinette),&nbsp;Simon Henocq&nbsp;(&eacute;lectronique),&nbsp;Prune B&eacute;cheau&nbsp;(violon),&nbsp;Aymeric Avice&nbsp;(trompette),&nbsp;Joel Grip&nbsp;(contrebasse),&nbsp;Francesco Pastacaldi&nbsp;(batterie),&nbsp;C&eacute;cile Laffon&nbsp;(montage de la partie pr&eacute;-enregistr&eacute;e) La Peuge en mai&nbsp;est n&eacute; du d&eacute;sir de mettre en lien les luttes ouvri&egrave;res du printemps 1968 et les recherches contemporaines de musiciens improvisateurs-compositeurs. Un vendredi apr&egrave;s-midi de septembre 2016, je d&eacute;cide d'enregistrer une conversation avec mes grands-parents maternels autour de certains &eacute;pisodes de leur vie sur lesquels je portais un grand int&eacute;r&ecirc;t : leur enfance pendant la seconde guerre mondiale, leur conditions de travail en tant qu'ouvrier.e.s aux usines Peugeot, leur exp&eacute;rience des gr&egrave;ves et des luttes syndicales. De cet entretien spontan&eacute; et apparemment sans but - si ce n'est celui de garder une trace - est n&eacute;e l'envie d'en savoir plus sur l'&eacute;pisode de mai 68 dans la r&eacute;gion de Montb&eacute;liard : des gr&egrave;ves, des occupations d'usines, des manifestations. J&rsquo;ai mis en place un dispositif d&rsquo;enregistrement d'entretiens avec d&rsquo;autres ancien.ne.s ouvriere.s, militant.e.s ou responsables syndicaux, multipliant les rencontres et les &eacute;changes autour du printemps 68 et du centre Peugeot du pays de Montb&eacute;liard. Apr&egrave;s une premi&egrave;re s&eacute;lection des rushes, j'ai fait appel &agrave; la r&eacute;alisatrice radio C&eacute;cile Laffon pour monter ces voix de mani&egrave;re &agrave; pouvoir improviser et composer de la musique tout en relatant l'&eacute;pisode de mai 68 racont&eacute; par les ouvrier.e.s. Avec les musicien.ne.s de La Peuge En Mai nous avons ensuite m&ecirc;l&eacute; notre musique avec ces voix.&nbsp; Geoffroy Gesser &nbsp; Production : Le Ton Vertical Co-productions : Les 2 Sc&egrave;nes, Sc&egrave;ne Nationale de Besan&ccedil;on, Collectif Coax Soutiens : D&eacute;partement du Doubs, DRAC Bourgogne-Franche-Comt&eacute;, ADAMI, SPEDIDAM
&nbsp;
<h3>SORTI LE 29 JANVIER 2022 SUR&nbsp;<a href="http://www.collectifcoax.com/label" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>
<a href="https://collectifcoax.bandcamp.com/album/la-peuge-en-mai" target="_blank" rel="noopener">https://collectifcoax.bandcamp.com/album/la-peuge-en-mai</a>

Spontaneity, impulses of movement in search of a common folklore combining density, strength and meditative poetry. A tumultuous, free and generous sharing.
&nbsp;
<h3>PHILIPPE GLEIZES : DRUMS ANTOINE VIARD : SAXOPHONE</h3>
&nbsp;
<h3>RELEASE JANUARY 27TH 2023 ON&nbsp;<a href="https://collectifcoax.bandcamp.com/album/immersion" target="_blank" rel="noopener">COAX RECORDS</a>.</h3>

ANTOINE VIARD & PHILIPPE GLEIZES 'IMMERSION'

Spontan&eacute;it&eacute; de jeu, impulsions de mouvements &agrave; la recherche d&rsquo;un folklore commun alliant densit&eacute;, force et po&eacute;sie m&eacute;ditative. Un partage tumultueux, libre et g&eacute;n&eacute;reux.
&nbsp;
<h3>PHILIPPE GLEIZES : BATTERIE ANTOINE VIARD : SAXOPHONE</h3>
&nbsp;
<h3>SORTIE LE 27 JANVIER 2023 SUR <a href="https://collectifcoax.bandcamp.com/album/immersion" target="_blank" rel="noopener">COAX RECORDS</a>&nbsp;&amp; ACEL.</h3>

Around repetitive drums and bits of romantic melodies, this trio looks for its own trance between siren vocals, distorted bass and hammering drums. Bodies are then carried away by hypnotic pulsations, supported by sounds of haunted machines and&nbsp;synth layers. Gathered around the compositions of Yann Joussein, trio TRIBALSM3 uses a simple and hovering language, precise and repetitive. The three members being also improvisers they can speak any language, circulate iand express themselves freely.
&nbsp;
<h3>YANN JOUSSEIN&nbsp;: DRUMS, COMPOSER LUCA VENTIMIGLIA&nbsp;: SYNTHESIZER, ELECTRONICS OLIVIA SCEMAMA&nbsp;: BASS</h3>
<h3> RELEASE : DECEMBER 9TH, 2020 ON <a href="https://collectifcoax.bandcamp.com/album/tribalism3-april-on-mars">COAX RECORDS</a></h3>

TRIBALISM3 - APRIL ON MARS

<div class="tralbumData tralbum-about" style="color: #363636;">Autour de tournes de batteries r&eacute;p&eacute;titives et de bouts de m&eacute;lodies romantiques, ce trio cherche sa propre trance entre chants de sir&egrave;ne, basses distordues et batterie marteau. Le corps se laisse alors emmener par des nappes sonores synth&eacute;tiques., appuy&eacute;es par des sons de machines hant&eacute;es. R&eacute;uni autour des compositions de Yann Joussein, le trio TRIBALSM3 utilise &agrave; la fois un langage simple et planant que pr&eacute;cis et r&eacute;p&eacute;titif, les trois membres &eacute;tant &eacute;galement improvisateurs peuvent ainsi parler n'importe quelle langue, circuler &agrave; l'int&eacute;rieur et s'y exprimer librement.</div>
<h3 class="tralbumData tralbum-about" style="color: #363636;"> YANN JOUSSEIN : Batterie, composition LUCA VENTIMIGLIA : Synth&eacute;tiseur, &eacute;lectronique OLIVIA SCEMAMA : Basse</h3>
<h3 class="tralbumData tralbum-about" style="color: #363636;">&nbsp;</h3>
<h3 class="tralbumData tralbum-about" style="color: #363636;">SORTIE LE 9 DECEMBRE 2020 SUR <a href="https://collectifcoax.bandcamp.com/album/tribalism3-april-on-mars" target="_blank" rel="noopener">COAX RECORDS</a></h3>

"ker" is a regional prefix meaning behind fortified place, castle, citadel, then village and finally a dwelling place.
&nbsp;
&nbsp;
No overdubs in this recording, everything is played live. Recorded june 2019 @ Midi Live Studio, Villetaneuse recorded &amp; mixed by Bertrand Fresel mastered by Pierre Luzy @ Music Unit photo &copy; Maxime S&egrave;ve artwork &copy; Cl&eacute;mentine Poquet
&nbsp;
<h3>SEBASTIEN BRUN : Drums &amp; Electronics</h3>
&nbsp;
<h3>RELEASED ON JUNE 12TH, 2020 ON&nbsp;&copy;<a href="https://sebastienbrun.bandcamp.com/album/ar-ker" target="_blank" rel="noopener">CARTON RECORDS</a>, <a href="https://collectifcoax.bandcamp.com/album/sebastien-brun-ar-ker" target="_blank" rel="noopener">COAX RECORDS</a> AND&nbsp;℗MAISON TEMP&Ecirc;TE</h3>

SEBASTIEN BRUN - AR KER

"ker" est un pr&eacute;fixe r&eacute;gional signifiant &agrave; l&rsquo;origine endroit fortifi&eacute;, ch&acirc;teau fort, citadelle, puis village et finalement lieu habit&eacute;.
 No overdubs in this recording, everything is played live. Recorded june 2019 @ Midi Live Studio, Villetaneuse recorded &amp; mixed by Bertrand Fresel mastered by Pierre Luzy @ Music Unit photo &copy; Maxime S&egrave;ve artwork &copy; Cl&eacute;mentine Poquet
&nbsp;
<h3>SEBASTIEN BRUN : Batterie, &eacute;lectronique</h3>
<h3>&nbsp;</h3>
<h3>SORTIE LE 12 JUIN 2020 SUR&nbsp;&copy;<a href="https://sebastienbrun.bandcamp.com/album/ar-ker" target="_blank" rel="noopener">CARTON RECORDS</a>, <a href="https://collectifcoax.bandcamp.com/album/sebastien-brun-ar-ker" target="_blank" rel="noopener">COAX RECORDS</a> ET&nbsp;℗MAISON TEMP&Ecirc;TE</h3>

Release on June 5th, 2020.
&nbsp;
BRIBES 4: GEOFFROY GESSER: SAXOPHONE ROMAIN CLERC-RENAUD: PIANO, KEYBOARDS ISABEL S&Ouml;RLING: VOICE YANN JOUSSEIN: DRUMS, ELECTRONICS
&nbsp;
Temperatures is the second album of the eccentric and explosive quartet Bribes 4. After having presented, in its first eponymous album, music which reconciles compositions with pop-rock influences like Robert Wyatt or Alasnoaxis and noise music and free jazz (Ground Zero , Albert Ayler). Bribes 4 throws itself into the void and gives birth to free and instinctive music. Recorded during a rehearsal without pretending to make an album of it, Bribes 4 did not resist the desire to share the positive and spontaneous energy which emerges from this session.
&nbsp;
Compositions : Temperatures (Isabel S&ouml;rling) Miniatard (S&ouml;rling, Gesser, Joussein, Clerc-Renaud) Miniateur (S&ouml;rling, Gesser, Joussein, Clerc-Renaud) Fall (S&ouml;rling) Miniatyr (S&ouml;rling, Gesser, Joussein, Clerc-Renaud) Miniataure (S&ouml;rling, Gesser, Joussein, Clerc-Renaud) Chaos (Gesser) Miniature (S&ouml;rling, Gesser, Joussein, Clerc-Renaud) End Of The Game (S&ouml;rling, Gesser, Joussein, Clerc-Renaud)
&nbsp;
RELEASED ON JUNE 5TH, 2020

BRIBES 4 - Temperatures

BRIBES 4: GEOFFROY GESSER : SAXOPHONE ROMAIN CLERC-RENAUD : PIANO, KEYBOARDS ISABEL S&Ouml;RLING : VOICE YANN JOUSSEIN : DRUMS, ELECTRONICS Temperatures est le second album du quartet excentrique et explosif Bribes 4. Apr&egrave;s avoir pr&eacute;sent&eacute;, dans son premier album &eacute;ponyme, une musique qui concilie des compositions aux influences pop-rock comme Robert Wyatt ou Alasnoaxis et la musique noise et le free jazz (Ground Zero, Albert Ayler). Bribes 4 se jette dans le vide et accouche d'une musique libre et instinctive. Enregistr&eacute; lors d'une r&eacute;p&eacute;tition sans pr&eacute;tendre &agrave; en faire un album, Bribes 4 n'a pas r&eacute;sist&eacute; l'envie de partager l'&eacute;nergie positive et spontan&eacute;e qui se d&eacute;gage de cette session.
La musique de Bribes 4 m&ecirc;le &eacute;criture et improvisation, les mati&egrave;res sonores se fondent vers des ambiances contemplatives, cris d&eacute;chirants de b&ecirc;tes imaginaires surimprim&eacute;s &agrave; un rythme de bossa-martienne, bruits de machines sans coeur coll&eacute;s sur des m&eacute;lodies glissantes et vibrantes. 
Compositions : Temperatures (Isabel S&ouml;rling) Miniatard (S&ouml;rling, Gesser, Joussein, Clerc-Renaud) Miniateur (S&ouml;rling, Gesser, Joussein, Clerc-Renaud) Fall (S&ouml;rling) Miniatyr (S&ouml;rling, Gesser, Joussein, Clerc-Renaud) Miniataure (S&ouml;rling, Gesser, Joussein, Clerc-Renaud) Chaos (Gesser) Miniature (S&ouml;rling, Gesser, Joussein, Clerc-Renaud) End Of The Game (S&ouml;rling, Gesser, Joussein, Clerc-Renaud)
&nbsp;
SORTIE LE 5 JUIN 2020

FACE A Julien Desprez : Guitar Jean-Luc Guionnet : Alto Saxophone Philippe Gleizes : Drums FACE B : Aymeric Avice : Trumpet Antoine Viard : Baritone Saxophone Richard Comte : Guitar Julien Chamla : Drums 2 live sets recorded during COAX RADIO by Florian Bobet at Music Unit Studio, Montreuil on January 8th, 2017. A Side mixed and mastered by Julien Desprez, B Side mixed and mastered by Hippie Diktat. Available at : Coax Records :&nbsp;<a style="color: #0687f5;" href="http://www.collectifcoax.com/" rel="nofollow ugc">www.collectifcoax.com</a> Nunc. Records :&nbsp;<a style="color: #0687f5;" href="http://nunc-nunc.com/" rel="nofollow ugc">nunc-nunc.com</a> Coax / Nunc.019
&nbsp;
RELEASED ON MAY 22ND, 2020

SPLIT SESSIONS #1 w/ Julien Desprez, Jean-Luc Guionnet, Philippe Gleizes, Hippie Diktat, Aymeric Avice

FACE A Julien Desprez : Guitare Jean-Luc Guionnet : Saxophone alto Philippe Gleizes : Batterie FACE B : Aymeric Avice : Trompette Antoine Viard : Saxophone Bariton Richard Comte : Guitare Julien Chamla : Batterie
2 sets live enregistr&eacute;s pendant la COAX RADIO par Florian Bobet au Music Unit Studio &agrave; Montreuil le 8 Janvier 2017. Face A mix&eacute;e et masteris&eacute;e par Julien Desprez, Face B mix&eacute;e et masteris&eacute;e par Hippie Diktat. Disponible chez : Coax Records :&nbsp;<a style="color: #0687f5;" href="http://www.collectifcoax.com/" rel="nofollow ugc">www.collectifcoax.com</a> Nunc. Records :&nbsp;<a style="color: #0687f5;" href="http://nunc-nunc.com/" rel="nofollow ugc">nunc-nunc.com</a> Coax / Nunc.019
&nbsp;
SORTIE LE 22 MAI 2020

Dix Ailes is a musical proposal for 2 female voices, 1 percussionist, 1 electronic device and 1 place with high reverberation. Between minimalist music and pure pop, Dix Ailes plays on an acoustic illusion, that of making indistinguishable the origin of the sound (instrumental, loudspeaking or architectural), based on work on harmonics, frequency vibrations, the physical resonance of the place, psycho-acoustics.
 Essentially centered on the voice, Dix Ailes addresses the notions of empty and full, of internal listening and silence, of liminarity and transformation. By a principle of initial composition based on symbols and archetypes, the music of Dix Ailes echoes universal rituals and myths, and shares with them a language that tempts to escape the sequences of rational logic, and thus to open up to an contemporary poetic landscape, made of archaic and invisible.
&nbsp;
Composition et &eacute;lectronique: Cl&eacute;ment Edouard Voix: Linda Olah et Isabel Sorling Percussions: Julien Chamla
&nbsp;
RELEASE ON FEBRUARY 21ST, 2020
&nbsp;
&nbsp;

DIX AILES

Dix ailes est une proposition musicale pour 2 voix f&eacute;minines, 1 percussionniste, 1 dispositif &eacute;lectronique et 1 lieu &agrave; grande r&eacute;verb&eacute;ration. Entre musique minimaliste et pop &eacute;pur&eacute;, Dix ailes joue sur une illusion acoustique, celle de rendre indistinguable l'origine du son (instrumentale, haut-parlante ou architecturale), &agrave; partir d'un travail sur les harmoniques, les vibrations fr&eacute;quentielles, la r&eacute;sonance physique des lieux, la psycho-acoustique.
Essentiellement centré sur la voix, DIX AILES aborde les notions de vide et de plein, d'écoute interne et de silence, de liminarité et de transformation. Par un principe de composition initiale basé sur les symboles et les archétypes, la musique de DIX AILES fait écho aux rituels et aux mythes universels, et partage avec eux un langage qui tente d'échapper aux enchainements de la logique rationnelle, et ainsi d'ouvrir sur un paysage poétique contemporain, fait d'archaïque et d'invisible.
&nbsp;
Composition et &eacute;lectronique: Cl&eacute;ment Edouard Voix: Linda Olah et Isabel Sorling Percussions: Julien Chamla
&nbsp;
<h3>SORTIE LE 21 FEVRIER 2020</h3>
&nbsp;

Wonderbach is born from the meeting of improvisers Marie Takahashi on violin, Yann Joussein on drums, Olivia Scemama on double bass and Manuel Adnot on guitar. Each of them coming from different musical aesthetics ranging from contemporary music, noise, improvised music alternative and abstract, extreme music and from classical and jazz. These diverse influences come together as a singular sound identity, where music circulates in a totally improvised way.
Wonderbach emphasizes the full and generous sound of acoustic instruments, wood, skins, metals, while keeping a tension between a modal universe and a more experimental and austere world. In concert, the music is played without any sound system, emphasizing on the relation to the sound and the body. For their first album, Wonderbach wanted to insist on these characteristics by using a minimum of sound processing, to remain faithful to the sensations of proximity and intimacy that emanate from the band.
&nbsp;
<h6>Marie Takahashi : Violon Olivia Scemama : Double bass Yann Joussein : Drums Manuel Adnot : Guitar</h6>
&nbsp;
Recording, mix, pre-mastering by David Launay @ Herve Jegaden / Studio HD Co-production :&nbsp;Wonderbach&nbsp;&amp; Studio HD
&nbsp;
<h3>RELEASE ON FEBRUARY 6TH, 2020</h3>

WONDERBACH

Wonderbach est la r&eacute;union in&eacute;dite des improvisateurs Marie Takahashi au violon alto, Yann Joussein &agrave; la batterie, Olivia Scemama &agrave; la contrebasse et Manuel Adnot &agrave; la guitare. Ces musiciens proviennent chacun d&rsquo;esth&eacute;tiques diff&eacute;rentes allant des musiques contemporaines, de la noise, des musiques improvis&eacute;es alternatives et abstraites, des musiques extr&ecirc;mes et du classique au jazz. Ces influences diverses se rassemblent autour d&rsquo;une identit&eacute; sonore singuli&egrave;re, o&ugrave; la musique circule de mani&egrave;re totalement improvis&eacute;e.
Wonderbach met l&rsquo;accent sur le son plein et g&eacute;n&eacute;reux des instruments acoustiques, bois, peaux, m&eacute;taux, tout en gardant une tension entre un univers modal et un monde plus exp&eacute;rimental et aust&egrave;re. En concert, la musique est jou&eacute;e sans sonorisation, ramenant en son centre le rapport au son et au corps. Pour ce premier album, les musiciens ont voulu insister sur cette qualit&eacute; caract&eacute;ristique en utilisant un minium de traitement sonore, afin de rester fid&egrave;le aux sensations de proximit&eacute; et d&rsquo;intimit&eacute; qui &eacute;manent du groupe.
&nbsp;
<h6>Marie Takahashi : Violon Olivia Scemama : Contrebasse Yann Joussein : Batterie Manuel Adnot : Guitare</h6>
&nbsp;
Prise de son, mixage, pr&eacute;-mastering par David Launay et Herve Jegaden / Studio HD Co-production :&nbsp;Wonderbach&nbsp;&amp; Studio HD
&nbsp;
<h3>SORTIE LE 6 FEVRIER 2020</h3>

In his book&nbsp;De l'interpr&eacute;tation, Aristote used the idea of a fabulous hircocervus to express the philosophical concept of something knowable, even if it does not really exist.
Fantasia Nel Dessert is an animal half goat half deer.
&nbsp;&nbsp;
Simon Henocq (Electronics)
Luca Ventimiglia (Electronics)
&nbsp;
RELEASE ON NOVEMBER 12TH, 2019

FANTASIA NEL DESSERT

Dans son ouvrage De l&rsquo;interpr&eacute;tation, Aristote a utilis&eacute; l&rsquo;id&eacute;e d&rsquo;un fabuleux hircocerf pour exprimer le concept philosophique de quelque chose de connaissable, m&ecirc;me s&rsquo;il n&rsquo;existe pas vraiment.
Fantasia Nel Dessert c&rsquo;est un animal moiti&eacute; bouc moiti&eacute; cerf.
&nbsp;
Simon Henocq (Electronics) Luca Ventimiglia (Electronics)
&nbsp;
SORTIE LE 12 NOVEMBRE 2019

<div class="tralbumData tralbum-about" style="color: #363636;">HIPPIE DIKTAT opens a gap in time. The repetitive rhythms inherited from a Steve Reich dig deep granite and the impressive sound mass - worthy of Sunn O))) - releases an infinite solar space.</div>
<div class="tralbumData tralbum-about" style="color: #363636;">&nbsp;</div>
<div class="tralbumData tralbum-about" style="color: #363636;">A Nunc. &amp; Coax Records coproduction</div>
<div class="tralbumData tralbum-credits" style="color: #363636;">Released on February 22nd, 2019&nbsp; Antoine Viard : saxophone&nbsp; Richard Comte : guitar Julien Chamla : drums</div>
<div class="tralbumData tralbum-credits" style="color: #363636;">&nbsp;</div>
<h3 class="tralbumData tralbum-credits" style="color: #363636;">RELEASE FEBRUARY 22ND, 2019</h3>

HIPPIE DIKTAT 

<div class="tralbumData tralbum-about" style="color: #363636;">HIPPIE DIKTAT ouvre une br&egrave;che dans le temps. Les rythmiques r&eacute;p&eacute;titives h&eacute;rit&eacute;es d&rsquo;un Steve Reich creusent le granite en profondeur et la masse sonore impressionnante -digne de Sunn O)))- lib&egrave;re un espace solaire infini.</div>
<div class="tralbumData tralbum-about" style="color: #363636;">&nbsp;</div>
<div class="tralbumData tralbum-about" style="color: #363636;">Une coproduction Coax Records &amp; Carton Records &amp; Poutrage &amp; Nunc.</div>
<div class="tralbumData tralbum-credits" style="color: #363636;">Album paru le 22 f&eacute;vrier 2019.&nbsp; Antoine Viard : saxophone baryton&nbsp; Richard Comte : guitare&nbsp; Julien Chamla : batterie</div>
<div class="tralbumData tralbum-credits" style="color: #363636;">&nbsp;</div>
<h3 class="tralbumData tralbum-credits" style="color: #363636;">SORTIE LE 22 FEVRIER 2019</h3>

LINE -UP
Julien Pontvianne: Clarinet
Julien Chamla: Drums
Marco Quaresimin: Double Bass
&nbsp;
With the participation of Jean-Brice Godet (original member of the trio Tripes), Julien Gasc (Aquaserge), Tuukka Haapakorpi, No&eacute;mi Boutin, Lauri Hyv&auml;rinen, L&eacute;a Monteix (Poulainjar), Fabien Gaston Rimbaud (Poulainjar). 
&nbsp;
Recorded (trio Tripes) by Benjamin Maumus at the GMEA of Albi between July 10 and 13, 2018. Guest musicians recorded between September 2018 and February 2019 by Julien Chamla at Pr&eacute; Saint Gervais, Thiers and Lyon. Mixed by Benjamin Maumus in July 2018 Artwork Marco Quaresimin 
&nbsp;
Album produced by Gigantonium &amp; co-produced by Coax Records.
&nbsp;
<h3>RELEASE APRIL 30TH, 2019.</h3>

TRIPES "Descendre, inventrer"

LINE -UP Julien Pontvianne : Clarinette Julien Chamla : Batterie Marco Quaresimin : Contrebasse
Avec la participation de Jean-Brice Godet (membre originel du trio Tripes), Julien Gasc (Aquaserge),Tuukka Haapakorpi, No&eacute;mi Boutin, Lauri Hyv&auml;rinen, L&eacute;a Monteix (Poulainjar), Fabien Gaston Rimbaud (Poulainjar).
Enregistr&eacute; (trio Tripes) par Benjamin Maumus au GMEA de Albi entre le 10 et le 13 juillet 2018. Musiciens invit&eacute;s enregistr&eacute;s entre septembre 2018 et f&eacute;vrier 2019 par Julien Chamla au Pr&eacute; Saint Gervais, &agrave; Thiers et &agrave; Lyon. Mix&eacute; par Benjamin Maumus en juillet 2018 Artwork Marco Quaresimin
Album produit par Gigantonium &amp; co-produit par Coax Records.
&nbsp;
<h3>SORTIE LE 30 AVRIL 2019.</h3>

H&aring;la Duett is a duet composed of drummer Yann Joussein and guitarist Sheik Anorak, a mix of influences from both musicians. These two talented artists have chosen to explore the minimal and repetitive aspects of kraut and african music. The result is a unique blend of two genres that would have never met. "J. Taylor
&nbsp;
Album available on October 3 vinyl and digital version (<a href="https://collectifcoax.bandcamp.com/album/h-la-duett-rana-ep" target="_blank" rel="noopener">order here)</a>, or on the spot on October 15. Yann Joussein: battery Sheik Anorak: guitar

HÅLA DUETT - RANA EP

"H&aring;la Duett est un duo compos&eacute; du batteur Yann Joussein et le guitariste Sheik Anorak, m&eacute;lange d'influences des deux musiciens. Ces deux artistes talentueux ayant choisi d'explorer les domaines des aspects minimaux et r&eacute;p&eacute;titifs de la musique kraut et africaine. Le r&eacute;sultat est un m&eacute;lange unique de 2 genres qui ne devaient pas se rencontrer." J.Taylor
&nbsp;
Album disponible le 3 octobre en vinyle et version num&eacute;rique (en&nbsp;<a href="https://collectifcoax.bandcamp.com/album/h-la-duett-rana-ep" target="_blank" rel="noopener">commande ici</a>)
&nbsp;
Yann Joussein : batterie
Sheik Anorak : guitare

Noise boys band from the sweaty cellars of Pr&eacute;-Saint-Gervais. Waves of vibraphone, saxophone, guitarophone, bassophone, drums, computer and buggy.
&nbsp;
Album available on October 12 vinyl and digital version (<a href="https://collectifcoax.bandcamp.com/album/club-sieste" target="_blank" rel="noopener">order here</a>)
&nbsp;
Basile Naudet: saxophone
Simon H&eacute;nocq: electronics, guitar
Luca Ventimiglia: vibraphone, electronic
Maxime Petit: low
Augustin Bette: battery

CLUB SIESTE

Boys band noise des caves moites du Pr&eacute;-Saint-Gervais. D&eacute;ferlante pour vibraphone, saxophone, guitarophone, bassophone, batterie, ordi et buggy.
&nbsp;
Album disponible le 12 octobre en vinyle et version num&eacute;rique (en&nbsp;<a href="https://collectifcoax.bandcamp.com/album/club-sieste" target="_blank" rel="noopener">commande ici</a>) .
&nbsp;
Basile Naudet : saxophone
Simon H&eacute;nocq : &eacute;lectronique, guitare
Luca Ventimiglia : vibraphone, &eacute;lectronique
Maxime Petit : basse
Augustin Bette : batterie

Around repetitive drum turns and bits of romantic melodies, this trio looks for its own trance between siren vocals, distorted bass and hammer drums. The body is then carried away by synthetic sound layers, supported by sounds of haunted machines and caught by the human voice.
&nbsp;
Album available November 18 vinyl, CD and digital version (<a href="https://collectifcoax.bandcamp.com/album/tribalism3" target="_blank" rel="noopener">order here</a>)
&nbsp;
Yann Joussein: Drums, composition Luca Ventimiglia: Synthesizer, electronics Olivia Scemama: Bass

Tribalism3 -トライバリズム

Autour de tournes de batteries r&eacute;p&eacute;titives et de bouts de m&eacute;lodies romantiques, ce trio cherche sa propre trance entre chants de sir&egrave;ne, basse distordues et batterie marteau. Le corps se laisse alors emmener par des nappes sonores synth&eacute;tiques., appuy&eacute;es par des sons de machines hant&eacute;es et rattrap&eacute;es par la voix humaine.
&nbsp;
Album disponible le 18 Novembre en vinyle, cd et version num&eacute;rique (<a href="https://collectifcoax.bandcamp.com/album/tribalism3" target="_blank" rel="noopener">commande ici</a>)
&nbsp;
Yann Joussein: Batterie, composition Luca Ventimiglia : Synthesizer, electronics Olivia Scemama : Basse

Jean Brice Godet : clarinets
Julien Chamla : drums
Marco Quaresimin : double bass
&nbsp;
Released on January 16th, 2015. Recorded and mixed in september 2014 at the Ch&acirc;lets studio, Reims by Sylvain Masure, mastered october 2014 by Kevin Espiche.
&nbsp;
<h3>JUNE 25TH, 2019</h3>

TRIPES - SUICIDE JAZZ

Jean-Brice Godet (clarinettes) Marco Quaresimin (contrebasse) Julien Chamla (batterie)
&nbsp;
Paru le 16 Janvier 2015. Enregistr&eacute; et mix&eacute; en Septembre 2014 @ Ch&acirc;lets studio, Reims par Sylvain Masure. Masteris&eacute; en Octobre 2014 par Kevin Espiche.
&nbsp;
<h3>25 JUIN 2018</h3>

Geyser of relentless and cutting energy, maelstrom of electronic music and primitive percussion ...&nbsp;
&nbsp;
Simon Henocq : &eacute;lectronics Julien Chamla : batterie, harp bass
&nbsp;
Released April 10th 2013

"2012" HELVED RÜM

Geyser d&rsquo;&eacute;nergie implacable et tranchante, maelstrom de musique &eacute;lectronique et de percussions primitives...&nbsp;
&nbsp;
Simon Henocq : &eacute;lectronique Julien Chamla : batterie, harpe basse
&nbsp;
paru le 10 avril 2013

<pre id="tw-target-text" class="tw-data-text tw-ta tw-text-small" dir="ltr" style="unicode-bidi: isolate; border: none; padding: 0px 0.14em 0px 0px; position: relative; margin-top: 0px; margin-bottom: 0px; resize: none; font-family: inherit; overflow: hidden; width: 276px; white-space: pre-wrap; word-wrap: break-word; color: #212121; height: 600px; font-size: 16px !important; line-height: 24px !important;" data-placeholder="Traduction" data-fulltext="">Richard Comte: guitar
Julien Chamla: battery
Antoine Viard: baritone sax
credits
published on April 9, 2014

Album recorded by Richard Comte at the lock in Reims in December 2013
Mixed and mastered by Richard Comte

Work by Poleka (www.poleka.fr)

Coproduction Coax Records and BeCoq Records and Poutrage Records for vinyl: www.poutragerecords.org/index.php

Digital distribution by Atypeek Music: atypeekmusic.com/Atypeek_Music.html

Physical Distribution by Musea: www.musearecords.com/boutique/english/</pre>

HIPPIE DIKTAT "Black Peplum"

<div class="tralbumData tralbum-about" style="margin-top: 2em; word-wrap: break-word; color: #363636; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px;">Richard Comte : guitare Julien Chamla : batterie Antoine Viard : sax baryton</div>
<h3 class="credits-label" style="font-size: 14px; position: absolute; left: -10000px; top: -10000px; margin: 0px 0px 7px; color: #363636; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif;">crédits</h3>
<div class="tralbumData tralbum-credits" style="margin-top: 2em; word-wrap: break-word; color: #363636; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px;">paru le 9 avril 2014 Album enregistré par Richard Comte à l'écluse à Reims en décembre 2013 Mixé et masterisé par Richard Comte Artwork par Poleka (<a style="color: #0687f5; text-decoration: none; cursor: pointer;" href="http://www.poleka.fr/">www.poleka.fr</a>) Co-production Coax Records et BeCoq Records et Poutrage Records pour le vinyle : <a style="color: #0687f5; text-decoration: none; cursor: pointer;" href="http://www.poutragerecords.org/index.php/fr/">www.poutragerecords.org/index.php/fr/</a> Distribution digitale par Atypeek Music :<a style="color: #0687f5; text-decoration: none; cursor: pointer;" href="http://atypeekmusic.com/Atypeek_Music.html">atypeekmusic.com/Atypeek_Music.html</a> Distribution physique par Musea :<a style="color: #0687f5; text-decoration: none; cursor: pointer;" href="http://www.musearecords.com/boutique/francais/">www.musearecords.com/boutique/francais/</a></div>

Marked by primitive rhythms and sensations as much as by rich and complex sounds, the music of VEGAN DALLAS simultaneously evokes both distant imaginary sonorities and the urban universe around the Parisian périphérique. Convulsively constructed on a unique instrumentarium, VEGAN DALLAS&rsquo; live set reveals the powerful life force embedded within each individual. The sounds penetrate the bodily organs, imprinting their rhythms on our cells, liberating our energy. 
 
Released on November 17th
 
JULIEN CHAMLA - DRUMS, BASS HARP 
RICHARD COMTE - GUITAR, VOICES 
BENJAMIN FLAMENT - PERCUSSIONS, VOICES 
SIMON HENOCQ - ELECTRONICS 
 
RECORDED BY ADRIAN BOURGET L&rsquo;ARTSCÈNE STUDIO 
MIXED BY ADRIAN BOURGET 
MASTERED BY RAPHAËL JONIN ARTWORK BY SOLÈNE CHESNAIS

VEGAN DALLAS "Electro Griot"

Empreinte de rythmes et de sensations primitives autant que de sons riches et complexes, la musique de VEGAN DALLAS convoque à la fois des imaginaires sonores lointains et des univers urbains proches du périphérique parisien. Construit sur des principes de transes et joué sur un instrumentarium unique, le set live de VEGAN DALLAS vient révéler le mouvement de vie puissant inscrit dans chaque individu. Les sons pénètrent les organes, les rythmes impriment les cellules, l&rsquo;énergie se libère.
 
Paru le 17 Novembre 2017
 
JULIEN CHAMLA - DRUMS, BASS HARP 
RICHARD COMTE - GUITAR, VOICES 
BENJAMIN FLAMENT - PERCUSSIONS, VOICES 
SIMON HENOCQ - ELECTRONICS 
 
RECORDED BY ADRIAN BOURGET L&rsquo;ARTSCÈNE STUDIO 
MIXED BY ADRIAN BOURGET 
MASTERED BY RAPHAËL JONIN ARTWORK BY SOLÈNE CHESNAIS

Simon Hénocq and Antoine Viard have prepared, motivated and recorded five children ages 9 to 13 from the IMPP de Pantin, who discover and improvise music together: raw as art. (The money raised by the downloads of this album will be donated to the IMPP).

COAX at IMPP

Simon Hénocq et Antoine Viard ont préparé, motivé et enregistré 5 enfants âgés de 9 à 13 ans de l'IMPP de Pantin, qui découvrent et improvisent de la musique ensemble : brut comme l'art. (L'argent récolté par les téléchargements de cet album seront reversés à l'IMPP).

COAX à l'IMPP

10 years of recordings, it's a party! This new edition of the Festival will be marked by an unprecedented collaboration with the "non-label of French experimental song" La Souterraine and the release of the mixtape: Compagnie Nationale. A mixtape bringing together the history and future of the collective, available from October 25 on underground.biz free download: the opportunity to bring together about fifteen musicians for an unprecedented performance on November 9 as part of the festival. "Compagnie Nationale" is released on the "non-label" La Souterraine.

COAX & LA SOUTERRAINE : 

<span style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; line-height: inherit; font-family: Helvetica, Arial, sans-serif; font-size: 13px; vertical-align: baseline; color: #4b4f56;">10 ans de sorties discographiques, ça se fête ! Cette nouvelle édition du<span class="text_exposed_show" style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; line-height: inherit; font-family: Helvetica, Arial, sans-serif; font-size: 13px; vertical-align: baseline; display: inline; color: #4b4f56;">Festival sera marquée par une collaboration inédite avec le « non-label de chanson française expérimentale » La Souterraine et la sortie de la mixtape: Compagnie Nationale. Une mixtape réunissant l&rsquo;histoire et le futur du collectif, disponible dès le 25 octobre sur souterraine.biz en téléchargement à prix libre : l&rsquo;occasion de réunir une quinzaine de musiciens pour une performance inédite le 9 novembre dans le cadre du festival.
<span class="text_exposed_show" style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; line-height: inherit; font-family: Helvetica, Arial, sans-serif; font-size: 13px; vertical-align: baseline; display: inline; color: #4b4f56;">"Compagnie Nationale" est sorti sur le "non-label" La Souterraine.

FABIEN GASTON RIMBAUD - Bateleur Batard (Album).

FABIEN GASTON RIMBAUD - Bateleur Batard (Album)

FABIEN GASTON RIMBAUD - Bateleur Batard (Album)

"It is the story of two human beings who are living in a situation that everything seems to be opposing but which, at exactly the same moment, and on both sides of the planet, are asking the same question about the existence, or the end of it. These two people will cross but will not know anything. "
 
Emmanuel Scarpa & Julien Desprez, Marc Ducret, Sylvaine Helary, Pierre-Antoine Badaroux, Noemi Boutin, Fred Escoffier, Olivier Lete, Antonin Rayon, Anne Magouet

Emmanuel Scarpa 

« C'est l'histoire de deux êtres humains qui vivent une situation que tout semble opposer mais qui, exactement au même instant, et de part et d'autre de la planète, se posent la même question concernant l'existence, ou la fin de celle-ci. Ces deux personnes se croiseront mais n'en sauront rien. »
Emmanuel Scarpa & Julien Desprez, Marc Ducret, Sylvaine Hélary, Pierre-Antoine Badaroux, Noémi Boutin, Fred Escoffier, Olivier Lété, Antonin Rayon, Anne Magouët

At the beginning, there is BRIBES "tout court", a duo impregnated with the electric and apocalyptic energy of free-jazz and free-rock. The quartet BRIBES 4 is a more explosive and eccentric version of this sound universe. Saxophonist Geoffroy Gesser and pianist Romain Clerc-Renaud open the doors of their duet to Swedish improvising singer Isabel S&ouml;rling and drummer Yann Joussein.
&nbsp;
Between compositions and improvisations, this quartet mixes aesthetics: contemporary music, electroacoustics, electronics, free-jazz, free-rock.
&nbsp;
GEOFFROY GESSER : SAXOPHONE
ROMAIN CLERC-RENAUD : PIANO, KEYBOARDS
ISABEL S&Ouml;RLING : VOICE
YANN JOUSSEIN : DRUMS, ELECTRONICS

BRIBES 4

A l&rsquo;origine, il y a BRIBES &laquo; tout court &raquo;, un duo impr&eacute;gn&eacute; de l&rsquo;&eacute;nergie &eacute;lectrique et apocalyptique du free-jazz et du free-rock. Le quartet BRIBES 4 se veut une version plus explosive et excentrique de cet univers sonore. Le saxophoniste Geoffroy Gesser et le pianiste Romain Clerc-Renaud ouvrent les portes de leur duo &agrave; la chanteuse improvisatrice su&eacute;doise Isabel S&ouml;rling et au batteur Yann Joussein.
Entre compositions et improvisations, ce quatuor m&eacute;lange les esth&eacute;tiques: musique contemporaine, &eacute;lectroacoustique, &eacute;lectronique, free-jazz, free-rock.&nbsp;
&nbsp;
GEOFFROY GESSER : SAXOPHONE
ROMAIN CLERC-RENAUD : PIANO, KEYBOARDS
ISABEL S&Ouml;RLING : VOICE
YANN JOUSSEIN : DRUMS, ELECTRONICS

Intersections of different sound elements, drifts without brutality, electric and dreamlike discharges and sizzles, Acapulco's vibrations have created their own replica, reversing the initial proposition, that of an unconventional approach to the guitar, by a scenic device with lighting. radical, where the body of the musician finds himself at the center of new musical densities.

Entrechocs de différents éléments sonores, dérives sans brutalité, décharges et grésils électriques et oniriques, les vibrations d&rsquo;Acapulco ont créé leur propre réplique, renversant la proposition initiale, celle d&rsquo;une approche non conventionnelle de la guitare, par un dispositif scénique avec éclairage radical, où le corps du musicien se retrouve au centre de nouvelles densités musicales.

ACAPULCO

<p style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; font-size: 13.6014px; line-height: inherit; font-family: Trebuchet, Verdana; vertical-align: baseline; text-align: justify; color: #222222;">Benjamin Flament, vibraphone
<p style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; font-size: 13.6014px; line-height: inherit; font-family: Trebuchet, Verdana; vertical-align: baseline; text-align: justify; color: #222222;">Joachim Florent, contrebasse
<p style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; font-size: 13.6014px; line-height: inherit; font-family: Trebuchet, Verdana; vertical-align: baseline; text-align: justify; color: #222222;">Elie Duris, batterie
<p style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; font-size: 13.6014px; line-height: inherit; font-family: Trebuchet, Verdana; vertical-align: baseline; text-align: justify; color: #222222;">Recorded and mixed at Studio Art Scènez by Adrian Bourget - November 2012
<p style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; font-size: 13.6014px; line-height: inherit; font-family: Trebuchet, Verdana; vertical-align: baseline; text-align: justify; color: #222222;">Mastering by Pierre Luzy at Studio Etlanuit in Montreuil
<p style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; font-size: 13.6014px; line-height: inherit; font-family: Trebuchet, Verdana; vertical-align: baseline; text-align: justify; color: #222222;">Artwork and graphic conception by Gaye-Thaïs Florent

MeTaL-O-PHoNe 

<p style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; font-size: 13.6014px; line-height: inherit; font-family: Trebuchet, Verdana; vertical-align: baseline; text-align: justify; color: #222222;">Benjamin Flament, vibraphone Joachim Florent, contrebasse Elie Duris, batterie
<p style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; font-size: 13.6014px; line-height: inherit; font-family: Trebuchet, Verdana; vertical-align: baseline; text-align: justify; color: #222222;">Recorded and mixed at Studio Art Scènez by Adrian Bourget - November 2012 Mastering by Pierre Luzy at Studio Etlanuit in Montreuil Artwork and graphic conception by Gaye-Thaïs Florent

BRIBES is the meeting of two improvisers who draw their trajectories on a soundtrack. A resistant membrane is pierced by two needles that advance from one side to the other. The sound object oscillates on a perspective of tangible and suggested planes. The lines of the two musicians cross and move away, stretching and contracting the territory of their music. Powerful bursts of free jazz combine with ethereal atmospheres.

BRIBES 2

BRIBES est la rencontre de deux improvisateurs qui dessinent leurs trajectoires sur une trame sonore. Une membrane résistante est transpercée par deux aiguilles qui avancent, passant d&rsquo;un côté à l&rsquo;autre. L&rsquo;objet sonore oscille sur une perspective de plans tangibles et suggérés. Les lignes des deux musiciens se croisent et s&rsquo;éloignent, étirant et contractant ainsi le territoire de leur musique. Des éclats puissants de free jazz se combinent à des atmosphères éthérées.

A fairy electric harp sound distorted and distorted, the sensual game of one, then two guitars that sweat of saturation, a keyboard groove in the opposite direction, imperturbable and lyrico-naive saxophonist and trumpet player ... All this small world is led by a chaotic beater a little barbaric, which sign of his pen of pretty melodies with raw accents, fragile and disturbing. Through compositions with simple, jovial and haunting melodies, writing and improvisation come together in a music that combines the "organized" and post-modern free (inspired by Ornette Coleman's prime time and John Zorn's naked city) with progressive rock and disco. The writing is precise when it comes to connect this melodico-rhythmic section to eight heads; freedom is total to provoke a roaring percussive scandal. Ruptures of sounds and shifts of styles succeed and jostle each other in an absolute mastery of the games of each musician who take turns, separate and join, giving rise to a project brimming with enthusiasm, creativity and surprises.

COAX ORCHESTRA  

Une harpe électrique féerique au son noise et distordu, le jeu sensuel d&rsquo;une, puis deux guitares qui transpirent de saturation, un clavier qui groove à contre-sens, des imperturbables et lyrico-naïfs saxophoniste et trompettiste... Tout ce petit monde est emmené par un batteur chaotique un peu barbare, qui signe de sa plume de jolies mélopées aux accents bruts, fragiles et troublants.
A travers des compositions aux mélodies simples, joviales et obsédantes, écriture et improvisation se côtoient dans une musique qui allie le free "organisé" et post-moderne (inspirations du prime time d&rsquo;Ornette Coleman et naked city de John Zorn) au rock progressif et à la disco.
L&rsquo;écriture est précise lorsqu&rsquo;il s&rsquo;agit de connecter cette section melodico-rythmique à huit têtes ; la liberté est totale pour provoquer un scandale percussif rugissant.
 
Ruptures de sons et décalages de styles se succèdent et se bousculent dans une maîtrise absolue des jeux de chaque musicien qui se relaient, se séparent et se rejoignent, donnant lieu à un projet débordant d&rsquo;enthousiasme, de créativité et de surprises.

Two discs grouped in a single cover for two strange, touching, personal solo projects, using the violin in a very inventive way: trendy noisy flush in violonisations, illuminator of poetic texts and associated with the voice in poems enviolonn&eacute;s!
&nbsp;
Lucie Laricq : Violon

Deux disques regroup&eacute;s dans une m&ecirc;me pochette pour deux projets solo &eacute;tranges, touchants, personnels, utilisant le violon de fa&ccedil;on tr&egrave;s inventive :&nbsp;
bruitiste tendance chasse d'eau d&eacute;r&eacute;gl&eacute;e dans Violonisations, enlumineur de textes po&eacute;tiques et associ&eacute; &agrave; la voix dans Po&egrave;mes enviolonn&eacute;s !&nbsp;
&nbsp;
Lucie Laricq : Violon

« Poèmes enviolonnés » et « Violonisations »

Straight from the 3-heads monster called JEAN LOUIS, Joachim Florent comes back, but this time with his solo record, burned on a disc just released on COAX Records !

Joachim Florent 

Sorti tout droit du monstre d'Uranus à 3 têtes nommé JEAN LOUIS, Joachim Florent revient cette fois-ci en solo, gravé sur un disque sorti sur le label COAX.

Geyser of relentless and cutting energy, maelstrom of electronic music and primitive percussion ...
&nbsp;
Simon Henocq :&nbsp;&eacute;lectronics Julien Chamla :&nbsp;drums, harpe bass
&nbsp;
(Coax Records / Becoq Records)

HELVED RÜM 

Geyser d&rsquo;&eacute;nergie implacable et tranchante, maelstrom de musique &eacute;lectronique et de percussions primitives...
&nbsp;
Simon Henocq :&nbsp;&eacute;lectronique&nbsp; Julien Chamla :&nbsp;batterie, harpe basse
&nbsp;
(Coax Records / Becoq Records)

SNaP is equidistant from Santacruz and Tokyo, the perfect place to shake the world like a cocktail.â€
"BRAS : Immediacy, breaks, cold energy, sharp and ultra-fast informations, SNaP music is instantaneously passed on to the audience and suggests a total immersion.
Sharp writing focuses on numerous references, without barriers or predetermined style. 
Nothing gets built; everything is already here, without hierarchy; SNaP taps, slices and puts together at will."

SNAP 

SNaP is equidistant from Santacruz and Tokyo, the perfect place to shake the world like a cocktail.â€
"BRAS : Immediacy, breaks, cold energy, sharp and ultra-fast informations, SNaP music is instantaneously passed on to the audience and suggests a total immersion.
Sharp writing focuses on numerous references, without barriers or predetermined style. 
Nothing gets built; everything is already here, without hierarchy; SNaP taps, slices and puts together at will."

"Punk energy hammered by Fanny Lasfargues and Yann Joussein (knitted duo in the rubato waves of discoax and in the devastating riff of R&uuml;ckspiegel), cut with a scalpel and burnt out by Yoann Durand&rsquo;s flamethrower, stirred up by St&eacute;phan Caracci&rsquo;s naggings. Somewhere else, the saxophone plays a minimalist and obsessive melody that swells up like a glass bubble blown by the raising tremolos of the vibes on top of the beating of what looks like an agricultural machinery with loose belts. [&hellip;] Fifteen concise captivating dramas throughout a striking disc."
&nbsp;
Jazzmag
&nbsp;
Yann Joussein&nbsp;: drums, com&shy;po&shy;si&shy;tions&nbsp; Fanny Lasfargues&nbsp;: contre&shy;bass&nbsp; Yoann Durant&nbsp;: saxo&shy;pho&shy;nes&nbsp; St&eacute;phan Caracci&nbsp;: vibra&shy;phone

"Rückspiegel" Rétroviseur 

"Punk energy hammered by Fanny Lasfargues and Yann Joussein (knitted duo in the rubato waves of discoax and in the devastating riff of R&uuml;ckspiegel), cut with a scalpel and burnt out by Yoann Durand&rsquo;s flamethrower, stirred up by St&eacute;phan Caracci&rsquo;s naggings. Somewhere else, the saxophone plays a minimalist and obsessive melody that swells up like a glass bubble blown by the raising tremolos of the vibes on top of the beating of what looks like an agricultural machinery with loose belts. [&hellip;] Fifteen concise captivating dramas throughout a striking disc."
Jazzmag
&nbsp;
Yann Joussein&nbsp;: bat&shy;te&shy;rie, com&shy;po&shy;si&shy;tions&nbsp; Fanny Lasfargues&nbsp;: contre&shy;basse&nbsp; Yoann Durant&nbsp;: saxo&shy;pho&shy;nes&nbsp; St&eacute;phan Caracci&nbsp;: vibra&shy;phone

"Rückspiegel" Rétroviseur

Benjamin Dousteyssier, Julien Desprez, Yann Joussein
 
A blower tube spitting on a cask beater electrocuted by a metal scratcher, three actions, three letters. DDJ is a member of the band who adopted an experimental and non-conventional approach to music. Adepts of free rock, rock and jazz and violent electric noise, these musicians sprung from the turbulent Coax collective, are ready to be surprised to hear the audience or to surprise themselves, jumping from an unwedge rock atmosphere to a powerful metal sound to make crowd mosh. DDJ was born in 2006.

DDJ 

Benjamin Dousteyssier, Julien Desprez, Yann Joussein 
 
A tube blower spitting on a cask beater electrocuted by a metal scratcher, three actions, three letters. DDJ is an engaged band which adopted an experimental and non-conventional approach to music. Adepts of free rock, rock and jazz and violent electric noise, these musicians sprung from the turbulent Coax collective, are ready at every moment to surprise the audience or to surprise themselves, jumping from an unwedge rock atmosphere to a powerful metal sound to make the crowd mosh. DDJ was born in 2006.

"French band Actuum rarely break into anything other than a riot. The band set out their stall early, big sudden muscular jazz, Ronan Courty abusing his double bass from the get go, barely breaking for a groove that lasts more than a few bars while Louis Laurain on trumpet and Benjamin Dousteyssier on saxophone snarl and snap their way above the furious kit of Julien Loutelier, that reels and jabs in space he somehow manages to carve out of the musical madness. The band seems to embody a particular band of French malady in jazz (fellow Parisians Metal-o-phone also has a heavy dose and both bands work within the collective Coax) where the only option is to play the entire set of the absolute limits of your abilities. It's a set of extraordinary power and attack, with leaps into the world of total chaos and instability without ever slipping, retaining its musical identity amid the fury and flooring. "
&nbsp;
Laurence Mackin - Irish Times - 19/02/2012
&nbsp;
Benjamin Dousteyssier&nbsp;: saxophone Louis Laurain&nbsp;: trompette Ronan Courty&nbsp;: contrebass Julien Loutelier&nbsp;: drums

ACTUUM 

&laquo; French band Actuum rarely break into anything other than a riot. The band set out their stall early, big sudden muscular jazz, Ronan Courty abusing his double bass from the get go, barely breaking for a groove that lasts more than a few bars while Louis Laurain on trumpet and Benjamin Dousteyssier on saxophone snarl and snap their way above the furious kit of Julien Loutelier, that reels and jabs in space he somehow manages to carve out of the musical madness. The band seem to embody a particular band of French malady in jazz (fellow Parisians Metal-o-phone also have a heavy dose and both bands work within the Coax collective) where the only option is to play the entire set at the absolute limits of your abilities. It&rsquo;s a set of extraordinary power and attack, with leaps&nbsp;into the unknown that teeters on the edge&nbsp;of total chaos and instability without ever slipping, retaining its musical identity amid the fury and flooring a venue with some very stylish and very challenging musical violence. &raquo;
&nbsp;
Laurence Mackin &ndash; Irish Times &ndash; 19/02/2012
&nbsp;
Benjamin Dousteyssier&nbsp;: saxophone Louis Laurain&nbsp;: trompette Ronan Courty&nbsp;: contrebasse Julien Loutelier&nbsp;: batterie

Fanny Lasfargues: double bass, electroacoustic bass, effects pedals and musical toys
Recorded January 6 and 7, 2012
Mixed and mastered by Olivier Cussac at Studio Condorcet, Toulouse

Fanny Lasfargues solo

<p style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; font-size: 13.6014px; line-height: inherit; font-family: Trebuchet, Verdana; vertical-align: baseline; text-align: justify; color: #222222;">Fanny Lasfargues : contrebasse, basse électroacoustique, pédales d&rsquo;effets et jouets musicaux
<p style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; font-size: 13.6014px; line-height: inherit; font-family: Trebuchet, Verdana; vertical-align: baseline; text-align: justify; color: #222222;">Enregistré les 6 et 7 janvier 2012 Mixé et masterisé par Olivier Cussac au Studio Condorcet, Toulouse

InnerMap is a project dealing with the perception and representation of physical space. The memory of towns and cities - and the quasi-organic nature of their networks with their ebb and flow - are central to the work, acting as a metaphor for an internal, mental, cartography.
 
In this way, the performance of improvised music for guitar offers a succession of interconnected sonic landscapes. Powerful and overwhelming electrical drones saturate the environment; acoustic resonances liberate and open the space to new colours which enable an internal unfolding, a sensitive and immersive sonic experience.

Richard Comte 

InnerMap is a project dealing with the perception and representation of physical space. The memory of towns and cities - and the quasi-organic nature of their networks with their ebb and flow - are central to the work, acting as a metaphor for an internal, mental, cartography.
 
In this way, the performance of improvised music for guitar offers a succession of interconnected sonic landscapes. Powerful and overwhelming electrical drones saturate the environment; acoustic resonances liberate and open the space to new colours which enable an internal unfolding, a sensitive and immersive sonic experience.

"Those who like their jazz with bang-up-to-date credentials joined a late-night gathering featuring Tweedle Dee. The group delivered a serious technical workout with edgy and percussive musical interaction. The raggedy, unfinished atmosphere they created only added to the excitement for those who appreciate music when it takes no prisoners." Andy Hugues Downbeat&nbsp;
&nbsp;
"adventurous and uncompromising, it is clear that the collaboration holds a lot of promise" Ian Mann, Cheltenham Review&nbsp;
&nbsp;
"engaging and vibrant" Jazzwise&nbsp;
&nbsp;
"musicians without blinkers, building a possible future for Jazz, right now." Thierry Giard, Culture Jazz.
&nbsp;
 Robin Fincker: tenor saxophone, clarinet Julien Desprez: guitar Alex Bonney: trumpet, laptop Fidel Fourneyron: trombone, tuba Downes kit: organ Dave Kane: double bass Yann Joussein: battery

TWEEDLE DEE

"Those who like their jazz with bang-up-to-date credentials joined a late-night gathering featuring Tweedle Dee. The group delivered a serious technical workout with edgy and percussive musical interaction. The raggedy, unfinished atmosphere they created only added to the excitement for those who appreciate music when it takes no prisoners." Andy Hugues Downbeat&nbsp;
"adventurous and uncompromising, it is clear that the collaboration holds a lot of promise" Ian Mann, Cheltenham Review&nbsp;
"engaging and vibrant" Jazzwise&nbsp;
"musicians without blinkers, building a possible future for Jazz, right now." Thierry Giard, Culture Jazz.
&nbsp;
Robin Fincker :&nbsp;saxophone t&eacute;nor, clarinette Julien Desprez :&nbsp;guitare Alex Bonney :&nbsp;trompette, laptop Fidel Fourneyron :&nbsp;trombone, tuba Kit Downes :&nbsp;orgue Dave Kane :&nbsp;contrebasse Yann Joussein :&nbsp;batterie

This second album of Radiation10 follows an eponymous first album released in October 2011. Written and arranged collectively, the repertoire of "Bossa SuperNova" consists of a long orchestral suite.
 Fidel Fourneyron: trombone, tuba Aymeric Avice: trumpet Hugues Mayot sax: clarinet Benjamin Flament: vibraphone Bruno Ruder: fender rhodes Clement Janinet: violin Joachim Florent: double bass Emmanuel Scarpa: battery Julien Desprez: guitar Patrick Peignelin: sound
&nbsp;

Radiation10 - Bossa SuperNova

Ce second opus de Radiation10 fait suite &agrave; un premier album &eacute;ponyme sortie en octobre 2011. Ecrit et arrang&eacute; collectivement, le r&eacute;pertoire de "Bossa SuperNova" se compose d'une longue suite orchestrale.&nbsp;
&nbsp;
Fidel Fourneyron&nbsp;: trombone, tuba Aymeric Avice&nbsp;: trompette Hugues Mayot sax&nbsp;: clarinette Benjamin Flament&nbsp;: vibraphone Bruno Ruder&nbsp;: fender rhodes Clement Janinet&nbsp;: violon Joachim Florent&nbsp;: contrebasse Emmanuel Scarpa&nbsp;: batterie Julien Desprez&nbsp;: guitare Patrick Peignelin&nbsp;: son

<p style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; font-size: 13.6014px; line-height: inherit; font-family: Trebuchet, Verdana; vertical-align: baseline; text-align: justify; color: #222222;">Philippe Gordiani : guitare Julien Desprez : guitare Emmanuel Scarpa : batterie
<p style="margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-stretch: inherit; font-size: 13.6014px; line-height: inherit; font-family: Trebuchet, Verdana; vertical-align: baseline; text-align: justify; color: #222222;">Released 2nd June 2013 Mixed and recorded by Adrian Bourget Mastering, Franck Rivoire (Supadope) Photo : Joël Philippon Contact Philippe Gordiani 06 11 42 21 31 p.gordiani@free.fr .

"Ces francs-tireurs au visage d'ange ne s'encombrent d'aucune mani&egrave;re, malmenant leurs instruments avec une fr&eacute;n&eacute;sie quasi diabolique.
&nbsp;
D&eacute;gringolades cuivr&eacute;es, d&eacute;mangeaisons des cordes, barrissements hyst&eacute;riques d'un saxophone qui s'&eacute;touffe, couine, grince et s'emballe &agrave; nouveau, duel tonal hyper rythmique entre la batterie et le vibraphone, groove magn&eacute;tique, basses fr&eacute;quences mal&eacute;fiques port&eacute;es par une contrebassiste aussi ravissante qu'imaginative: le jazz est ici le terrain de jeu privil&eacute;gi&eacute; des exp&eacute;rimentations radicales et v&eacute;loces.
&nbsp;
Yann Joussein (batterie) et Fanny Lasfargues (contrebasse) forment la cl&eacute; de vo&ucirc;te de ces emballements bruit fr&eacute;n&eacute;tiques, probablement inspir&eacute;s par Sonic Youth, N&eacute;vrose ou No&euml;l Achkot&eacute;. Les paroles de Vincent Lavigne peuvent &ecirc;tre accompagn&eacute;es d'une belle mani&egrave;re.
&nbsp;
Yann Joussein&nbsp;: drums, com&shy;po&shy;si&shy;tions&nbsp; Fanny Lasfargues&nbsp;: contre&shy;bass Yoann Durant&nbsp;: saxo&shy;pho&shy;nes&nbsp; St&eacute;phan Caracci&nbsp;: vibra&shy;phone

RETROVISEUR 

"Ces francs-tireurs au visage d'ange ne s'encombrent d'aucune mani&egrave;re, malmenant leurs instruments avec une fr&eacute;n&eacute;sie quasi diabolique.
D&eacute;gringolades cuivr&eacute;es, d&eacute;mangeaisons des cordes, barrissements hyst&eacute;riques d'un saxophone qui s'&eacute;touffe, couine, grince et s'emballe &agrave; nouveau, duel tonal hyper rythmique entre la batterie et le vibraphone, groove magn&eacute;tique, basses fr&eacute;quences mal&eacute;fiques port&eacute;es par une contrebassiste aussi ravissante qu'imaginative : le jazz est ici le terrain de jeu privil&eacute;gi&eacute; d'exp&eacute;rimentations radicales et v&eacute;loces.
Yann Joussein (batterie) et Fanny Lasfargues (contrebasse) forment la cl&eacute; de vo&ucirc;te de ces emballements noise fr&eacute;n&eacute;tiques, probablement inspir&eacute;s par Sonic Youth, Neurosis ou No&euml;l Achkot&eacute;. Arriv&eacute; au terme de leurs violentes impulsions, jusqu'&agrave; faire rendre l'&acirc;me &agrave; l'ampli de la contrebassiste, le quartet peut se r&eacute;jouir d'avoir sonn&eacute; l'auditoire d'une aussi belle mani&egrave;re." Vincent Lavigne&nbsp;
&nbsp;
Yann Joussein&nbsp;: bat&shy;te&shy;rie, com&shy;po&shy;si&shy;tions&nbsp; Fanny Lasfargues&nbsp;: contre&shy;basse&nbsp; Yoann Durant&nbsp;: saxo&shy;pho&shy;nes&nbsp; St&eacute;phan Caracci&nbsp;: vibra&shy;phone
&nbsp;

Christmas carols by a group of young troublemakers! It tickles the imagination.
Imagine a CD featuring thirty musicians (see below), among the finest jazz scene in the making, great adventurers of music ... sticking to the carols! It flourished mercantile betrayal.
&nbsp;
This group was led by Yann Joussein (dms) who provides artistic direction and arrangements (except for the compositions of Eve Risser).
No deception: it was good Christmas themes, plus two acidic compositions of a rickety Eve Risser wishes.
No betrayal: it is indeed a disrespectful music, taking the pretext of this festive period to deliver a powerful music, refreshing, all of humor ... and new! Do not look for an exact placement; it is the opposite that is sought, the shifts, the slippages, the opportunities to improvise within such a sound mass.
&nbsp;
Judge with "My beautiful tree" (you say there is a capital S?). Before you hear it, remember a choir of cherubs singing this song ...
And of course, the treatment of these great classics varies from one "song" to another.
A totally offbeat CD, bursting with good humor and talent.
&nbsp;
With Geoffroy Gesser, Julien Desprez, Fanny Lasfargues, Rafaelle Rinaudo, Jean Brice Godet, Lucie Laricq, Fidel Fourneyron, Xuan Lindenmeyer, Sylvaine H&eacute;lary, Antoine Viard, Yann Joussein, Hugues Mayot, Max Delpierre, J&eacute;r&eacute;mie Piazza, Antonin Rayo

Coax sings Christmas

Des chants de No&euml;l par un groupe de jeunes trublions du jazz ! Cela titille l'imagination.
Imaginez un CD regroupant une trentaine de musiciens (voir en bas de page), parmi la fine fleur de la sc&egrave;ne du jazz en devenir, grands aventuriers de la musique ... s'attachant aux chants de No&euml;l ! Cela fleurait la trahison mercantile.
&nbsp;
Ce groupe &eacute;tait men&eacute; par Yann Joussein (dms) qui assure la direction artistique et les arrangements (sauf pour les compositions d'Eve Risser).
Pas de tromperie : il s'est bien agit de th&egrave;mes de No&euml;l, plus&nbsp;deux compositions acidul&eacute;es d'une Eve Risser piquante &agrave; souhaits.
Pas de trahison : il s'agit bien d'une musique&nbsp;irrespectueuse, prenant pr&eacute;texte de cette p&eacute;riode festive pour d&eacute;livrer une musique puissante, rafra&icirc;chissante, toute d'humour ... et neuve ! Ne pas chercher une mise en place exacte; c'est le contraire qui est recherch&eacute;, les d&eacute;calages, les d&eacute;rapages, les occasions d'improviser au sein d'une telle masse sonore.
Qu'on en juge avec "Mon beau sapin" (vous dites qu'il y a un S majuscule ?). Avant de l'entendre, souvenez-vous d'un choeur de ch&eacute;rubins entonnant ce chant ...
Et bien &eacute;videmment, le traitement de ces grands classiques varie d'un "chant" &agrave; l'autre.
&nbsp;
Un CD totalement d&eacute;cal&eacute;, d&eacute;bordant de bonne humeur et de talents.&nbsp;
&nbsp;
Avec Geoffroy Gesser, Julien Desprez, Fanny Lasfargues, Rafaelle Rinaudo, Jean Brice Godet, Lucie Laricq, Fidel Fourneyron, Xuan Lindenmeyer, Sylvaine H&eacute;lary, Antoine Viard, Yann Joussein, Hugues Mayot, Max Delpierre, J&eacute;r&eacute;mie Piazza, Antonin Rayo

Coax chante noël

"As its name suggests, Pipeline balances crude ... crude oil ... but through the double bass refining plant, you arrive at a filtered essence infinitely more ethereal, which keeps all its energy .. through the overdrive rocker toms sound surprisingly relaxed bass drum ... In short, beautiful team beautiful formula and long road to become! " Gilbert Artman
&nbsp;
Antoine Viard : Saxophone Fanny Lasfargues : Electro-acoustique bass Ronan Courty : Contrebass Yann Joussein : Drums

PIPELINE

"Comme son nom l'indique, Pipeline balance du brut...du brut de brut...mais en passant par l'usine Double bass de raffinage, vous arrivez &agrave; une essence filtr&eacute;e infiniment plus &eacute;th&eacute;r&eacute;e, qui garde donc toute son &eacute;nergie.. en passant par l'overdrive des toms culbuteurs au son de grosse caisse &eacute;tonnament d&eacute;tendue. Bref, belle &eacute;quipe belle formule et longue route en devenir !" Gilbert Artman&nbsp;
&nbsp;
Antoine Viard : Saxophone Fanny Lasfargues : Basse &eacute;lectro-acoustique Ronan Courty : Contrebasse Yann Joussein : Batterie

Created in 2006, Radiation10 is a real mini mutant big band, combining the punch of a small band with the richness of a great orchestra, around an original instrumentation evolving between acoustics and all-electric.
&nbsp;
Far from the archetypes of ensemble music, Radiation10 proclaims a music without leader, without borders, where jazz, progressive rock, chamber music, distilled in a still improvisatory still exist.
&nbsp;
The multiple instrumental combinations serve an inventive and adventurous musical discourse, always pretext for the deployment of the energy of 9 free electrons.
&nbsp;
Fidel Fourneyron&nbsp;: trombone, tuba Aymeric Avice&nbsp;: trompette Hugues Mayot sax&nbsp;: clarinette Benjamin Flament&nbsp;: vibraphone Bruno Ruder&nbsp;: fender rhodes Clement Janinet&nbsp;: violon Joachim Florent&nbsp;: contrebass Emmanuel Scarpa&nbsp;: drums Julien Desprez&nbsp;: guitare Patrick Peignelin&nbsp;: sound

Radiation 10

Cr&eacute;&eacute; en 2006, Radiation10 est un v&eacute;ritable mini big band mutant, associant le punch d&rsquo;une petite formation &agrave; la richesse sonore d&rsquo;un grand orchestre, autour d&rsquo;une instrumentation originale &eacute;voluant entre l&rsquo;acoustique et le tout &eacute;lectrique.
Loin des arch&eacute;types de la musique d&rsquo;ensemble, Radiation10 clame une musique sans leader, sans fronti&egrave;re, o&ugrave; se c&ocirc;toient jazz, rock progressif, musique de chambre, le tout distill&eacute; dans un alambic improvisatoire.
Les multiples combinaisons instrumentales servent un discours musical inventif et aventureux, toujours pr&eacute;texte au d&eacute;ploiement de l&rsquo;&eacute;nergie de 9 &eacute;lectrons libres.
&nbsp;
Fidel Fourneyron&nbsp;: trombone, tuba Aymeric Avice&nbsp;: trompette Hugues Mayot sax&nbsp;: clarinette Benjamin Flament&nbsp;: vibraphone Bruno Ruder&nbsp;: fender rhodes Clement Janinet&nbsp;: violon Joachim Florent&nbsp;: contrebasse Emmanuel Scarpa&nbsp;: batterie Julien Desprez&nbsp;: guitare Patrick Peignelin&nbsp;: son

Member of the famous collective Coax (probably the most creative laboratory of musicians in France) and some famous groups that matter (Rearview mirror, DDJ, ...) Yann Joussein proposes his new project here.
 
More than a drum solo it's mostly a drummer solo that he offers with the radical desire to go beyond his instrument, without concessions! We find what made the originality of Mirror and what he likes in his musical models (Square Puscher or AphexTwin): the taste of sound atmospheres a little wild, rich in electric tears and rhythmic chaos lightning. In disc this project is called maliciously "Seal disemboweled", in "live" it is clearly less barbaric and especially it is the discovery of a sound universe unheard and strongly original.
 
Yann Joussein is one of the most promising young French musicians!
 
Yann Joussein drums, percussion

PHOQUE EVENTRE (Yann Joussein)

Membre du fameux collectif Coax (probablement le laboratoire de musiciens le plus créatif de l&rsquo;Hexagone ) et de quelques fameux groupes qui comptent (Rétroviseur, DDJ,&hellip;) Yann Joussein propose ici son nouveau projet. 
Plus qu&rsquo;un solo de batterie c&rsquo;est surtout un solo de batteur qu&rsquo;il offre avec le désir radical de dépasser son instrument, sans concessions ! On y retrouve ce qui faisait l&rsquo;originalité de Rétroviseur et ce qu&rsquo;il aime dans ses modèles musicaux(Square Puscher ou AphexTwin): le goût des ambiances sonores un peu sauvages, riches en déchirures électriques et en chaos rythmiques fulgurants. En disque ce projet se nomme méchamment « Phoque éventré », en «live » c&rsquo;est nettement moins barbare et surtout c&rsquo;est la découverte d&rsquo;un univers sonore inouï et fortement original.
Yann Joussein est l&rsquo;un des jeunes musiciens français les plus prometteurs ! 
Yann Joussein batterie, percussions

Antoine Viard, Alexandre Ambroziak, Mathieu Ambroziak
Release the 1st of september 2011 
Illustration Merlin Factory

The A.A’s Crisis Exit

Antoine Viard, Alexandre Ambroziak, Mathieu Ambroziak
paru le 1 septembre 2011 
Illustration Merlin Factory

&nbsp;
MeTaL-O-PHoNe is a French experimental pre-jazz trio. Distortion, feedback, delay. All of them have their own property of guitarists and their use of intriguing possibilities across the instrumental spectrum.
&nbsp;
In applying them to the vibraphone, Benjamin Filament has found its way into the heart of an instrument so often typecast as polite and mannered.
&nbsp;
The bright colors have a way to darker matter, with ambiguous pitches and ambiguous pitches, and spiritually connecting the vibes to their distant relative like the Javanese gamelan, Tibetan singing bowls and African thumb pianos.
&nbsp;
The other two thirds of MeTaL-O-PHoNe respond accordingly, and bassist Joachim Florent and drummer Elie Duris give no quarter in creating a swirling tempest of rhythms and textures that is perfectly in sync with this altered percussive landscape.
&nbsp;
Benjamin Flament, vibraphone, percussions
Joachim Florent, contrebass
Elie Duris, drums

MeTaL-O-PHoNE

MeTaL-O-PHoNe is a French experimental avant-jazz trio. Distortion, feedback, delay. All once the exclusive property of guitarists but no more and their usage have opened up intriguing possibilities across the instrumental spectrum.
In applying them to the vibraphone, Benjamin Filament has found sound something wild in the heart of an instrument so often typecast as polite and mannered.
&nbsp;
The bright colours have given way to darker matter, buzzing with overtones and ambiguous pitches, and spiritually connecting the vibes back to its distant relatives like the Javanese gamelan, Tibetan singing bowls and African thumb&nbsp;pianos.
&nbsp;
The other two thirds of MeTaL-O-PHoNe respond&nbsp;accordingly, and bassist Joachim Florent and drummer Elie Duris give no quarter in creating a swirling tempest of rhythms and textures that&rsquo;s perfectly in sync with this altered percussive landscape.&nbsp;
&nbsp;
Benjamin Flament, vibraphone, percussions
Joachim Florent, contrebasse
Elie Duris, batterie

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L'appel à projet COAX est destiné aux jeunes artistes sonores souhaitant bénéficier d'un accompagnement dans la construction d'un projet artistique. Il s'adresse aux musicien.ne.s, performeur.eus.es émergent.e.s de 18 à 30 ans, dont la pratique artistique s'inscrit dans une démarche de recherche, d'innovation, d&rsquo;hybridation et/ou d'expérimentation sonore. Du solo à la grand forme, les projets transdisciplinaires ayant le sonore comme colonne vertébrale sont également éligibles. 
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<td class="pad" style="padding-top: 5px; padding-bottom: 10px;" align="center"><a style="color: #ffffff; text-decoration: none;" href="https://form.jotform.com/262703947296367" target="_blank" rel="noopener"><span class="button" style="background-color: #000000; border-radius: 7px; color: #ffffff; display: inline-block; font-family: 'Cabin', Arial, 'Helvetica Neue', Helvetica, sans-serif; font-size: 14px; font-weight: undefined; mso-border-alt: none; text-align: center; width: auto; word-break: keep-all; letter-spacing: normal; border: 0px solid #171717;"> FORMULAIRE D'INSCRIPTION </a></td>
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<div style="max-width: 495px;"><a href="https://form.jotform.com/262703947296367" target="_blank" rel="noopener"><img style="display: block; height: auto; border: 0; width: 100%;" title="" src="https://media.beefree.cloud/pub/bfra/b49gcdxr/aww/teh/osh/APPEL-A-PROJET-2026.jpg" alt="" width="" height=""></a></div>
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Dans le cadre de l'appel à projet, COAX proposera un accompagnement sur mesure au lauréat, apportant conseils et soutien dans la conception, la production, la communication et le développement du projet sélectionné, ainsi que : 
 
● Une enveloppe budgétaire de 2000€ ● Une programmation de la création ● Trois semaines de résidence artistique chez nos partenaires ● Une programmation dans la saison du Conservatoire des Portes de l'Essonne ● Un Workshop autour de la pratique de l'artiste sélectionné 
avec des élèves du Conservatoire des Portes de l'Essonne ● Une visibilité sur les supports de COAX et auprès de son réseau de partenaires ● Possibilité de prise en charge de frais de transports et frais annexes
 Date limite des candidatures : 28 Octobre 2026 inclus. Résultats de l'appel à projet : Décembre 2026.
 
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<td class="pad" style="padding-top: 5px; padding-bottom: 5px;" align="center"><a style="color: #ffffff; text-decoration: none;" href="https://form.jotform.com/262703947296367" target="_blank" rel="noopener"><span class="button" style="background-color: #000000; border-radius: 7px; color: #ffffff; display: inline-block; font-family: 'Cabin', Arial, 'Helvetica Neue', Helvetica, sans-serif; font-size: 14px; font-weight: undefined; mso-border-alt: none; text-align: center; width: auto; word-break: keep-all; letter-spacing: normal; border: 0px solid #171717;"> FORMULAIRE D'INSCRIPTION </a></td>
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Avec le soutien des Conservatoires des Portes de l'Essonne, de la ville de Juvisy-sur-Orge, de la Muse en Circuit, de la région Île-de-France et de la DRAC Île-de-France.
 
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COAX CALL FOR PROJECTS

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L'appel à projet COAX est destiné aux jeunes artistes sonores souhaitant bénéficier d'un accompagnement dans la construction d'un projet artistique. Il s'adresse aux musicien.ne.s, performeur.eus.es émergent.e.s de 18 à 30 ans, dont la pratique artistique s'inscrit dans une démarche de recherche, d'innovation, d&rsquo;hybridation et/ou d'expérimentation sonore. Du solo à la grand forme, les projets transdisciplinaires ayant le sonore comme colonne vertébrale sont également éligibles. 
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<td class="pad" style="padding-top: 5px; padding-bottom: 10px;" align="center"><a style="color: #ffffff; text-decoration: none;" href="https://form.jotform.com/262703947296367" target="_blank" rel="noopener"><span class="button" style="background-color: #000000; border-radius: 7px; color: #ffffff; display: inline-block; font-family: 'Cabin', Arial, 'Helvetica Neue', Helvetica, sans-serif; font-size: 14px; font-weight: undefined; mso-border-alt: none; text-align: center; width: auto; word-break: keep-all; letter-spacing: normal; border: 0px solid #171717;"> FORMULAIRE D'INSCRIPTION </a></td>
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<div style="max-width: 495px;"><a href="https://form.jotform.com/262703947296367" target="_blank" rel="noopener"><img style="display: block; height: auto; border: 0; width: 100%;" title="" src="https://media.beefree.cloud/pub/bfra/b49gcdxr/aww/teh/osh/APPEL-A-PROJET-2026.jpg" alt="" width="" height=""></a></div>
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Dans le cadre de l'appel à projet, COAX proposera un accompagnement sur mesure au lauréat, apportant conseils et soutien dans la conception, la production, la communication et le développement du projet sélectionné, ainsi que : 
 
● Une enveloppe budgétaire de 2000€ ● Une programmation de la création ● Trois semaines de résidence artistique chez nos partenaires ● Une programmation dans la saison du Conservatoire des Portes de l'Essonne ● Un Workshop autour de la pratique de l'artiste sélectionné 
avec des élèves du Conservatoire des Portes de l'Essonne ● Une visibilité sur les supports de COAX et auprès de son réseau de partenaires ● Possibilité de prise en charge de frais de transports et frais annexes
 Date limite des candidatures : 28 Octobre 2026 inclus. Résultats de l'appel à projet : Décembre 2026.
 
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<td class="pad" style="padding-top: 5px; padding-bottom: 5px;" align="center"><a style="color: #ffffff; text-decoration: none;" href="https://form.jotform.com/262703947296367" target="_blank" rel="noopener"><span class="button" style="background-color: #000000; border-radius: 7px; color: #ffffff; display: inline-block; font-family: 'Cabin', Arial, 'Helvetica Neue', Helvetica, sans-serif; font-size: 14px; font-weight: undefined; mso-border-alt: none; text-align: center; width: auto; word-break: keep-all; letter-spacing: normal; border: 0px solid #171717;"> FORMULAIRE D'INSCRIPTION </a></td>
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Avec le soutien des Conservatoires des Portes de l'Essonne, de la ville de Juvisy-sur-Orge, de la Muse en Circuit, de la région Île-de-France et de la DRAC Île-de-France.
 
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APPEL A PROJET COAX

Collective created in 2008, Coax brings together about twenty artists around a common axis: creation, booking, organization and production of protean projects / objects (performances, festivals, parties, tours, curation, label, radio ...) within a sustainable cultural ecosystem. Since its creation, Coax has constantly built a strong and transversal artistic identity around creative music, crossing aesthetics and disciplines by going beyond the traditional esthetics.
Through its activity as a producer / broadcaster, as well as the development of cultural actions and artistic exchanges with various audiences, Coax has become over the years a recognized actor in musical creation at the regional, national and international level, evolving over the years at the crossroads of several networks: experimental music, performance, rock, noise, jazz / improvised music, contemporary music, electronic music. It creates bridges between so-called alternative and institutional venues promoting diversity of audiences.
 Coax gathers more than thirty musicians, dancers, visual artists and technicians : Julien Desprez, Yann Joussein, Simon Henocq, Antoine Viard, Olivia Scemama, JF Riffaud, Emma Kerssenbrock, Octave Courtin, Caroline Savi Marsalo, Luca Ventimiglia, Julien Chamla, Richard Comte,Francesco Pastacaldi, Camila Nebbia, JP Retel, Philippe Gleizes, Farida Amadou, Sheik Anorak, Fabien Rimbaud, Romain Allard, Romain Clerc-Renaud, Geoffroy Gesser, Linda Olah, Rachel Langlet, Clement Vercelletto, Audrey Chen, Lukas König, Prune Becheau, Augustin Bette, Manu Scarpa...
 
<iframe title="YouTube video player" src="https://www.youtube.com/embed/TaFCSeSd1Lc" width="650" height="366" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
 
<a style="font-weight: bold;" href="https://www.dropbox.com/s/r2bfunfg55oh8z0/000%20-%20DOSSIER%20DE%20PRESENTATION%20-%20Coax%20-%20h.pdf?dl=0" target="_blank" rel="noopener">PRESENTATION</a>
 
<h6><a href="https://drive.google.com/drive/folders/1betIO8xIno-pjiZbbFUdL07xYlojPULP?usp=drive_link" target="_blank" rel="noopener">ACTIVITY REPORT</a></h6>

Presentation

Collectif créé en 2008, Coax réunit une vingtaine d&rsquo;artistes autour d&rsquo;un axe commun : la création, la diffusion, l&rsquo;organisation et la production de projets/objets protéiformes (performances, festivals, soirées, tournées, curation, label, radio...) au sein d&rsquo;un écosystème culturel durable. Depuis sa création, Coax n&rsquo;a eu de cesse de se construire une identité artistique forte et transversale autour des musiques de création, croisant les esthétiques et les disciplines en dépassant les traditionnels clivages de genre.
Au travers de son activité de producteur/diffuseur, du développement d&rsquo;actions culturelles et d&rsquo;échanges artistiques auprès de publics variés, Coax est devenu au fil des années un acteur reconnu de la création musicale au niveau régional, national et international, évoluant à la croisée de plusieurs réseaux : musiques expérimentales, performance, rock, noise, jazz/musiques improvisées, musiques contemporaines, musiques électroniques. Il crée des ponts entre les lieux dits alternatifs et institutionnels et favorise ainsi le mélange des publics.
 Coax regroupe une trentaine de musicien.ne.s, danseur.euse.s, artistes visuels, technicien.ne.s : Julien Desprez, Yann Joussein, Simon Henocq, Antoine Viard, Olivia Scemama, JF Riffaud, Octave Courtin, Meryll Ampe, Sara Lehad, Claire Gapenne, Caroline Savi Marsalo, Paola Aviles, Francesco Pastacaldi, Camila Nebbia, Fabien Rimbaud, Romain Allard, Geoffroy Gesser, Linda Olah, Rachel Langlais, Clement Vercelletto, Audrey Chen, Lukas König, Prune Becheau, Julien Chamla&hellip;
 
 
<iframe title="YouTube video player" src="https://www.youtube.com/embed/NAooEr34MiA?si=6Nv204J6VrFQUcow" width="650" height="366" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="allowfullscreen"></iframe>
 
<iframe title="YouTube video player" src="https://www.youtube.com/embed/Xt6Op1zsuOg?si=VHPSrzezid14P_FB" width="650" height="366" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="allowfullscreen"></iframe>
 
<a style="font-weight: bold; color: rgb(0, 0, 0);" href="https://drive.google.com/file/d/1j58akd1dPUJFDsksERT2W_mK_DLZt7Zs/view?usp=sharing" target="_blank" rel="noopener">PRESENTATION</a>
 
<h6><a style="color: rgb(0, 0, 0);" href="https://drive.google.com/drive/folders/1betIO8xIno-pjiZbbFUdL07xYlojPULP?usp=drive_link" target="_blank" rel="noopener">RAPPORTS D'ACTIVITE</a></h6>

<h3>CO-FOUNDERS</h3>
 
JULIEN DESPREZ (Guitar, improviser, performer, composer)
If free jazz and rock were his first musical loves, he was quickly drawn toward more open artistic forms that disregard aesthetic boundaries and leave space for improvisation. Today, he approaches the guitar more as a drum set, an organ, a flexible and expandable instrument.
Projects: Agora, Julien Claire, Intégral&hellip;
 
SIMON HENOCQ (Electronics, guitar, improviser, composer)
Mainly self-taught, his approach deliberately exists outside of any genre classification, while expressing a strong affinity for free and radical music. A guitarist, electroacoustic artist, installation designer, and artistic producer, he observes, diverts, and reinvents instruments and electronic lutherie objects to create intense and singular performances where sonic experimentation plays a central role.
Projects: We Use Cookies, Do_Do, Encre Brune&hellip;
 
YANN JOUSSEIN (Drums, electronic percussion, improviser, composer)
Graduated from the CNSM in 2008 and awarded at the La Défense National Competition in 2010 and 2011, his music lies within an experimental approach combining extended drum techniques and electronic music.
Projects: Keep The Bastards Honest, Tribalism3, Håla Duett, Bribes 4&hellip;
 
ANTOINE VIARD (Saxophone, improviser, composer)
Graduated from the Conservatoire National Supérieur de Paris in 2009, he founded the groups Pipeline and Hippie Diktat (as well as its large ensemble version &ldquo;Monument(a)&rdquo;) and his solo project Tumulus.
Projects: Tumulus, ParkR, -CA-&hellip;
 
ALSO FEATURING: Joachim Florent, Hugues Mayot, Emmanuel Scarpa, Clément Janinet, Benjamin Flament, Aymeric Avice, Fanny Lasfargues, Richard Comte, Rafaëlle Rinaudo, Geoffroy Gesser, Romain Clerc-Renaud, Julien Chamla, Sébastien Brun, Yoann Durant, Clément Edouard, Elie Duris&hellip;
<h3> </h3>
<h3>COMMUNICATION / ADMINISTRATION / PRODUCTION / BOOKING :</h3>
 
Administration Yasmina Rakovsky yasmina [at] collectifcoax [point] com Production / Communication / Label David Dubuis david [at] collectifcoax [point] com Production / Booking Sophie Massa sophie [at] collectifcoax [point] com

Team

<h3>CO-FONDATEURS</h3>
 
JULIEN DESPREZ (Guitare, improviser, performer, composer)
Si le free-Jazz et le rock ont été ses premiers amours musicaux, il a été très vite attiré vers des formes artistiques plus libres faisant fi des barrières esthétiques et laissant la place à l&rsquo;improvisation. Aujourd'hui il envisage la guitare plutôt comme une batterie, un orgue, un instrument modifiable et déployable à souhait.
Projects : Agora, Julien Claire, Intégral&hellip;
 
SIMON HENOCQ (Electronics, guitare, improviser, composer)
Principalement autodidacte, sa démarche se situe volontairement hors de toute classification de genre, tout en exprimant un goût affirmé pour les musiques libres et radicales. Guitariste, électroacousticien, concepteur d&rsquo;installations et producteur artistique, il observe, détourne et réinvente les instruments et objets de lutherie électronique afin de façonner des performances intenses et singulières, où l&rsquo;expérimentation sonore occupe une place centrale.
Projects : We Use Cookies, Do_Do, Encre Brune&hellip;
 
YANN JOUSSEIN (Drums, electronic percussion, improviser, composer)
Diplomé du CNSM en 2008 puis primé au concours national de la Défense en 2010 et 2011, sa musique s'inscrit dans une veine expérimentale entre techniques étendues à la batterie et la musique électronique.
Projects : Keep The Bastards Honest, Tribalism3, Håla Duett, Bribes 4&hellip;
 
ANTOINE VIARD (Saxophone, improviser, composer)
Diplômé du Conservatoire National Supérieur de Paris en 2009, il fonde les groupes Pipeline et Hippie Diktat (et sa déclinaison en grand orchestre « Monument(a) ») et son projet solo Tumulus.
Projects : Tumulus, ParkR, -CA-&hellip;
 
MAIS AUSSI : Joachim Florent, Hugues Mayot, Emmanuel Scarpa, Clement Janinet, Benjamin Flament, Aymeric Avice, Fanny Lasfargues, Richard Comte, Rafaëlle Rinaudo, Geoffroy Gesser, Romain Clerc-Renaud , Julien Chamla, Sébastien Brun, Yoann Durant, Clément Edouard, Elie Duris&hellip;
 
<h3>COMMUNICATION / ADMINISTRATION / PRODUCTION / BOOKING :</h3>
 
Administration Yasmina Rakovsky yasmina [at] collectifcoax [point] com Production / Communication / Label David Dubuis david [at] collectifcoax [point] com Production / Diffusion Sophie Massa sophie [at] collectifcoax [point] com

Equipe

Labels/Distributers:
 
Institutionnal :
 
<a href="http://www.culture.gouv.fr/Regions/Drac-Ile-de-France" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-drac.png" alt="misc-drac.png" width="100" height="100"></a><a href="https://www.iledefrance.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-ile-de-france.png" alt="misc-ile-de-france.png" width="100" height="100"></a> <a href="https://spedidam.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-spedidam.png" alt="misc-spedidam.png" width="100" height="100"></a> <a href="https://www.adami.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-adami.png" alt="misc-adami.png" width="100" height="100"></a> <a href="http://www.onda.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-onda.png" alt="misc-onda.png" width="100" height="100"></a> <a href="http://www.institutfrancais.com/fr" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-institut-francais.png" alt="misc-institut-francais.png" width="100" height="100"></a> <a href="https://www.sacem.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-sacem.png" alt="misc-sacem.png" width="100" height="100"></a> <a href="https://www.scpp.fr/SCPP/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-scpp.png" alt="misc-scpp.png" width="100" height="100"></a> <a href="https://www.lefcm.org/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-fcm.png" alt="misc-fcm.png" width="100" height="100"></a><a href="http://ajc-jazz.eu/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-ajc.png" alt="misc-ajc.png" width="100" height="100"></a> <a href="http://www.adiam94.org/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-adiam94.png" alt="misc-adiam94.png" width="100" height="100"></a> <a href="https://www.valdemarne.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-cg94.png" alt="misc-cg94.png" width="100" height="100"></a>
 
<a href="http://cartoncartoncarton.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-carton-records.png" alt="misc-carton-records.png" width="100" height="100"></a> <a href="http://www.gafferrecords.com/" target="_blank" rel="noopener"> </a> <a href="http://nunc-nunc.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-nunc.png" alt="misc-nunc.png" width="100" height="100"></a> <a href="http://www.umlautrecords.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-umlaut-records.png" alt="misc-umlaut-records.png" width="100" height="100"></a> <a href="http://www.musearecords.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-musea.png" alt="misc-musea.png" width="100" height="100"></a><a href="https://becoq.bandcamp.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-becoq.png" alt="misc-becoq.png" width="100" height="100"></a><a href="https://www.lesallumesdujazz.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-allums-du-jazz.png" alt="misc-allums-du-jazz.png" width="100" height="100"></a>
 
Collectives/Artists:
 
<a href="http://www.1name4acrew.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-1-name-4-crew.png" alt="misc-1-name-4-crew.png" width="100" height="100"></a><a href="http://www.grolektif.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-grolektif.png" alt="misc-grolektif.png" width="100" height="100"></a> <a href="http://muzzix.info/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-muzzix.png" alt="misc-muzzix.png" width="100" height="100"></a> <a href="http://www.onzeheuresonze.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-onze-heures-onze-1.png" alt="misc-onze-heures-onze-1.png" width="100" height="100"></a> <a href="https://www.lesvibrantsdefricheurs.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-vibrants-dfricheurs.png" alt="misc-vibrants-dfricheurs.png" width="100" height="100"></a><a href="http://www.loopcollective.org/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-loop-collective.png" alt="misc-loop-collective.png" width="100" height="100"></a> <a href="https://www.lebazardier.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-le-bazardier.png" alt="misc-le-bazardier.png" width="100" height="100"></a> <a href="http://letonvertical.blogspot.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-le-ton-vertical.png" alt="misc-le-ton-vertical.png" width="100" height="100"></a> <a href="http://www.gafferrecords.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-gaffer-records.png" alt="misc-gaffer-records.png" width="100" height="100"></a><a href="https://www.facebook.com/Collision-Collective-823436727708858/" target="_blank" rel="noopener"> <img src="../../../uploads/misc/misc-collision-collective.png" alt="misc-collision-collective.png" width="100" height="100"></a><a href="https://www.facebook.com/pages/biz/cruise/L%C3%9CDICKE-156138287890420/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-ludicke.png" alt="misc-ludicke.png" width="100" height="100"></a><a href="http://futurscomposes.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-logo-futurscomposes-noir-fondtransparent.png" alt="misc-logo-futurscomposes-noir-fondtransparent.png" width="90" height="81"></a>
Aussi : <a href="http://lucielaricq.franceimpro.net/" target="_blank" rel="noopener">Lucie Laricq</a>, <a href="http://www.ccilia.org/cc/" target="_blank" rel="noopener">Cécilia Davoine</a>, <a href="http://chronoscorp.free.fr/" target="_blank" rel="noopener">Sébastien Eustache</a>, <a href="http://pvillarroel.free.fr/" target="_blank" rel="noopener">Patricio Villaroel</a>, <a href="https://www.yvesdorison.net/" target="_blank" rel="noopener">Yves Dorison</a>, <a href="https://www.flickr.com/photos/hazam/" target="_blank" rel="noopener">Hazam Modoff</a>, <a href="http://www.jerometisserand.com/" target="_blank" rel="noopener">Jérôme Tisserand</a>
, <a href="http://www.surnaturalorchestra.com/" target="_blank" rel="noopener">Surnatural Orchestra.</a>..
 
Partner venues :
 
<a href="http://www.fgo-barbara.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-fgo.png" alt="misc-fgo.png" width="100" height="100"></a> <a href="https://www.mainsdoeuvres.org/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-mains-doeuvres.png" alt="misc-mains-doeuvres.png" width="100" height="100"></a> <a href="https://www.instantschavires.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-instants-chavirs.png" alt="misc-instants-chavirs.png" width="100" height="100"></a> <a href="https://www.banlieuesbleues.org/1_agenda.php" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-la-dynamo.png" alt="misc-la-dynamo.png" width="100" height="100"></a> <a href="http://legenerateur.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-generateur.png" alt="misc-generateur.png" width="100" height="100"></a> <a href="https://philharmoniedeparis.fr/fr" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-philharmonie.png" alt="misc-le-bazardier.png" width="100" height="100"></a><a href="https://jazzalavillette.com/fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-jazz--la-villette.png" alt="misc-jazz--la-villette.png" width="100" height="100"></a> <a href="https://www.theatre-vanves.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-theatre-de-vanves.png" alt="misc-theatre-de-vanves.png" width="100" height="100"></a> <a href="http://www.nouveau-theatre-montreuil.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-nouveau-theatre-de-montreuil.png" alt="misc-nouveau-theatre-de-montreuil.png" width="100" height="100"></a><a href="https://www.letempsmachine.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-temps-machine.png" alt="misc-temps-machine.png" width="100" height="100"></a><a href="https://www.biennalenemo.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-biennale-nemo.png" alt="misc-biennale-nemo.png" width="100" height="100"></a><a href="http://alamuse.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-muse-en-circuit.png" alt="misc-muse-en-circuit.png" width="100" height="100"></a><a href="http://lecube.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-le-cube.png" alt="misc-le-cube.png" width="100" height="100"></a><a href="https://www.gigantonium.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-logogigantonium.jpeg" alt="misc-gros-q.png" width="90" height="90"></a>
 
Médias :
 
<a href="https://www.citizenjazz.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-citizen-jazz.png" alt="misc-citizen-jazz.png" width="100" height="100"></a> <a href="https://www.enlargeyourparis.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-enlarge-your-paris.png" alt="misc-enlarge-your-paris.png" width="100" height="100"></a><a href="http://www.djamlarevue.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-djam.png" alt="misc-djam.png" width="100" height="100"></a><a href="https://www.francemusique.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-france-musique.png" alt="misc-france-musique.png" width="100" height="100"></a><a href="http://www.jazzmagazine.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-jazz-magazine.png" alt="misc-jazz-magazine.png" width="100" height="100"></a><a href="http://www.rfpp.net/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-fpp.png" alt="misc-fpp.png" width="100" height="100"></a><a href="http://www.jazz-news.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-jazz-news.png" alt="misc-jazz-news.png" width="100" height="100"></a><a href="https://le-drone.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-le-drone.png" alt="misc-le-drone.png" width="100" height="100"></a><a href="http://www.lylo.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-lylo.png" alt="misc-lylo.png" width="100" height="100"></a><a href="http://www.nova.fr/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-nova.png" alt="misc-nova.png" width="100" height="100"></a> <a href="https://putsch.media/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-putsch-2.png" alt="misc-putsch-2.png" width="100" height="100"></a><img src="../../../uploads/misc/misc-novorama.png" alt="misc-novorama.png" width="100" height="100"> <a href="https://www.radio-libertaire.net/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-radio-libertaire.png" alt="misc-radio-libertaire.png" width="100" height="100"></a> <a href="http://www.radioneo.org/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-radio-neo.png" alt="misc-radio-neo.png" width="100" height="100"></a><a href="http://www.up-magazine.info/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-up.png" alt="misc-up.png" width="100" height="100"></a><a href="https://weareemotions.com/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-we-are-emotions.png" alt="misc-we-are-emotions.png" width="100" height="100"></a> <a href="https://www.radiocampusparis.org/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-radio-campus-paris.png" alt="misc-radio-campus-paris.png" width="100" height="100"></a><a href="https://www.radiocampusparis.org/" target="_blank" rel="noopener"><img src="../../../uploads/misc/misc-numerama.png" alt="misc-numerama.png" width="100" height="100"></a>

Label

TEASER KERMESSE(S)

WE USE COOKIES - LIVE BOILER MERDE

WE USE COOKIES & AL. - Excerpts

GUMMI - Live @ Jazz à la Villette

TRIBALISM3 - Teaser

TRIBALISM3 - April on Mars

LA PEUGE EN MAI - 'A l'improviste' sur France Musique

HåLA DUETT - LIVE SESSION

ABACAXI @ GROUND MUSIC FESTIVAL

HIPPIE DIKTAT - Plexus

JULIEN DESPREZ @ ISABEL SÖRLING - Co-Working

HIPPIE DIKTAT - Teaser 1 (Gran Sasso)

TEASER KERMESSE(S)

WE USE COOKIES - LIVE BOILER MERDE

WE USE COOKIES & AL. - Excerpts

GUMMI - Live @ Jazz à la Villette

TRIBALISM3 - Teaser

TRIBALISM3 - April on Mars

LA PEUGE EN MAI - 'A l'improviste' sur France Musique

HåLA DUETT - LIVE SESSION

ABACAXI @ GROUND MUSIC FESTIVAL

HIPPIE DIKTAT - Plexus

JULIEN DESPREZ @ ISABEL SÖRLING - Co-Working

HIPPIE DIKTAT - Teaser 1 (Gran Sasso)

TEASER KERMESSE(S)

WE USE COOKIES - LIVE BOILER MERDE

WE USE COOKIES & AL. - Excerpts

GUMMI - Live @ Jazz à la Villette

TRIBALISM3 - Teaser

TRIBALISM3 - April on Mars

LA PEUGE EN MAI - 'A l'improviste' sur France Musique

HåLA DUETT - LIVE SESSION

ABACAXI @ GROUND MUSIC FESTIVAL

HIPPIE DIKTAT - Plexus

JULIEN DESPREZ @ ISABEL SÖRLING - Co-Working

HIPPIE DIKTAT - Teaser 1 (Gran Sasso)